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The Starving Artists Gulps Down Konditori’s Swedish Coffee

15 Jul

coffeeMy friends were visiting from DC recently and we popped into Konditori for a quick coffee break while we were in Williamsburg.

Now, if you’ve been following my blog for a while now you know that we Swedes love our coffee. You’d also know that coffee is strongly associated with the culture of the Beat Generation and that I’ve written about Jack Kerouac’s coffee habit. But that one of my all-time favorite quotes is a quote about coffee by Saul Bellow. Of course, Brooklyn is far from the only place with a rich coffee heritage. So, really, is it any surprise that Konditori was on my list of places to check out?

I got the Swedish roast. It cost $2. I had a little mishap and the creamer top fell straight into my cup, so the hipster kid at the counter nicely gave me a fresh cup. I was too scared after that to try to put milk or cream in so I drank it black, which I usually do at home or in the afternoon anyway. I’m oddly not one of those people who takes my coffee the same exact way every time. Strange, I know. Anyway, the coffee wasn’t full and robust, but it did have a lot of flavor to it. I think if I were to go back, I’d try their latte.

What’s your favorite Swedish brand of coffee?

 

Happy 109th Birthday to Lionel Trilling!

4 Jul

lionel

Lionel Mordecai Trilling was born in Queens on this day in 1905. At just sixteen years old, he entered Columbia University, where he would go on to become the Edward Woodberry Professor of Literature and Criticism and teach Columbia’s Colloquium on Important Books.

Among his students? Allen Ginsberg.

Trilling was part of the New York Intellectuals and wrote for the politically charged lit mag Partisan Review. He also tackled the controversial topic of Communism in his 1947 novel The Middle of the Journey.

 

7/7/14: This post has been corrected. I originally wrote that Jack Kerouac (in addition to Allen Ginsberg) was a student of Lionel Trilling’s, but as Joyce Johnson pointed out in the comments section that is not the case. Though they did know each other, Kerouac did not formally study under Trilling at Columbia University.

The Pits: Bridge That Jack Kerouac’s Watermelon Man Walked Demolished

27 Jun

sax

The other day I talked about how “karpouzi” is just one of those words I always say in Greek and shared my recipe for watermelon-and-feta salad. Since I’m a big fan of tying things together, can I tell you about a connection between watermelon and Jack Kerouac?

In his novel Dr. Sax, Kerouac writes about a man who died while carrying a watermelon across a bridge in Lowell. My coauathor for Burning Furiously Beautiful, Paul Maher Jr., actually discovered the identity of the man the memory is based on. You can read Paul’s story about Kerouac’s watermelon man in Pop Matters

At last year’s Lowell Celebrates Kerouac festival, the group visited the bridge where this took place (also known as the Textile Memorial Bridge, the University Bridge, and the Moody Street Bridge). Well, this February the bridge was demolished. In its place is the Richard P. Howe Bridge.

Maybe its a suburban thing but when I was a teenager, I used to hang out a lot at a bridge. Do you have memories of hanging out at this bridge or any other bridge?

Happy Bloomsday 2014!

16 Jun

JamesJoyce

Doesn’t James Joyce look dapper?!

Happy Bloomsday!!

James Joyce set his rambling modern novel Ulysses on June 16, and today literary lovers around the world celebrate the iconic Irish author with marathon readings (it is about 265,000 words long!) and pub crawls. The raucous literary holiday takes its name from the central character of the novel: Leopold Bloom. The title of Joyce’s book, on the other hand, comes from the Latin version of Odysseus. Apparently, this is because he discovered the story of The Odyssey through Charles Lamb’s children’s book adaptation, Adventures of Ulysses. Just like that cunning Greek Odysseus embarked on adventure that introduced him to a wide variety of characters, Leopold Bloom traversed Dublin and met characters that paralleled those found in The Odyssey.

