Because of the film Kill Your Darlings, much has been made recently of Lucien Carr’s murder of David Kammerer, but that’s not how he should be remembered. Carr served his time and tried to distance himself from that association, though he did remain lifelong friends with the people he’d met as a prank-loving student at Columbia. He even went so far as to have Allen Ginsberg take his name out of the dedication to Howl after learning of it in the first printing.
So what should we remember Lucien Carr for? He did not, after all, seek to capitalize on his name or associations with his own writing. Instead, he should remember for tirelessly working as an editor at UPI for close to five decades. There, he encouraged and molded young writers, just as he often did for his “Beat” friends.
Lucien Carr passed away on this day in 2005.
Recommended reading::: Eric Homberger’s obituary “Lucien Carr” for The Guardian.
Mark Van Doren passed away on this day in 1972, at the age of seventy-eight. Originally from Illinois, Van Doren worked for many years at Columbia University, at one point testifying on Allen Ginsberg’s behalf to keep the young poet from going to jail. Two days before his death, Van Doren underwent surgery at Charlotte Hungerford Hospital for circulatory problems. He is buried at Cornwall Hollow Cemetery in Connecticut.
Robert Lax was born on this day in 1915 in Olean, in the Southern Tier region of New York.
Lax studied poetry with Mark Van Doren at Columbia University and graduated in 1938, right before Jack Kerouac arrived on campus. Similarly, they both took on a life of wandering. Lax worked for some prestigious magazines — The New Yorker and Time – and then joined the circus as a juggler.
Eventually, he found his way to the Greek island of Patmos. The island is known as a place of pilgrimage, as the apostle John had lived there. Lax himself went on to live here for more than thirty years, living the life of a hermit and writing beautiful poetry.
Kerouac indeed did end up getting in contact with his fellow alum. You can read his letter to him in Jack Kerouac: Selected Letters, 1940-1956.
On this day in 2006 we lost Alan Ansen.
Today we celebrate his life and work. Ansen, a graduate of Harvard, was secretary to none other than the great W. H. Auden, who had come to New York City in 1939. He hung out with Jack Kerouac, William S. Burroughs, Allen Ginsberg, and Gregory Corso, and is even written into their works. By the 1960s, he had moved to Greece, where he lived on Alopekis Street in Athens, and hung out with other expatriate poets such as James Merrill (who went on to get the Pulitzer Prize in Poetry in 1977), Chester Kallman (one of Auden’s lovers), and Rachel Hadas (who went on to receive the Guggenheim Fellowship).
Ansen passed away in Athens at the age of eight-four, but leaves behind his poetry and prose. Check out:
I think reading someone’s work is one of the best way to celebrate their life. Do you have a favorite poem by Ansen?
Lionel Trilling passed away on this day in 1975, at the age of seventy. He had lived through a lot: World War I, the Lost Generation, women’s suffrage, Prohibition, the Great Depression, World War II, the Beat Generation, Hippies, and Disco. It’s no wonder his politics, a topic on which he wrote, shifted and swayed and remain up for discussion.
Trilling taught Columbia’s Colloquium on Important Books, where among his students were Allen Ginsberg and Lucien Carr.
photo by author Nana Ekua Brew-Hammond
I had the great honor of opening the We’re All Kerouacky edition of Ronnie Norpel‘s fantastic reading series Tract 187 Culture Clatch — aptly* held at The West End — on October 1 with two passages from Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road.”
Ronnie’s an amazing host. I’ve had the pleasure of knowing Ronnie for a while now. We first met at an event organized by RA Araya that she emceed. She’s also the author of probably the only sports book I’ve willingly bought: Baseball Karma & the Constitution Blues.
She organized a killer line up for the event:
WE’RE ALL KEROUACKY EDITION
celebrating Jack Kerouac on the
45th anniversary of his becoming
a Desolation Angel
Kerouac Covers by Jane LeCroy
Monologues from Larry Myers
with Janice Bishop, Tom Fenaghty & Ronnie Norpel
Author Stephanie Nikolopoulos (Burning Furiously Beautiful:The True Story of Jack Kerouac’s “On the Road”)
Music by Elliott Levin, Saxophone (Philadelphia)
I had so much fun mingling and chatting with others who enjoy Jack Kerouac’s writing. I loved seeing the way music and spoken word intertwined. It was a beautiful way to remember Kerouac’s legacy.
Some of my friends from the Redeemer Writers Group even came out, which was really special.
*I say aptly because the writers associated with the Beat Generation used to hang out at a bar called The West End. The Broadway bar closed down years ago, and this new incarnation is at 955 West End Avenue.
