Tag Archives: portrait

Road Trip with Kevin Russ

23 Aug

I stumbled down the rabbit hole of the Internet into some incredible road-trip photography by Kevin Russ, via Miss Moss. Looking at his photographs of grazing buffalo and wild horses that can’t be broken is like looking into the great American West of the past—and yet his photographs were taken with an iphone.

Kevin Russ’ photographs, wild and natural, rustic and warm, capture a moment that could be any moment in time. Massive mountains and deep gorges speak to the untamed beauty of the American landscape—the type of view that makes you pull over on the side of the road, speechless. You feel small. Not insignificant, but no longer the center of the universe. Your perch in the corner office becomes a little less important. Your eyes readjust. You begin to see.

The photographs have such a timeless quality to them even though there are signs of modern-day life in some of them. There are no people in the photographs that Miss Moss featured, and yet the contemporary traveler is present. There’s the lone yellow school bus traveling in the distance. Mundane-looking cars parked by a corral. The camper on the side of the road. A pastoral home, with what appears to be a kerosene lamp. Teepees. Yellow stripes dashing down grey pavement.

What’s interesting about the absence of people in the photographs is that Russ is actually an amazing portrait photographer. I liked his road-trip work so much that I did a bit of digging around on the Internet and found more of his photos on CameraLuv. He shoots hipsters with envy-inducing haircuts in front of abandoned tires, layers of newspapers, beat-up vans, and industrial fences. Is it any surprise he’s based in Portland?

So then I found his Flickr page and discovered he’s done photography for Radiant, a publication that has published my writing.

I want to languish all day on his Tumblr.

Seeing Kevin Russ’ photography makes me kind of wonder what it would’ve been like if iphones were around when the poets and writers of the Beat Generation were crisscrossing the United States. Allen Ginsberg was the itinerant photographer of the group, capturing hipster friends Jack Kerouac, William S. Burroughs, Gregory Corso, Peter Orlovsky, and the like on their travels.

Clip: Coffee and Portraiture and the Associations We Make

27 Dec

Associations are revealing.  This morning, as I was drinking a cup of horrid office coffee, my brain leapt from the specific brand and flavor of coffee my mom drank when I was growing up to a seemingly unrelated bit of biographical information about a photographer I’d researched while working on a blog post on his efforts to Save the Whales.  The photographer is Louie Psihoyos, the film director of The Cove, the Oscar Award-winning feature documentary that uncovers the horrifying mass slaughter of dolphins.  Psihoyos is from the Midwest, as is my mom (he was born in Iowa, my mom in Minnesota), and his immigrant parent came from the Peloponnesus, the same region of Greece my dad grew up in and where both of my parents now live.  That wasn’t the association I made this morning, though.  Instead, I was recalling that I myself had recently taken a photograph of my coffeemaker and a bag of hazelnut Eight O’Clock Coffee, while photographing some other food in my kitchen, and that I always associate hazelnut Eight O’Clock Coffee with my mom.  From there, I remembered I’d recently read about a photographer who’d photographed people with their possessions.  At first I didn’t even remember that the photographer was Psihoyos.  As I started to write the blog post about how I associate coffee with my mom, I kept thinking about the significance of Psihoyos photographing people with their possessions and what the objects we’re associated with impart about our identity.

Read the rest of the article on Burnside Writers Collective.