I thought it would be fun to share a few beautiful and provocative quotes from James Joyce’s Ulysses:

  • “Every life is in many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love. But always meeting ourselves.”
  • “People could put up with being bitten by a wolf but what properly riled them was a bite from a sheep.”
  • “She would follow, her dream of love, the dictates of her heart that told her he was her all in all, the only man in all the world for her for love was the master guide. Come what might she would be wild, untrammelled, free.”
  • “The heaventree of stars hung with humid nightblue fruit.”
  • “A region where grey twilight ever descends, never falls on wide sagegreen pasturefields, shedding her dusk, scattering a perennial dew of stars.”

Those last two quotes remind me of one of my favorite lines from Jack Kerouac’s On the Road:

  • “Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.”

I’ve written about James Joyce’s influence on Jack Kerouac a few times before so today in celebration of Bloomsday, here are the links:

For Bloomsday activities around the globe, check out The James Joyce Centre Dublin. I want to highlight a few that I found particularly relevant to the themes I write about:

  • In Athens, there will be a free screening of a poetical film based on Joyce’s Greek notebooks.
  • In Manhattan, Symphony Space is putting on an event that features Malachy McCourt, Colum McCann, Cynthia Nixon and others.
  • In Brooklyn, there will be a pub crawl.
  • In St. Petersburg (the Florida city where Jack Kerouac died), there will be readings and performances.

Have you ever participated in a Bloomsday event? What is your favorite quote by James Joyce?

Happy 120th Birthday, Mark Van Doren

13 Jun

mark

Pulitzer Prize-winning poet Mark Van Doren was born on this day in Vermilion County, Illinois.

In 1920 he earned his Ph.D. from Columbia University and joined the faculty. Among his students was Lionel Trilling, who would also go on to teach at Columbia. They both taught Jack Kerouac and Allen Ginsberg. Trilling also taught Robert Lax, whom Kerouac later got in touch with.

Trilling won the Pulitzer Prize for Poetry in 1940 for Collected Poems 1922–1938.

Celebrate his birthday by reading some of his sonnets here.

Happy 88th Birthday, Allen Ginsberg!

3 Jun

ginsbergAllen Ginsberg at the Miami Bookfair International on November 7, 1985. Photo by MDCarchives via Wikipedia.

 

Today would’ve been Allen Ginsberg’s eighty-eighth birthday, and in honor of the Jersey-born poet’s powerful and beautiful work we asked people on the Burning Furiously Beautiful facebook page what their favorite Ginsberg poem was. I’ve loved hearing the results! So far we’ve heard:

My favorite is “Sunflower Sutra,” in which Ginsberg writes about Kerouac and him sitting under the shadow of a train as the sun set and spying a dried up sunflower amdist the machinery. The line “when did you forget you were a / flower?” slays me every time.

What’s your favorite poem by Allen Ginsberg? Leave it in the comments below or on the Burning Furiously Beautiful facebook page.

Want to read more about Ginsberg on his birthday?

And if you’ve ever been curious about how Allen Ginsberg met Jack Kerouac in the first place, you can read all about the early origins of the key people who came to represent the Beat Generation but who are all really so much more than that in Burning Furiously Beautiful.

 

Happy Memorial Day Weekend!

23 May

Happy Memorial Day weekend! Are you doing anything fun?? Grilling out on the patio? Reading The Haunted Life? Reading Burning Furiously Beautiful? Hitting the beach? Spending time with the family? Taking a road trip??

Whatever you do, I hope it’s just what you want it to be!

Here’s my Memorial Day post from last year, in which I asked if the Beat Generation writers were anti-American, and here’s the one from the year before in which I explore Jack Kerouac’s time in the Merchant Marines.

TODAY: William S. Burroughs Centennial Conference

25 Apr

burroughsimage via CUNY

William S. Burroughs turned 100 back in February — and we’re all still celebrating!

Today the WSB@100 Festival continues at the CUNY Center for Humanities. What I particularly love about this event is how academic it is! Though the writers associated with the so-called Beat Generation are studied in colleges across the country, many critics and scholars alike still focus more on the writers’ personal lives than on their literature. The William S. Burroughs Centennial Conferences tackles weightier issues such as innovation and technique, the business of publishing, and gender politics.

