Tag Archives: identity

Writing Wednesday: Memoirist Patricia Volonakis Davis on How Cultural Identity Changes after Marriage and Moving

13 Jul

Happily ever after wasn’t the case when first-generation Italian Patricia V.–as in Volonakis–Davis married a Greek national.  The author calls her book Harlot Sauce: A Memoir of Food, Family, Love, Loss, and Greece “a tragedy written as a black comedy,” in her interview with Jane Friedman for the article “How to Find a Direct Line to Your Readers” in Writer’s Digest.

In the interview, Davis alludes that her sense of self shifted when she experienced another culture:

…Harlot’s Sauce was about how being raised first generation Italian-American affected my worldview and attitude about myself, then how these both changed as a result of my marrying a Greek national and moving to Greece with him, in an attempt to save our failing marriage.

As a memoirist writing about identity and culture, I’ve often reflected on how being raised Greek American affected my worldview.  For me, though, it wasn’t just about being Greek–it was about being Other.  Or rather, being Something.  I wasn’t just plain Jane American.  My family did not come over on the Mayflower.  I was more than American.  I was Greek American.

However, I did not fully understand this until I moved to California.  I grew up in a pretty diverse town in New Jersey.  Most people were “ethnic.”  When I moved to California, I was suddenly surrounded by blonde-haired, blue-eyed, white Americans.  They weren’t white like I was white, though.  They were American.  Their family had been here for generations.  It was in moving that I came to a better understanding of who I am as a Greek American and who I am as someone who grew up in Northeast America.

I’ve never lived abroad, like Patricia Volonakis Davis did, but I did wander around Europe for about three months one summer, and I gained further understanding of my identity through these travels.  People were quick to make assumptions about my American-ness.  People didn’t really care that I was of Greek descent.  Being raised in America trumped ethnicity in terms of my identity.

It seems to me that identity is fluid.  Depending on where we are and who we’re “comparing” ourselves with, our identity can shift.

For women especially, identity changes with marriage.  Most women still take on their husband’s name, and our names signal a lot about who we are.  For instance, I saw the name Volonakis, and I immediately assumed the author of Harlot Sauce was Greek, even though as it turns out she’s Italian American.  And yet in some ways she became more Greek than I simply by virtue of living in Greece.

I wonder how many women become culturally Other to what they were raised as because of marriage?

Check next week’s Writing Wednesday for more on Patricia Volonakis Davis.

Writing Wednesday: Impersonating My Voice

16 Feb

I dress according to my mood.  I don’t mean I just dress for the occasion; I mean my style itself is subject to whim.  On Monday I could fit into the category of preppy but by Thursday I could be mistaken as a hipster.

Is it any surprise, then, that one of my biggest writing frustrations is finding my voice?  It seems absurd that one would need to find her writing “voice.”  Isn’t voice something inherent?

Yes, and no.

The Million’s recent interview between novelist Bill Morris (Motor City, All Soul’s Day) and personal essayist Carl H. Klaus, author of the new book The Made-Up Self: Impersonation in the Personal Essay, confirmed my thoughts on voice.  In the article, “When We Aspire to Write Like Ourselves,” Klaus discusses the “fluid nature of the self,” and says,

To think that I could in fact create a style that was an echo of such a multi-sided thing as the self – that’s simply a cuckoo notion.

I feel vindicated.  Critics have been saying for years to beware of the constructed identities of authors.  However, it’s refreshing to consider the author’s struggle in creating a portrait of self.  While, writers may acknowledge creating a personae—a “character”—of themselves, either out of convenience or agenda, there seems to be less talk about the struggle of figuring out who their “character” is.

I certainly have a perspective that is uniquely my own, but depending on the subject matter, my feelings toward it, and whom I suspect will read my work, my tone, diction, and style shift.  I’ve feared that this might be a sign of immaturity, but I really do feel that who I am and how I write ebbs and flows.  I will admit there is a predominant voice to most of my personal essay writing, but I don’t think that is my only voice.

If I am to present the most accurate portrayal of myself, how can I limit my voice?