
photo via http://www.davidamram.com
An Evening of David Amram’s Chamber Musicand Readings From Jack Kerouac’s On The Road with musicFriday, September 7, 8:00 pm
Symphony Space, Peter Jay Sharp Theatre2537 Broadway @ 95th
A tribute concert to celebrate the chamber music of composer David Amramas a part of the New York Chamber Music FestivalOn Friday September 7 at 8 pm, the acclaimed New York Piano Quartet, internationally renowned flutist Carol Wincenc, violinist and former MET Orchestra concert master Elmira Darvarova, eminent cellist Wendy Sutter, New York Philharmonichornist Howard Wall, Metropolitan Opera principal percussionist Greg Zuber, actor John Ventimiglia (of the The Sopranos), famed pianists Tomoko Kanamaru and Hsin-Chiao Liao, talented young musicians from the award-winning ensemble Face the Music with artistic director Jenny Undercofler, the much talked about David Amram Quartet and multi-instrumentalist David Amram himself, will gather at the Peter Jay Sharp Theater at Symphony Space to celebrate the chamber music of one of the most significant American composers of all times — the indefatigable David Amram, as part of the 2012 New York Chamber Music Festival.
This celebration of David Amram’s chamber music includes a wide variety of the composer’s works which represent his prolific career spanning many decades. Works include the 1960 Violin Sonata, the 1979 piano quartet Portraits, the 1977 Native American Portraits, the 1982 Blues and Variations for Monk, the 1993 Theme and Variations on Red River Valley, the Andante movement from the Concerto for Flute Giants of the Night (commissioned and premiered in 2002 by Sir James Galway), its chamber music version presented at this concert by flutist Carol Wincenc in its New York premiere, and the very recently written 2012 Cancion de Verano (Summer Song), also performed in its New York premiere, by the acclaimed young musicians ensemble Face The Music. Several of these works are inspired by David Amram’s legendary collaboration with Jack Kerouac, whose iconic work On the Road has its own presence at the September 7 concert, with 5 readings, performed by actor John Ventimiglia (of The Sopranos) and David Amram’s daughter Adira Amram.ProgramViolin Sonata (1960)Elmira Darvarova (violin) and Tomoko Kanamaru (piano)Theme and Variations on Red River Valley (1993)Carol Wincenc (flute) with the members of the Face the Music ensembleAndante from Giants of the Night* (2002)Carol Wincenc, flute and Hsin-Chiao Liao (piano)*New York premiere of the chamber versionPortraits (1979)Members of the New York Piano Quartet with Wendy Sutter (guest cellist)IntermissionCancion de Verano (Summer Song)* (2012)Members of the Face the Music ensemble*New York premiereBlues and Variations for Monk (1982)Howard Wall (horn)5 Readings from “On the Road’ by Jack Kerouac (2011)John Ventimiglia and Adira Amram with the David Amram QuartetNative American Portraits (1977)Elmira Darvarova (violin), Greg Zuber (percussion), David Amram (percussion), Tomoko Kanamaru (piano)*Tickets: $20 in advance (Symphony Space Members, Students, Seniors $15; Day of Performance $25) at symphonyspace.org or call their Box Office at 212-864-5400
David Amram has conducted more than seventy-five of the world’s great orchestras, composed more than 100 orchestral and chamber works, written two operas and, early in his career, wrote and conducted many scores for theater and films, including Splendor in the Grass and The Manchurian Candidate. Since being appointed by Leonard Bernstein as the first composer in residence with the New York Philharmonic in 1966, he has become one of the most acclaimed composers of his generation, listed by BMI as one of the 20 Most Performed Composers of Concert Music in the United States since 1974. The Boston Globe has hailed him, “The Renaissance Man of American Music.”For twenty-nine seasons, Amram was the Music Director, Conductor and Narrator of Young People’s, Family and Free Summer Parks concerts for the Brooklyn Philharmonic at the Brooklyn Academy of Music; and for seventeen seasons, Amram was the Musical Director and Conductor of the International Jewish Arts Festival, conducting members of the Metropolitan Opera Orchestra. In addition to