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On Sensitive Topics: How Do We Contribute in Love and Truth to Controversial Trending Topics?

22 Sep

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I’m pleased to share with you a new panel that I’ve organized!

On September 24th at 7pm, the Redeemer Writers Group will kick off their first meeting of the fall with the panel discussion “On Sensitive Topics: How Do We Contribute in Love and Truth to Controversial Trending Topics?” Panelists include Sophfronia Scott (author of Love’s Long Line and This Child of Faith) on gun violence; Cristina Spataro (licensed mental health counselor) on mental health; Jerome Walford (graphic novelist: Nowhere Man and the Gwan Anthology) on immigration and asylum; Nayamka Ward (Rebranded Christianity blog) on race; moderated by Mary B. Safrit (Unsuitable podcast).

This event is for writers of all genres and levels as well as readers who are interested in dialoguing about how the world shapes literature and how literature shapes the world. Panelists will share their stories of how faith informs their writing, how they research hot-button topics so they have a well-rounded, accurate viewpoint, and how they respond to critical responses to their work. The panel will begin with a reading from each of our esteemed panelists and will close with a Q&A from the audience.

We’ll meet at 1166 Avenue of the Americas, 16th floor. Registration is required. Please register at least 24 hours before the meeting to ensure your name will be included on the building security list.

 

Find out about my other upcoming events here.

My Q&A with Ifeona Fulani

4 Sep

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Ifeona Fulani is the author of the novel Seasons of Dust, which follows a Jamaican immigrant family over the course of five decades, beginning in 1950, as well as the more recent short story collection Ten Days in Jamaica. She also edited the nonfiction work Archipelagos of Sound: Transnational Caribbeanites, Women and Music. She is the recipient of the Mitchener Fellowship – University of Miami, New York Times Creative Writing Fellowship, Burke-Marshall Fellowship – NYU, and McCracken Fellowship – NYU. Ifeona Fulani is a Clinical Professor in the Liberal Studies department at New York University. She has taught in the School of Continuing and Professional Studies, the Gallatin School, the College of Arts and Science, as well as, the Eugene Lang School, The New School.

At the Festival of Women Writers this September 6-8, Ifeona Fulani will be teaching the writing workshop NOTHING HAPPENS NOWHERE: Grounding Your Story in Place. Here’s a description:

In this workshop we will explore one of the most fundamental challenges facing a writer of fiction, that of setting your story in a place in which your characters and their actions can unfold meaningfully.

Character is a product of dynamic interaction with place, whether that place is a modern city, a medieval castle or a space station on an alien planet. No matter where, how can setting support a character’s desires and actions? How will it frustrate them and generate conflict?

We will consider these and other questions relating to using setting and place in ways that work with or against your character to develop your story and reveal its ultimate meaning.

You can register for her workshop and mine, Wild Women on the Road, here.

You can read my interview with Ifeona Fulani here.

My Q&A with Marya Hornbacher

28 Aug

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Marya Hornbacher‘s first book, Wasted: A Memoir of Anorexia and Bulimia, was shortlisted for the Pulitzer Prize when published in 1998. The book has changed countless lives, is now taught in universities across the country, and has been translated into sixteen languages. I had the humbling opportunity to interview her, and I asked her about what it was like to publish at twenty-three years old and what advice she has to other writers, how she practices self-care while writing about difficult topics, and her latest project on the women’s solitude. Check out my interview with Marya here.

Marya Hornbacher and I will both be teaching this year at the Festival of Women Writers, taking place this September 6-8. I’ll be teaching the writing workshop Wild Women on the Road, which you can register for here. If you’re taking my workshop — or are just interested in the topic — I recommend checking out Marya’s Longreads essay “The Ways of a Wandering Spirit.

Marya’s workshop is called INVENTING THE ‘I’: Crafting A Powerful First Person Voice. Here’s a little bit about it:

This workshop will explore the risks and rewards of writing in the first person—the ‘I’ persona.

Whether we’re writing in the voice of a fictional character or in the guise of our nonfictional “selves,” the voice of the storyteller, that narrating I, must be compelling enough to carry the reader from the first word of our work to the last.

This workshop will explore how this voice of I becomes a character in her own right, one with depth and dimension, insights and blind spots, strengths and failures and flaws, one whose perception of reality is engaging enough to keep the reader turning the page.

Through both generative writing exercises and examples from literature, we will explore techniques for finding, strengthening, and clarifying our use of the first person voice.