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You can purchase Burning Furiously Beautiful via lulu.
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March 12, 1922 – October 21, 1969
Jack Kerouac was only forty-seven years old when he passed away. The day before he died, he’d been drinking whiskey and writing at his home in St. Petersburg, Florida, when he suddenly felt ill. He called out to his wife, a Greek American from his hometown of Lowell, and Stella Sampas Kerouac got him to St. Anthony’s Hospital, where he ultimately died from his internal hemorrhage. He was buried in Edson Cemetery in Lowell, in the Sampas family plot.
images via Lamprophonic
Right on the heels of my reading at the We’re All Kerouacky edition of Ronnie Norpel’s Tract 187 Culture Clatch, I was selected to read a section from Burning Furiously Beautiful at New York’s Lamprophonic reading series on October 3.
I was super excited when I discovered that I would be reading with one of my fellow New School MFA alums, Amy Gall! She’s gone on to become Program Manager at National Book Foundation, and I always enjoy hearing her perspective on the literary industry. The other readers that evening were Bill Adelson, Emily Chamberlain, Christina Quintana, and Marco Yan. Each writer’s work was so unique. It was great to hear such different works all in one evening!
Lamprophonic was founded by Clare Smith Marash. I absolutely enjoyed working with Clare. She’s one of the most organized reading series organizers/hosts I’ve ever had the pleasure of working with. If you’re a bit of a type-A reader, who likes everything laid out for you beforehand so you know where you are in the lineup, you will appreciate all the hard work Clare does. She puts you at ease with her encouragement and precision.
The Lamprophonic reading series is held at Bar Thalia (2537 Broadway). It’s attached to none other than Symphony Space, an Upper West Side performing-arts center with a rather illustrious history.
So many of my most favorite people came out for this reading! I’m so touched by all the great people in my life!!
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Discover upcoming Lamprophonic readings via the series’ Facebook page.
Discover upcoming Burning Furiously Beautiful readings by signing up for my mailing list (enter your email address in the form to the right of this page) and through the book’s Facebook page.
Photo circa 1921, “The World’s Work” (June 1921 issue), via Wikipedia
The man who perhaps best captured the glitz and the glam of the roaring twenties, F. Scott Fitzgerald, was born on September 24, 1896, in St. Paul, Minnesota.
Fitzgerald is, of course, the author of The Great Gatsby, This Side of Paradise, The Beautiful and Damned, Tender Is the Night, and “The Curious Case of Benjamin Button.” He was connected with a group of expatriates living in Paris, who became known as the Lost Generation.
It was this Lost Generation that inspired Jack Kerouac to come up with the term the Beat Generation when he was having a conversation with John Clellon Holmes one day. However, in many ways, Kerouac’s content is dissimilar to Fitzgerald’s. F. Scott — named after Francis Scott Key, the lyricist of “The Star Spangled Banner,” and his second cousin, three times removed (whatever that means!) — glamorized America’s economic boom during the Jazz Age, while Kerouac glamorized the American hobo that sprung up following the Great Depression. Yet, their language, their syntax, is similar in capturing all that jazz.
You might also like:::
Life Continues to Be Absurd: Saul Bellow, Jack Kerouac, F. Scott Fizgerald, and Eugene O’Niell
Jack Kerouac’s On the Road turns fifty-seven years old today! It’s such a vibrant work that continues to inspire people to pick up a pen or hit the road that it’s hard to believe it’s been around for so long.
The above picture is what the novel looked like when it first came out. Paul and I actually emulated its design on the title page of Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road,” which I personally was excited about! Since 1957, Kerouac’s novel has undergone many, many cover transformations. I talked about the significance of these design changes here. And I talked about On the Road’s “girly” makeover here.
The novel has since inspired other artists, such as Tim Z. Hernandez, who actually tracked down “the Mexican girl”; Larry Closs; Jonathan Collins; and J. Haeske.
The film adaptation (you can read my experience going to see it here), which has a long history, came out recently and starred some of Hollywood’s biggest names. It sparked a lot of dialogue, including whether Hollywood was glamorizing the Beats.
Of course, even when it was first published, On the Road received criticism for its morality or lack thereof.
Despite these digs at its morality, one of the creeds I’ve heard over and over again — and with which I disagree – is that On the Road is a book only for teenagers.
And if you’re not a teenager and you read On the Road, it supposedly makes you undateabable. Unless maybe you’re a woman.
It seems like everyone has an opinion about On the Road. What’s yours?