Here’s a look at the schedule:

Fri Apr 25, 9:30am – 6:30pm | Conference | Room 9206-9207

William S. Burroughs Centennial Conference

John M. Bennett
Ann Douglas
Oliver Harris
Barry Miles
Jed Birmingham
Charles Plymell
Geoffrey D. Smith
Anne Waldman
Regina Weinreich
Jan Herman

Held in honor of the centennial of William S. Burroughs’s birth, and the WSB@100 Festival in New York City scheduled for the entirety of the month of April, 2014, this conference will explore the life and works of one of the most innovative and influential twentieth-century American writers and artists. Join us for a series of talks and roundtables by editors, artists, and scholars on a range of issues from the problem of gender in Burroughs’s writings to his role in postwar America little magazines, his still unpublished archival materials, cut-up experiments and novels, and his photography.

“Listen to my last words any world. Listen all you boards syndicates and governments of the earth. And you power powers behind what filth deals consummated in what lavatory to take what is not yours. To sell the ground from unborn feet. Listen. What I have to say is for all men everywhere. I repeat for all. No one is excluded. Free to all who pay. Free to all who pain pay.” – William S. Burroughs

This conference is free and open to the public.

This event will be livestreamed. For viewing during the event, please see here: https://videostreaming.gc.cuny.edu/videos/livestreams/page1/

Join this event on Facebook.

SCHEDULE:

9:30AM  Coffee

10:00AM
Editing Burroughs with John Bennett and Geoffrey Smith

11:00AM
Burroughs and Literary Magazines with Jed Birmingham, Charles Plymell, and Jan Herman

12:30PM Lunch

2:00PM
Biography and Photography: Barry Miles in conversation with Oliver Harris

3:30PM
Gender Trouble with Anne Waldman, Regina Weinreich, and Ann Douglas

5:15PM Coffee Break

5:30PM
Keynote:  Oliver Harris Cutting up the Trilogy

 

Cosponsored by the English Students Association, Lost & Found: The CUNY Poetics Document Initiative, the PhD Program in English, the Center for Lesbian and Gay Studies, the Doctoral Students’ Council, and the WSB@100 Festival.

You can find all the information on the CUNY website.

* * *

Interested in how William S. Burroughs helped shape Jack Kerouac’s literature? Check out Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road,” the book I coauthored with Paul Maher Jr. (2013). It’s available through Lulu’s print edition, Amazon, and Barnes & Noble.

 

See New York Through David Amram’s Eyes Tomorrow

25 Apr

First80

Ever since pioneer jazz French-horn player David Amram mentioned that he’ll be doing an urban hike, pointing out places of importance to him on the Upper West Side, I’ve been counting down the days.

I usually associate David with Greenwich Village. Whenever I see him play at Cornelia Street Cafe or (le) poisson rouge, he always tells enthralling stories of how we’re only steps away from where he and Jack Kerouac did their first jazz-poetry readings or how he used to go into the music store down the street and learn how to play instruments from around the world. It’s that curiosity, though, along with talent and tenacity that allow him to transcend any particular place or “movement” or style. Uptown, he worked, for instance, with The New York Philharmonic’s conductor Dimitri Mitropoulos; in 1966, Leonard Bernstein selected him to be The New York Philharmonic’s first composer-in-residence.

Now, the New York Public Library of the Performing Arts at Lincoln Center has acquired David Amram’s archive and is hosting David Amram’s New York, a series of free events, which includes a screening of a documentary about him and the urban hike. Here’s the info via the New York Public Library:

Composer, conductor, multi-instrumentalist, and author David Amram is a musician with a celebrated career as prolific as it is diverse. While his achievements and influences extend far beyond the city, New York has played a vital role in Amram’s life and music. Specific locations throughout New York have served as inspiration for Amram’s compositions, and his pioneering work with Leonard Bernstein and The New York Philharmonic, Arthur Miller and Elia Kazan, Joseph Papp, Jack Kerouac, Dizzy Gillespie, Pete Seeger, and many other jazz, folk, and world music artists has helped shape the city’s cultural landscape. To celebrate the recent acquisition of Amram’s archives, The New York Public Library for the Performing Arts in Lincoln Center will present David Amram’s New York, a series of public programs and offerings that explore his remarkable career and ongoing relationship with the music of New York.