You can register for the workshop here.

See you in the Catskills for this writing retreat!

 

My Q&A with Yolanda Wisher

22 Aug

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Former poet laureate of Philadelphia, Yolanda Wisher not only writes her own powerful poetry that feeds souls but she also works to build platforms for other writers. She educates, and she entertains. She provokes, and she nurtures. For a decade, she has taught English to high school students, inspiring them to reflect on literature and language. She served as Director of Art Education for Philadelphia Mural Arts, founded and directed the Germantown Poetry Festival and Outbound Poetry Festival, and has led workshops and curated events in partnership with the Philadelphia Museum of Art, the Free Library of Philadelphia, and the U.S. Department of Arts & Culture. Now, Wisher’s labor of love is as Curator of Spoken Word at Philadelphia Contemporary. Also, she’s one of the first groups of artists with studios at the Cherry Street Pier on the Delaware River Waterfront.

She’s pretty incredible. And, I got to interview her! We chatted about how themes emerged in her writing, bringing poetry to the masses, and her tips for completing projects when one is busy and has LOTS of ideas. You can read her responses here.

Yolanda Wisher will be joining us at this year’s Hobart Festival of Women Writers, taking place September 6-8. She’ll be teaching RAG & RIFF: The Poetics of the Quilt. Here’s a description:

The Gee’s Bend quilts are the work of several generations of Black women quilters in the rural town of Gee’s Bend, Alabama.

Their work has been shared in museum exhibitions across the country to much acclaim. The quilts, which initially served as functional objects and heirlooms, have been heralded as modern and postmodern art, gospel, and jazz.

They were born out of slavery and sharecropping, the landscape of the South, and the personal stories of the women and men whose lives are sewn into them. Like poems, the Gee’s Bend quilts play with forms—some borrowed and reimagined, some invented and organic.

What can the poet learn from the history, the matriarchal vernacular and the abstract architecture of Gee’s Bend quilts? For starters: the revelatory properties of color, the turn and bend of a line, its asymmetrical rhythms, and the individual voice that must come through the assemblage of fabric.

As Gee’s Bend quilter Mensie Lee Pettway said, “Ought not two quilts ever be the same.” In this workshop, we will riff off the history, craft, and colors of Gee’s Bend quilts as we consider our own inherited folk forms. We will use the quilters’ techniques to create our own layered and vibrant poems.

 

You can register for Yolanda’s writing workshop and mine, Wild Women on the Road,  here.

My Q&A with Diane Gilliam

21 Aug

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Poet Diane Gilliam was born into a family that was part of the postwar Appalachian outmigration, and the region’s people populate her poetry collections One of Everything (2003), Kettle Bottom (2004), and Dreadful Wind and Rain (2017). Among her many awards and honors are the Ohio Arts Council Individual Artist’s Fellowship (2003), the Perugia Press Prize (2004), the Ohioana Poetry Book Award (2005), the Thomas and Lillie D. Chaffin Award for Appalachian Writing (2008), and the Gift of Freedom Award from A Room of Her Own Foundation (2013).

This year, she’ll be joining us for the first time at the Hobart Festival of Women Writers. I asked her about why she chose a generational approach in her first book of poetry, how poetry shapes and expands community — which she answered with a story! — and how the Gift of Freedom Award from A Room of Her Own Foundation has furthered her career. You can read her answers here.

At the Hobart Festival of Women Writers she’ll be teaching LEAPING Poetry. Here’s a bit about it:

We will be talking about energy and LEAPING in poems we admire and in poems of our own.

Some of our questions will be:  Where does vision come from?  What are some sources of energy in poems?  What can we say about the nature of a leap?  How do vision, energy and leaping manifest on the page?  What textual strategies conjure them?

I’ll provide a handout of LEAPING poems and prompts for new poems as well as for revision.  Participants are invited to bring a LEAPING poem of their own or someone else’s, and one of their own that’s in need of some LEAPING energy.

You can register for the workshop here. This year’s Hobart Festival of Women Writers will take place September 6-8. Join us in the beautiful Catskills for this writing retreat!

I’ll be teaching the writing workshop Wild Women on the Road, which you can register for here.

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Carry On the Story

1 Jul

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Pursue the Things You Love Doing

27 May

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People Are Capable at Any Time

20 May

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Rage, Rage Against the Dying of the Light

13 May

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Let Yourself Be Gutted

6 May

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