conducting, he has also performed with symphony orchestras as a soloist on instruments from all over the world, combining jazz, Latin American, Middle Eastern, Native American and folk music alongside the European classics.Today, Amram continues to perform as a guest conductor and soloist while continuing a remarkable pace of composing. Recently acclaimed new works include Symphonic Variations on a Song by Woody Guthrie; Three Songs: A Concerto for Piano and Orchestra; and Giants of the Night, a flute concerto commissioned and premiered by Sir James Galway. A Little Rebellion: Thomas Jefferson, a piece for narrator and orchestra, was premiered at the Kennedy Center with Amram conducting; and Kokopeli, A Symphony in Three Movements, had its world premiere with the Nashville Symphony Orchestra, also with Amram conducting.A pioneer player of jazz French horn, he is also a virtuoso on piano, numerous flutes and whistles, percussion, and dozens of folkloric instruments from 25 countries, as well as an inventive, funny improvisational lyricist. He has collaborated with Leonard Bernstein, Dizzy Gillespie, Jack Kerouac, Leopold Stokowski, Langston Hughes, Dustin Hoffman, Willie Nelson, Thelonious Monk, Odetta, Elia Kazan, Eugene Ormandy, Arthur Miller, Bob Dylan, Alan Ginsberg, Charles Mingus, Lionel Hampton, Paddy Chayevsky, Johnny Depp, Archibald MacLeish, Pete Seeger, Tito Puente and Joseph Papp.A documentary feature film, David Amram: The First 80 Years, is currently being shown at major music and film festivals throughout the United States and internationally. Directed by Lawrence Kraman, the film includes the New York premier of his Symphonic Variations on a Song by Woody Guthrie and highlights of his comic opera 12th Night. Amram is also featured in Andrew Zuckerman’s book and new feature film documentary Wisdom: The Greatest Gift One Generation Can Give To Another, as one of the world’s 50 Elder Thinkers and Doers; and his instructional video, Origins of Symphonic Instruments, released by Educational Video, is shown in over 6,000 schools throughout the United States and Canada.On Sept 7th, 2012, the 4th Annual New York Chamber Music Festival presents an entire evening of Amram’s chamber music compositions at Symphony Space in Manhattan; and on September 21st and 22nd, Amram conducts the Colorado Symphony in Denver for a program which will include a live recording of his Symphonic Variations on a Song by Woody Guthrie.For further information of Amram’s activities, access his webpage.
September 3, 2012. 8:30pm. Cornelia Street Cafe (29 Cornelia St.). New York, NY. Stephanie will be reading from Burning Furiously Beautiful: The True Story of Jack Kerouac’s On the Road as David Amram plays, just like the first jazz-poetry readings Amram and Kerouac did in 1957. Amram & Co. includes David Amram, Kevin Twigg, John de Witt, and Adam Amram. $10 cover, plus $10 minimum.
Dear Stephanie
As they say in the old country, (and as Jack’s wife Stella Sampas said when with her family) Ephraristoh poli (thank you very much!)
I am looking forward to being your accompanist as you read from your new books about Jack,
I KNOW he would dig that because he was always about fostering and celebrating creativity in others, rather than being territorial and greedy!!
We will be playing outside the Cafe on the sidewalk at 7 pm as a prelude to our 8:30 show on Labor day night Sept 3rd
You reading from your book about Jack will be exactly three blocks from where Jack, and poets Philip Lamantia, Howard Hart and I did those reading with music together back in 1957 at the old Circle-in-the-Square Theater !!
Look forward to a BEAT(ific) time.
David
David,
Parakalo! (You’re welcome!)
I want to celebrate and honor your and Jack’s work. “Burning Furiously Beautiful” hopefully will bring a new generation of readers to the literature and foster creativity.
I am thrilled to be reading with you! The reading has nothing to do with me—I hate being in the spotlight; also the book is very much a collaboration, and I am fortunate to work with such an esteemed biographer as Paul, who is not only a great researcher but is also fun to work with—but everything to do with celebrating you and Jack as artists and thinkers and innovators.
Stephanie