The series begins on Saturday, April 26 with a screening of the documentary feature film David Amram: The First 80 Years, followed by a conversation between the filmmaker Lawrence Kraman and Amram. Later that afternoon, Amram will lead a walking tour of Manhattan locations that have played a significant role in his life and music. The walk will be co-hosted by author Bill Morgan and sociologist Dr. Audrey Sprenger of SUNY Purchase.

On Tuesday, April 29, the series concludes with a special concert of Amram’s chamber music compositions, featuring a program that spans Amram’s career and musical influences. Nora Guthrie, daughter of Woody Guthrie, will also be in attendance to celebrate her commissioning Amram to compose THIS LAND: Symphonic Variations on a Song by Woody Guthrie. Performers for the concert include Howard Wall and Kim Laskowski, both members of The New York Philharmonic, former Metropolitan Opera concertmaster Elmira Darvarova, and saxophonist Ken Radnofsky. The evening will also mark the release of two new albums of Amram compositions: The Chamber Music of David Amram – Live from the New York Chamber Music Festival (Urlicht AudioVisual), featuring Darvarova; and Newport Classic Records’ album of Radnofsky performing Amram’s compositions for saxophone, including the concerto Ode to Lord Buckley and Trio for Tenor Saxophone, French Horn and Bassoon.

In conjunction with the programs, The Library for the Performing Arts will exhibit original materials from Amram’s archives.

One of the most influential and prolific composers of his generation, David Amram has composed more than 100 orchestral and chamber music works, two operas, and scores for the award-winning films Splendor in The Grass, The Manchurian Candidate, and Jack Kerouac’s Pull My Daisy–all while balancing a career as a pioneering jazz improviser, symphony conductor, and multi-instrumentalist featuring 35 instruments from around the world, all of which remain a source of inspiration for many of his formally composed classical works. Amram was a vital force in the Beat Generation, and presented the first-ever public jazz-poetry concerts in New York City in the 1950s with Kerouac. Amram was the first Musical Director and composer for Joseph Papp’s New York Shakespeare Festival, for the Phoenix Theater, and for The Lincoln Center Repertory Theater, where he composed scores for new plays by Arthur Miller directed by Elia Kazan and Harold Clurman. In 1966, Leonard Bernstein named Amram The New York Philharmonic’s first Composer-In-Residence. Five years later, Amram became the Brooklyn Academy of Music’s first Musical Director for Young People’s, Family and Free Parks Concerts, a position he held for nearly three decades.

Today, Amram continues to compose music while traveling the world as a conductor, soloist, bandleader, author, visiting scholar, and narrator in five languages. In addition to the David Amram’s New York programs at The Library for the Performing Arts, Amram’s other projects this spring include the release of THIS LAND: Symphonic Variations on a Song by Woody Guthrie (Newport Classic Recordings), a live recording of Amram conducting the Colorado Symphony Orchestra in a performance of his work by the same name, and the DVD release of David Amram: the First 80 Years in May. Amram’s fourth book, David Amram: The Next 80 Years, will be published in 2015.

All events included in the David Amram’s New York series take place at The New York Public Library for the Performing Arts (40 Lincoln Center Plaza), and are free and open to the public.

David Amram’s New York

Saturday, April 26 @ 1pm
Film Screening: David Amram: The First 80 Years
Post-Screening Conversation with Lawrence Kraman and David Amram In Person

http://on.nypl.org/1l4ObCG
Lawrence Kraman’s 2012 documentary about the life and times of David Amram features interviews and performances with Buck Henry, Pete Seeger, Sir James Galway, Kurt Elling, Paquito d’Rivera, Max Gail, Larry Merchant, Candido Camero, Bobby Sanabria, John Ventimiglia, Philip Myers, Maurice Peress and the Queens College Orchestra, David Broza, Avram Pengas, Tiokasin Ghosthorse, Floyd Red Crow Westerman, the Earl McKintyre Orchestra, and David Amram and his three children Alana, Adira and Adam. This compelling film not only explores Amram’s unique career and the breadth of his talents, but as the title implies, also proves that one of the most exciting aspects of Amram’s story is knowing that with his endless energy and zest for life, his narrative is far from over, and the future chapters are sure to be just as exciting as the past.

