Tag Archives: Tito Puente

Mino Cinelu Plays the Blue Note

11 Mar

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At Greenwich Village’s famed Blue Note Jazz Club on a cold Monday night in February, instruments are strewn across the stage. There’s nary a place to step, yet Brooklyn-based French musician Mino Cinelu intuitively finds each new instrument he needs amongst the pedals and wires, without missing a beat. He seamlessly switches from drums to egg shakers to water drum. He flicks a triangle like it’s hot to the touch. He stretches his hand across the stage and caresses a belly-dancing scarf, its gauzy fabric dripping with coins that stir in his fingers. His body itself becomes an instrument, as he claps his hands together and punctuates beats with forceful stomps that reverberate off the stage floor.

Mino Cinelu is a musician—and a performer. The jazz percussionist draws energy toward him and releases it back to the audience in a swell of notes and beats.

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“He’s the most sought out percussionist,” Ra Araya whispers to me, speaking of Mino Cinelu with sincere authority. “Art Blakey literally picked him up and said, ‘Now you’re coming with me.’” Araya, the poet and poetry event organizer who set up the premier reading for Burning Furiously Beautiful, had invited me to the show, asking me to review it.* It is my first time ever hearing Cinelu live or otherwise, and I sit mesmerized by the way the jazz musician embodies his music.

Cinelu’s music is simultaneously out-of-body and corporeal. The tempo echoes the pulse of the earth and his vocal cord arrangements hum like the sounds of nature, building toward an ethereal plane. Pulling from various traditions, his world-fusion jazz unites through the exchange of ideas and sounds and cultures. It makes the listener think. It makes the listener feel. It makes the listener anticipate. His lips move to the beat of the drum as he slaps it. He scrunches his face and groans. The flesh of his cheeks tremble to the beat. Sweat drips from his temple as he whips his dreadlocks around. His muscles are taut, suggesting his years of making music have built his body.

Cinelu was born in Saint-Cloud, in the western suburbs of Paris. “From a very young age I had to take care of myself. Let’s just say that,” says the musician, who grew up in a violent home. He was born into a musical family, and as a child learned to play the guitar. By sixteen, he was already a professional musician with gigs in London and New York. In the 1980s, after moving to New York, he met Miles Davis and went on tour with him. Like others who played with Davis, Cinelu then went on to be part of Weather Report, one of the earliest jazz-fusion bands, though the band dismissed that label. The ever-changing roster of musicians in Weather Report played an amalgamation of free jazz, funk, rock, R&B, Latin jazz, and other ethnic music. In the ’90s Cinelu emerged as a solo artist, releasing his self-titled album in 2000. Cinelu has played with everyone from Stevie Wonder to Herbie Hancock, and from Sting to Lou Reed.

Cinelu continues to surround himself with an impressive array of talent, and the Mino Cinelu World Jazz Ensemble seems to grow in number as more and more musicians take to the stage as the evening progresses. The band includes Jamshied Sharifi (keys & flute), Mamadou Ba (bass), and Jose Davila (tuba & percussion). A graduate of MIT, Sharifi went on to study at the esteemed Berklee College of Music. He composed the soundtracks for Muppets from Space, Harriet the Spy, The Rugrats Movie, Clockstoppers, and The Thomas Crown Affair. Ba was the musical director for Harry Belafonte’s orchestra and was one of the founding members of African Blue Note Band. Davila has played with everyone from Ray Charles to Marc Anthony, and from Tito Puente to Nora Jones.

At the Blue Note, special guest Bria Skonberg (trumpet & flugelhorn) joins the Mino Cinelu World Jazz Ensemble on stage. She covers the mouth of the brass instrument with her shiny red nails, playing along with the music, til suddenly she tilts her head back and BLOWS! Face scrunched in exertion, much like Cinelu’s, Skonberg plays powerfully, masterfully. “We’ll keep her after the gig,” Cinelu jokes in appreciation of her talent.

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By the end of the first set, Cinelu is standing on top of an amp. He thanks everyone, including the waitresses at the jazz club. Despite the snow still on the ground and despite the early day of the week, fans have poured into venue. Among them is actress Pauletta Washington, Denzel’s wife. “I stole some of her moves,” teases Cinelu.

Then, just as they arrived, one by one the musicians file off the stage into the aisles of The Blue Note, still playing their instruments. The music stays with us as they disappear in the dark.

*My ticket and minimum were comped, but these opinions are my own.

