Tag Archives: Kat Georges

Cornelia Meatpacking District

28 Sep

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For many years, the Cornelia Street Café was one of my favorite haunts in all of New York City. Situated on a tiny, quiet street in the Village, it burst with energy and innovation. “Minister of Culture, Wine Czar, Dean of Faculty” Robin Hirsch gave the stage to the exquisitely unique musicians and poets that make New York City so great.

Among the monthly guests was David Amram. Composer, author, veteran, he began his professional career playing French horn in the National Symphony Orchestra in 1951. A few years later, after serving in the US Army, he moved to New York and began playing in bands by jazz musicians Dizzy Gillespie, Charles Mingus, and Oscar Pettiford. A decade later, Leonard Bernstein selected him to be the New York Philharmonic’s first composer-in-residence. In between that time, he’d written the scores to such films as Splendor in the Grass and The Manchurian Candidate. To host a musician of Amram’s caliber spoke to the esteem of the Cornelia Street Café, though both the Café and Amram always brought in up-and-coming acts as well. At his monthly Monday night sessions at “the Cornelia Street Stadium,” as he always called the tiny venue, Amram shared not just his music but stories of life in the ‘50s and ‘60s in the Village. He’d talk about the great international instrument shop he frequented and the poetry and music venues that have now shuttered.

And then just like that Cornelia Street Café became one of them. Opened in July 1977, the café closed due to rising rents on New Years 2019.

The news of Cornelia Street Café’s shuttering is a huge loss to the literary community and to New York City. While New York’s profitability is positive, its rampant gentrification destroys the very thing that makes the city so exciting, beautiful, and unique. If a city loses its artists, it loses its heart, its pulse.

It was also a loss for me. My editor and mentor introduced me to Cornelia Street Café, urging me to check it out. Soon I began attending Amram’s jams, Three Room Press’s Beat-centric events hosted by founders Kat Georges and Peter Carlaftes, and a slew of other readings. I got to hear impressive poets like Steve Dalachinsky (who passed on September 16), Anne Waldman, George Wallace, you name it! It was also the place where Sopranos actor John Ventimiglia came in and sat across from me at the table where I was seated. Incredibly, more than once I found myself on stage. David Amram kindly invited me to read from Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road,” coauthored with biographer Paul Maher Jr.,which is one of the highlights of my life. I also had the great pleasure of reading a section from my memoir-in-progress at the Greek American Writers Association, thanks to an invitation from the ever-gracious Penelope Karageorge. I, in turn, introduced many of my friends to Cornelia Street Café, and when the news broke that it was closing, we grieved because it didn’t just mean the loss of a venue—it meant the loss of a community spirit.

So, when my mentor emailed to alert me that Cornelia Street in Exile was heading to the Meatpacking District for a Sunday afternoon outdoors at Gansevoort Plaza on September 15, I had to go! I was also intrigued. Though there was a beautiful—and ohmygosh delicious—restaurant at the street level, to get to the performance venue you had to descend down the stairs into the cavernous basement. It was dark and narrow, lit by candlelight. Plush red drapes and mirrors perhaps sought to make the tiny room elegant and more spacious, but in fact the space felt womblike. It was, after all, a place pregnant with creative possibilities, where one grew, evolved, and was, in a way, reborn into the slippery city night. So how would it work to for Cornelia Meatpacking District to be out in broad daylight, on the street, for passersby to wonder it?

 

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Hirsch and Amram

Incredibly well, actually. When it was open, Cornelia Street Café often hosted a full day of events over Memorial Day weekend that spilled out onto the sidewalks. It felt very much like one of those events. Of course, that’s probably thanks to the Shinbone Alley Stilt Band, who were a staple of the summer events and who helped create a seamless transition from one performer to the next at Cornelia Meatpacking District by stilt-walking from the stage to the crowd to perform between sets. That got people’s attention!

David Amram & Co. held the show together, playing many of our favorites and introducing—and even performing with—the other musicians and poets. It was a full afternoon of delight thanks to all the fun musicians and poets who read. As it was more performance-driven, I missed getting to hear David’s stories, which for me are always fascinating, but poet—and new dad—Frank Messina told how he’d met his wife at the Cornelia Street Café!

 

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Messina and Amram

The event also included Arturo O’Farrill Trio. Son of the legendary Latin jazz musician Chico O’Farrill, Arturo is a musician in his own right: the Grammy Award winning musician is known for his free jazz and experimentations with hip hop. There was also Rogerio Souza and the Billy Newman Quarteto.

The lively music soon had people dancing at the front of the stage! Proprietor Robin Hirsch, publisher Kat Georges, attendees in the crowd, and a bold young woman who seemed to enjoy the attention danced and swayed and moved to the music. The sun then began to set over the Hudson, and with it the show came to a close.