Saturday April 26 @ 3pm
Walking Tour With David Amram
Meet in the lobby outside of The Bruno Walter Auditorium, located at the Library’s 111 Amsterdam Avenue entrance
http://on.nypl.org/1hpUzo5 
David Amram leads this walking tour of Lincoln Center and other nearby locations that have influenced his life and music. The tour will be co-hosted by Bill Morgan and Dr. Audrey Sprenger.

Tuesday, April 29 @ 6pm
Chamber Music Compositions of David Amram: from 1958 – 2014
http://on.nypl.org/1gqMVsQ
Over the course of his career, David Amram has composed more than 100 orchestral and chamber music works. For this concert, he selects four of his favorite chamber works:

Trio for Tenor Saxophone, French Horn and Bassoon (1958)
Ken Radnofsky – Saxophone
Howard Wall – French Horn
Kim Laskowski – Bassoon

Violin Sonata (1960)
Elmira Darvarova – Violin
Linda Hall – Piano

Blues for Monk for Unaccompanied Horn (1982)
Howard Wall – French Horn

Three Greenwich Village Portraits (2014)
For Alto Saxophone and Piano
Ken Radnofsky – Alto Saxophone
Damien Francoeur-Krzyzek – Piano

About The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The New York Public Library for the Performing Arts houses one of the world’s most extensive combination of circulating, reference, and rare archival collections in its field. These materials are available free of charge, along with a wide range of special programs, including exhibitions, seminars, and performances. An essential resource for everyone with an interest in the arts — whether professional or amateur — the Library is known particularly for its prodigious collections of non-book materials such as historic recordings, videotapes, autograph manuscripts, correspondence, sheet music, stage designs, press clippings, programs, posters and photographs. For more information please visit www.nypl.org.

Don’t live in New York? Check out David Amram’s extensive calendar to see when he’ll next be in your neighborhood.

You may also like:::

 

 

How Antonin Artaud Came to Influence the Beats

24 Apr

Antonin_Artaud_jeune_b_SDAntonin Artaud had great fashion sense.

Bronx-born writer Carl Solomon joined the United States Maritime Service in 1944 and traveled overseas to Paris, where he was encountered Surrealism and Dadaism. When he came back to the US, he voluntarily admitted himself to a New Jersey psychiatric hospital as Dadaist expression of being beat, being conquered, being overpowered. There, he received shock therapy instead of the lobotomy he requested. He wrote about the experience in Report from the Asylum: Afterthoughts of a Shock Patient.

At the psychiatric hospital, Solomon met Allen Ginsberg. (You can read about how Ginsberg ended up there in Burning Furiously Beautiful.) He introduced the young poet to the poetry of Antonin Artaud, a French poet of Greek ancestry (his parents were from Smyrna) whom he had seen give a screaming poetry reading in Paris. Artaud had written the first Surrealist film, The Seashell and the Clergyman (1928), and produced Romantic poet Percy Bysshe Shelley’s The Cenci in 1935. The year after that, he went to Mexico, living with the native Tarahumara people and experimenting with peyote, before Jack Kerouac and William S. Burroughs would pack their bags for Mexico. Another year passed and Artaud was found penniless in Ireland, where he was arrested and deported. Back in France, he was sent to various psychiatric hospitals, where he was subjected to electroshock therapy. Notably, in his earlier years, Artaud had spent time in a sanatorium, where he read none other than Arthur Rimbaud.

Solomon wrote Report from the Asylum with Artaud in mind, while Ginsberg wrote “Howl” with both Artaud and Solomon in mind.

Once again, I could not find any of his poems in public-domain English translation. So, here’s a quote I found interesting and relevant from Artaud’s prose piece The Theater and Its Double:

“I cannot conceive any work of art as having a separate existence from life itself.”

You can read one of his poems, “Jardin Noir,” here.

*4/24/14: The subject’s name was originally misspelled and has now been corrected. Thanks to my reader for pointing that out!