Archive by Author

Women on Top: Pam Belluck, Hettie Jones, Margot Olavarria, Marci Blackman & Beth Lisick

23 Mar

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At the Burroughs 101 reading, Three Rooms Press announced that their next reading at Cornelia Street Cafe would be Women on Top, featuring “five feisty females”: Pam Belluck, Hettie Jones, Margot Olavarria, Marci Blackman, and Beth Lisick, and hosted by Three Rooms Press’ Kat Georges. My friend and I decided on the spot, without even consulting our schedules, that we were going.

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The main reason I knew I had to be at this reading was Hettie Jones. As a Beat scholar, I’ve long admired Hettie Jones for being a woman who was more than just a muse — she is a writer with her own voice and transcends categorization. I first heard her reading at the Women of the Beat Generation panel at the Bowery Poetry Club, which incidentally was the first time I ever ventured into Bob Holman‘s poetry venue, which became an important part of my own literary upbringing. Later, while studying creative writing at The New School, one of my instructors introduced me to Hettie because he knew I was interested in Beat literature. She was so down-to-earth and honest. She talked with me for a long time, and I greatly valued her insight into the role of women in the Beat Generation. The last time I heard her read was at 2013’s Downtown Literary Festival, where she read at McNally Jackson. Obviously, it had been way too long since I’d heard her read! I loved, loved, loved the poems she selected to read at Three Rooms Press’ Women on Top reading. She read about driving, about New York City, and about the 1940s. Jones didn’t self-analyze, but what I found particularly fascinating to think about was how driving was almost a feminist act at the time. It’s not that women didn’t know how to drive; it’s that the men usually took over the driving. Jack Kerouac, however, hated driving. Occasionally, he took the wheel, but oftentimes he rode Greyhound or let his buddy Neal Cassady do the driving. I don’t think it would be fair to make some sort of leap and question Kerouac’s masculinity because he wasn’t a man who liked driving, but I do think it’s fair to say Jones didn’t let culture dictate what she could or couldn’t do as a woman. She blazed her own path.

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Driving appeared to be the theme of the night. Margot Olavarria, the original bass player for the punk band The Go-Go’s, told tales from life on the road. The world of rock’n’roll is so full of men’s stories that I appreciated hearing what it was like a woman’s experience of life out on tour.

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Marci Blackman had a road connection too — the award-winning novelist is an avid cyclist. Check this out: “An avid cyclist and veteran of the Sister Spit Rambling Road Show, Blackman once spent six weeks in a van with 11 queer writers on a cross country spoken word tour and 12 weeks, alone on a bicycle, pedaling from San Francisco to the outer banks of North Carolina.”

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Beth Lisick is one of those authors whose name is everywhere, so I was excited to hear her read. She did not disappoint. She is a true performer, an author who makes readings lively and entertaining. She read from her work-in-progress. Now I need to work my way through her other five books.

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Pam Belluck is on the health and science staff of The New York Times, and even before that she covered a wide range of fascinating news topics. She regaled the audience with stories of what it was like being a pregnant woman covering major news events.

Write Like a Lion or a Lamb at the Redeemer Writers Group

20 Mar

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Nana, Maurice, Peter, and I are leading a writers workshop at the Redeemer Offices (1166 Avenue of the Americas, 16th Floor) here in New York on March 25, 2015, from 7-9pm. All are welcome to join us. Please bring one to two pages of your writing to share during the critiquing time. FMI.

RSVP through the Center for Faith & Work is mandatory due to office security.

Editor’s Note: Details have now been corrected from an earlier publication. 

Kuros Charney’s “The Humanist” Questions the Value of the Humanities

18 Mar

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My friend and I attended Kuros Charney‘s play “The Humanist” the other night, and it resonated ever so profoundly. Here’s the synopsis:

A comedy about the corporatization of higher education. When his old flame becomes his new boss, a classics professor at a public university must fight to keep his job in the face of state budget cuts and profit motives, while defending the humanities as the foundation of democracy.
The play was put on at Urban Stages and starred J. Anthony Crane, Kate Jennings Grant, Lipica Shah, and Dylan Chalfy. They all have great acting chops, as evidenced not only by their performance in this reading of the play, but in their former credits. In particular, Shah gave a standout performance, appearing so natural in her role of the student that at times I forgot she was acting.
Kuros, a writer I know from living in the same neighborhood in New York City, explores weighty issues of the purpose of education; culture as both an ethnic (read: immigrant) and socio-economic (read: aspirational) descriptor; and relationships between administrators, professors, and students. “The Humanist” shows both the plight of idealistic, intelligent students and their wearying professors in an economic environment in which success needs to be quantifiable. For as much depth as is in the two-hour play, it was also full of humorous and tender moments.
As a graduate of a liberal arts college who studied the humanities — English major FTW! — who also happened to study the classics (I studied Classical Greek at Pomona College), and then went on to get my MFA in creative writing (nonfiction), I believe strongly in the importance of education for education’s sake and art for art’s sake, and yet that’s because I view both education and art as transformational, empowering, and purposeful. I believe that in the long run, education and the arts are just as important to democracy as anything else. Capitalist business models have their place. It’s important to be able to put food on the table. But I believe we can do that while still valuing the studying of Classical Greek.
But maybe I’m a bit biased. ;-)

Anne Waldman, Penny Arcade, Jan Herman, Steve Dalachinsky & Aimee Herman Read Burroughs 101!

15 Mar

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Attending Three Rooms Press’ Burroughs 101 celebration at Cornelia Street Cafe has become an annual event for my friend and me. Last year’s phenomenal readings culminating in an epic communal reading brought the spirit of Burroughs and the Beat Generation to life, and it was no surprise that this year there were even more people in the audience than at the centennial event.

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Anne Waldman is captivating. I cannot keep my eyes off her when she recites her poetry. I can’t even call what she does “reading.” She sings, chants, tells stories. It’s deeper than performance. It’s like she becomes the poem. I heard her read at the First Blues event honoring Allen Ginsberg’s work at Housing Works. With Ginsberg, she founded the Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado. She was also friends with William S. Burroughs so it felt special to hear her read her friend’s work. Her son, Ambrose Bye, accompanied her at the Burroughs 101 event, weaving jazz music throughout her poetry. I definitely want to see them perform together again.

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Any time I get a chance to hear Steve Dalachinsky read I jump at the opportunity. The first time I ever heard the New York poet read was actually the first time I ever attended Lowell Celebrates Kerouac. After that, I ran into him at various other readings, but I am naturally shy and hate to appear fan-girlish so I was nervous about introducing myself. Fortunately, David Amram introduced me to Steve and his wife, poet Yuko Otomo, on my second trip to Lowell Celebrates Kerouac, so now I always enjoy catching up with Steve and Yuko when I see them. Steve does amazing jazz-poetry, and I tend to prefer hearing him read his own work, but he has such a reverence for Beat poetry that he gives reverence to Beat events that could otherwise come out cultish or immature.

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Jan Herman is a scholar. He’s someone I’d like to just sit down in a coffee shop with and listen to him talk and tell stories. And that’s what he did at the Burroughs 101 reading. In a conversational approach, he told stories about Burroughs.

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Aimee Herman kicked the evening off, bringing Burroughs’ rebellious and experimental spirit to life at Cornelia Street Cafe as she ripped up poems as she read. Burroughs, as most know, cut up his writing and rearranged it to form his work. Aimee Herman’s reading succinctly captured Burroughs’ literary methodology in that simplistic and stunning gesture.

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Penny Arcade is an authentic poet on the scene since I was old enough experience the contemporary New York poetry world. She closed the evening by reading Burroughs’ aphorisms. It was the perfect ending to a perfect reading.

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The Burroughs 101 celebration was hosted by Three Rooms Press’ very own Peter Carlaftes.

Fall in Love with Writing This February 26

13 Feb

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Nana, Maurice, and I are leading a writers workshop at the NEW Redeemer offices (1166 Avenue of the Americas, 16th floor) here in New York on February 26, 2015, from 7-9pm. All are welcome to join us. Please bring one to two pages of your writing to share during the critiquing time. FMI.

Please note change of date to February 26 and change of location to 1166 Avenue of the Americas, 16th floor. You MUST register for the event via Redeemer due to new office security measures. Thanks!

Remembering Lucien Carr

28 Jan

Because of the film Kill Your Darlings, much has been made recently of Lucien Carr’s murder of David Kammerer, but that’s not how he should be remembered. Carr served his time and tried to distance himself from that association, though he did remain lifelong friends with the people he’d met as a prank-loving student at Columbia. He even went so far as to have Allen Ginsberg take his name out of the dedication to Howl after learning of it in the first printing.

