Stephanie Nikolopoulos

I had the opportunity to interview poet Esther Cohen for the Festival of Women Writers. She is an amazing talent, and I learn so much just from listening to the types of questions she asks. As someone who has studied writers in collaboration, I was particularly interested to ask Esther about her collaborative projects.

Here’s a snippet from our Q&A:

Nikolopoulos: You’ve done several collaborative projects. For your book Unseen America, you gave cameras to the working class so that they could document their lives and you helped tell their stories. For Don’t Mind Me: And Other Jewish Lies, you worked New Yorker cartoonist Roz Chas. For Painting Brooklyn Stories, you contributed bio-poems to Nina Talbot’s portraits. What is it about collaboration that appeals to you? 

 

Cohen: Yes I have done many collaborative projects, all my life. I’ve written poems with visual arts like the wonderful Nina Talbot, I was lucky enough to collaborate with amazing cartoonist Roz Chast, and I’ve been doing an ongoing project for many years with my favorite photographer Matthew Septimus (our work is on the ON BEING blog on the NPR site at http://bit.ly/1Mb5MZa.) Other people often bring our own work Somewhere Else. Matthew’s pictures, for instance, take my words into another place, a place they want to go.

You can read the rest of the Festival of Women Writers blog.

And just in case you missed it, here’s the interview novelist and Festival co-founder Breena Clarke did with me.

Tags: America, clip, collaboration, Esther Cohen, Festival of Women Writers, poetry