Though it lacked some of the intimacy of the basement and felt commercial because the corporate sponsors were profusely thanked between each set, the event was a success. It showed the resilience of the arts and captured the beauty of community. Many of the familiar faces were there, but so were new people, intrigued by musicians playing jazz on stilts, the charm of VickiKristinaBarcelona Band, and folk musicians singing of bad dates. Four hours long, the Cornelia Meatpacking District felt organic—and hopeful.

Next up, Hirsch brings Yom Kippur for Yogis to the Integral Yoga Institute for Cornelia Integral on October 3 at 7pm. Tickets are $20. FMI: iyiny.org.

Photos from the Burroughs Birthday Bash at Cornelia Street

11 Mar
Three Room Press’ annual William S. Burroughs birthday bash at Cornelia Street Café is one of my favorite literary events of the year. I’ve been going for three years straight—since they started it!—with one of my very best friends, Sue. It’s intimate and snarky and creative. It feels like a bunch of intellectual but down-to-earth friends sitting together in a living room and taking turn sharing their favorite works of Burroughs’.
Peter Carlaftes Burroughs
Burroughs Bowie
Steve Dalachinsky Burroughs
Aimee Herman Burroughs
Burroughs Reading
Bowie Album
I won! I won!
Cornelia Street Cafe Food
The delicious food from Cornelia Street Cafe.
Burroughs Cornelia Street Cafe
A William S. Burroughs reading is the perfect place to promote his friend Jack Kerouac! Here are the postcards for Burning Furiously Beautiful (on sale at Barnes & Noble, Amazon, and Lulu).
You might also be interested in:::

Women on Top: Pam Belluck, Hettie Jones, Margot Olavarria, Marci Blackman & Beth Lisick

23 Mar

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At the Burroughs 101 reading, Three Rooms Press announced that their next reading at Cornelia Street Cafe would be Women on Top, featuring “five feisty females”: Pam Belluck, Hettie Jones, Margot Olavarria, Marci Blackman, and Beth Lisick, and hosted by Three Rooms Press’ Kat Georges. My friend and I decided on the spot, without even consulting our schedules, that we were going.

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The main reason I knew I had to be at this reading was Hettie Jones. As a Beat scholar, I’ve long admired Hettie Jones for being a woman who was more than just a muse — she is a writer with her own voice and transcends categorization. I first heard her reading at the Women of the Beat Generation panel at the Bowery Poetry Club, which incidentally was the first time I ever ventured into Bob Holman‘s poetry venue, which became an important part of my own literary upbringing. Later, while studying creative writing at The New School, one of my instructors introduced me to Hettie because he knew I was interested in Beat literature. She was so down-to-earth and honest. She talked with me for a long time, and I greatly valued her insight into the role of women in the Beat Generation. The last time I heard her read was at 2013’s Downtown Literary Festival, where she read at McNally Jackson. Obviously, it had been way too long since I’d heard her read! I loved, loved, loved the poems she selected to read at Three Rooms Press’ Women on Top reading. She read about driving, about New York City, and about the 1940s. Jones didn’t self-analyze, but what I found particularly fascinating to think about was how driving was almost a feminist act at the time. It’s not that women didn’t know how to drive; it’s that the men usually took over the driving. Jack Kerouac, however, hated driving. Occasionally, he took the wheel, but oftentimes he rode Greyhound or let his buddy Neal Cassady do the driving. I don’t think it would be fair to make some sort of leap and question Kerouac’s masculinity because he wasn’t a man who liked driving, but I do think it’s fair to say Jones didn’t let culture dictate what she could or couldn’t do as a woman. She blazed her own path.

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Driving appeared to be the theme of the night. Margot Olavarria, the original bass player for the punk band The Go-Go’s, told tales from life on the road. The world of rock’n’roll is so full of men’s stories that I appreciated hearing what it was like a woman’s experience of life out on tour.

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Marci Blackman had a road connection too — the award-winning novelist is an avid cyclist. Check this out: “An avid cyclist and veteran of the Sister Spit Rambling Road Show, Blackman once spent six weeks in a van with 11 queer writers on a cross country spoken word tour and 12 weeks, alone on a bicycle, pedaling from San Francisco to the outer banks of North Carolina.”

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Beth Lisick is one of those authors whose name is everywhere, so I was excited to hear her read. She did not disappoint. She is a true performer, an author who makes readings lively and entertaining. She read from her work-in-progress. Now I need to work my way through her other five books.

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Pam Belluck is on the health and science staff of The New York Times, and even before that she covered a wide range of fascinating news topics. She regaled the audience with stories of what it was like being a pregnant woman covering major news events.