So what should we remember Lucien Carr for? He did not, after all, seek to capitalize on his name or associations with his own writing. Instead, he should remember for tirelessly working as an editor at UPI for close to five decades. There, he encouraged and molded young writers, just as he often did for his “Beat” friends.

Lucien Carr passed away on this day in 2005.

Recommended reading::: Eric Homberger’s obituary “Lucien Carr” for The Guardian.

Kick Your Writing Off This Year at the Redeemer Writers Group

16 Jan

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Nana, Maurice, and I are leading a writers workshop at the Redeemer Offices (1359 Broadway, 4th Floor, Main Conference Room) here in New York on January 21, 2015, from 7-9pm. All are welcome to join us. Please bring one to two pages of your writing to share during the critiquing time. FMI.

Editor’s note: The date has been changed to January 21.

Writing Resolutions for 2015

7 Jan

Happy New Year!

I’ve been thinking a lot about what specifically I want to accomplish with my writing this year. My Burnside Writers Collective friend Adam P. Newton recently posted ‘s piece “52 Things Ideas for Writers for 2015.” I’ve read a lot of generic lists, but this list had some great ideas on it.

Since I tend toward the stream of conscious, I particularly thought this idea would be helpful for improving the structure of my memoir:

Map a book you love. It will teach you a lot to outline a book you’ve read more than once to see how another author thinks about structure, scenes, and narrative arc.

I guess I better get to work!

 

 

 

 

Stepping into 2015

5 Jan

I thought it might be worth reposting this as a reminder to myself.

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Last January, I posted these two articles I wrote for Burnside:::

Does God Laugh at Our Resolutions?

Christian New Year’s Resolutions

Reading them a year later, I wish that I had done so sooner and refocused myself.  I really love these two resolutions:::

Resolution:  Walk humbly with God.

Resolution:  Love others.

The notion of walking humbly with God is just so beautiful and peaceful.  When I visited my family over the holidays, we took a few walks together.  There was no agenda.  We simply walked leisurely around the neighborhood, taking in the bright pinks of the flowering trees and the azure sky as we chatted.  The walks were short — under half an hour — but that time we spent meandering cul-de-sacs and admiring palm trees made an impression on me.  It felt meaningful even though our conversations weren’t necessarily any more meaningful than any other conversations we had during our time together.  In New York City, I walk a lot, but I’m usually walking with an agenda — with a predetermined place to go and time to be there by — and am walking on my own against a crowd of strangers.  Walking with someone just to enjoy their company is a much different feeling.

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That was from 2012. A lot has changed since then. My sister moved out of the city, and my mother had a stroke, so we haven’t spent the past two Christmases together. I’ve spent a lot of time walking in the city by myself. But new people have also come into my life, and I’ve spent time walking with them, both literally and figuratively. Most importantly, many of the new people that have come into my life have been helping me in my walk with God.

This week I was reflecting on 2 Peter 1: 3-11:

3 His divine power has granted to us all things that pertain to life and godliness, through the knowledge of him who called us to[c] his own glory and excellence,[d] by which he has granted to us his precious and very great promises, so that through them you may become partakers of the divine nature, having escaped from the corruption that is in the world because of sinful desire. For this very reason, make every effort to supplement your faith with virtue,[e] and virtue with knowledge, and knowledge with self-control, and self-control with steadfastness, and steadfastness with godliness, and godliness with brotherly affection, and brotherly affection with love. For if these qualities[f] are yours and are increasing, they keep you from being ineffective or unfruitful in the knowledge of our Lord Jesus Christ. For whoever lacks these qualities is so nearsighted that he is blind, having forgotten that he was cleansed from his former sins. 10 Therefore, brothers,[g] be all the more diligent to confirm your calling and election, for if you practice these qualities you will never fall. 11 For in this way there will be richly provided for you an entrance into the eternal kingdom of our Lord and Savior Jesus Christ.

It seems like a good passage to continually focus on this year.

Christmasy Photos 2014

4 Jan

I love New York City during the Christmas holidays. Everything just sparkles! I spent a lot of time walking around the city this winter, taking in all the shop windows. It’s just about time to tackle the new year, and I’m fully convinced 2015 will be a great one, but I couldn’t resist posting a few photographs from the holiday season.

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