Tag Archives: Jean-Marc Barr

Big Sur Comes Out Today

1 Nov

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Kalo mina! The film adaptation of Jack Kerouac’s Big Sur comes out today. Will you be watching it?

It stars Jean-Marc Barr as a Jack Kerouac who’s overcome by the notoriety that descends on him after the publication of On the Road. Barr told Salon:

“I’ve been living Kerouac all my life. So there was nothing to play.”

Though that statement seems over-reaching, from the trailers the half-French Catholic does seem to get to a closer emulation of Kerouac than other recent actors.

Of course, he’s also playing Kerouac at a much different point in his life than he’s been portrayed in the other recent films. In “What Hollywood Gets Wrong About Jack Kerouac and the Beat Generation” for The Atlantic, Jordan Larson wrote:

But the current Beat revival arguably goes too far with its re-imagination of the Beat writers’ livelihoods as simple adolescent goofing around—its most prominent writers were, after all, well into their grown-up years when they wrote many of their most notable writings.

Kerouac is definitely an adult in Big Sur. A rather depressed one at that. And it brings up the point I discussed earlier this week when mentioning Karen Yuan’s argument in the article “Notebook: Hollywood shouldn’t glamorize the Beat Generation’s self-destruction” for The Michigan Daily, and that is, whether portraying them as adolescents or as adults, Hollywood and the Beat Generation is being criticized.

What’s interesting about Big Sur, though, is that the executive producer is Jack Kerouac’s nephew Jim Sampas. He was also the producer of One Fast Move or I’m Gone: Kerouac’s Big Sur. Sampas also produced Dr. Sax and the Great World Snake and Joy Kicks Darkness, among other projects.

In 2009, Sampas told IFC:

“‘Big Sur’ is Jack’s most personal and confessional novel. I am blown away by his courage in writing about his own spiral downward with such honesty and depth. My goal is that this film we’ve created influences a younger generation to embrace this work. And if people who see this film are inspired by Jack no holds barred honesty, wouldn’t that be incredible?”

I had the pleasure of meeting Jim Sampas, a fellow Greek American, at this year’s Lowell Celebrates Kerouac, when Billy Koumantzelis (check out his CD on his time with Kerouac) introduced me to him. It will definitely be interesting to view this film in light of the others.

I’ve read mixed reviews, and I’d love to hear what others think of the film. Please post comments if you see it!

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Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

Big Sur Debuts Today at Sundance Film Festival

23 Jan

Big Sur debuts today at Sundance Film Festival in Park City, Utah:

When I first saw the trailer for Big Sur I felt a sense of relief. While I enjoyed the film adaptation of On the Road, the Sal Paradise character (based on Jack Kerouac and played by Sam Riley) fell flat for me. Jean-Marc Barr plays the Kerouac character in Big Sur and at least from the trailer seems to embody him much better.

The film is directed by Michael Polish and the cinematography is by M. David Mullen, who worked together on Stay Cool and The Astronaut Farmer, and it is gorgeously lush.

The story of Big Sur is in many ways On the Road‘s opposite. On the Road brings to life Kerouac’s early adventures roadtripping across the country. His zeal for life explodes across the page. Big Sur, on the other hand, shows the writer in the later years of his life, after fame and alcohol had taken a toll on his life.

The first time I read Big Sur it depressed me greatly, reading how Kerouac struggled and obsessed over death, but I read it again last fall when I was roadtripping down the California coast and saw how Kerouac really was a master at style. There’s a repetition and rhythm of the book that echoes the cyclical nature of the ocean.

This isn’t the first time Kerouac’s time in Big Sur has been the subject of a film. In 2008 there was One Fast Move Or I’m Gone: Kerouac’s Big Sur.

Here’s a synopsis of Polish’ Big Sur from the Sundance website:

Big Sur focuses on a moment in Jack Kerouac’s life when, overwhelmed by the success of his opus On the Road and struggling with alcoholism, he retreats to his publisher Lawrence Ferlinghetti’s cabin in the small, coastal California town of Big Sur, which eventually inspires his 1962 novel of the same name. Kerouac’s time begins with quiet moments of solitude and communing with nature. But, struck by loneliness, he hightails it to San Francisco, where he resumes drinking heavily and gets pushed into a relationship with his best friend Neal Cassady’s mistress, Billie.

While writer/director Michael Polish (Twin Falls Idaho) explores a less glamorous moment in Kerouac’s legacy—one of alienation and mental breakdown—Big Sur equally examines the beauty of this time in the writer’s life, witnessed in the romance of friendship and the purity of nature. Jean-Marc Barr embodies Kerouac’s intelligence and masculinity, but also portrays him at his most contemplative and vulnerable. Luscious and breathtaking, Big Surapproaches a religious cinematic experience.

Director: Michael Polish

Screenwriter: Michael Polish

Executive Producers: Mark Roberts, Eddie Vaisman, Jim Sampas

Producers: Ross Jacobson, Orian Williams, Adam Kassen, Michael Polish

Cinematographer: M. David Mullen

Production Designer: Max Biscoe

Sound Designer: Chris Sheldon

Costume Designer: Bic Owen

Principal Cast: Jean-Marc Barr, Kate Bosworth, Josh Lucas, Radha Mitchell, Anthony Edwards, Henry Thomas