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Evening of David Amram’s Chamber Music and Readings from Jack Kerouac’s On the Road

21 Aug
This promises to be an unforgettable evening:
An Evening of David Amram’s Chamber Music
and Readings From Jack Kerouac’s On The Road with music
Friday, September 7, 8:00 pm

 

Symphony Space, Peter Jay Sharp Theatre
2537 Broadway @ 95th

 

A tribute concert to celebrate the chamber music of composer David Amram
as a part of the New York Chamber Music Festival

On Friday September 7 at 8 pm, the acclaimed New York Piano Quartet, internationally renowned flutist Carol Wincenc, violinist and former MET Orchestra concert master Elmira Darvarova, eminent cellist Wendy Sutter, New York Philharmonichornist Howard Wall, Metropolitan Opera principal percussionist Greg Zuber, actor John Ventimiglia (of the The Sopranos), famed pianists Tomoko Kanamaru and Hsin-Chiao Liao, talented young musicians from the award-winning ensemble Face the Music with artistic director Jenny Undercofler, the much talked about David Amram Quartet and multi-instrumentalist David Amram himself, will gather at the Peter Jay Sharp Theater at Symphony Space to celebrate the chamber music of one of the most significant American composers of all times — the indefatigable David Amram, as part of the 2012 New York Chamber Music Festival.

This celebration of David Amram’s chamber music includes a wide variety of the composer’s works which represent his prolific career spanning many decades. Works include the 1960 Violin Sonata, the 1979 piano quartet Portraits, the 1977 Native American Portraits, the 1982 Blues and Variations for Monk, the 1993 Theme and Variations on Red River Valley, the Andante movement from the Concerto for Flute Giants of the Night (commissioned and premiered in 2002 by Sir James Galway), its chamber music version presented at this concert by flutist Carol Wincenc in its New York premiere, and the very recently written 2012 Cancion de Verano (Summer Song), also performed in its New York premiere, by the acclaimed young musicians ensemble Face The Music.  Several of these works are inspired by David Amram’s legendary collaboration with Jack Kerouac, whose iconic work On the Road has its own presence at the September 7 concert, with 5 readings, performed by actor John Ventimiglia (of The Sopranos) and David Amram’s daughter Adira Amram.
Program
Violin Sonata (1960)
Elmira Darvarova (violin) and Tomoko Kanamaru (piano)
Theme and Variations on Red River Valley (1993)
Carol Wincenc (flute) with the members of the Face the Music ensemble
Andante from Giants of the Night* (2002)
Carol Wincenc, flute and Hsin-Chiao Liao (piano)
*New York premiere of the chamber version
Portraits (1979)
Members of the New York Piano Quartet with Wendy Sutter (guest cellist)
Intermission
Cancion de Verano (Summer Song)* (2012)
Members of the Face the Music ensemble
*New York premiere
Blues and Variations for Monk (1982)
Howard Wall (horn)
5 Readings from “On the Road’ by Jack Kerouac (2011)
John Ventimiglia and Adira Amram with the David Amram Quartet
Native American Portraits (1977)
Elmira Darvarova (violin), Greg Zuber (percussion), David Amram (percussion), Tomoko Kanamaru (piano)
*
Tickets: $20 in advance (Symphony Space Members, Students, Seniors $15; Day of Performance $25) at symphonyspace.org or call their Box Office at 212-864-5400

 

David Amram has conducted more than seventy-five of the world’s great orchestras, composed more than 100 orchestral and chamber works, written two operas and, early in his career, wrote and conducted many scores for theater and films, including Splendor in the Grass and The  Manchurian Candidate. Since being appointed by Leonard Bernstein as the first composer in residence with the New York Philharmonic in 1966, he has become one of the most acclaimed composers of his generation, listed by BMI as one of the 20 Most Performed Composers of Concert Music in the United States since 1974. The Boston Globe has hailed him, “The Renaissance Man of American Music.”
For twenty-nine seasons, Amram was the Music Director, Conductor and Narrator of Young People’s, Family and Free Summer Parks concerts for the Brooklyn Philharmonic at the Brooklyn Academy of Music; and for seventeen seasons, Amram was the Musical Director and Conductor of the International Jewish Arts Festival, conducting members of the Metropolitan Opera Orchestra.  In addition to conducting, he has also performed with symphony orchestras as a soloist on instruments from all over the world, combining jazz, Latin American, Middle Eastern, Native American and folk music alongside the European classics.
Today, Amram continues to perform as a guest conductor and soloist while continuing a remarkable pace of composing. Recently acclaimed new works include Symphonic Variations on a Song by Woody Guthrie; Three Songs: A Concerto for Piano and Orchestra; and Giants of the Night, a flute concerto commissioned and premiered by Sir James Galway.  A Little Rebellion: Thomas Jefferson, a piece for narrator and orchestra, was premiered at the Kennedy Center with Amram conducting;  and Kokopeli, A Symphony in Three Movements, had its world premiere with the Nashville Symphony Orchestra, also with Amram conducting.
A pioneer player of jazz French horn, he is also a virtuoso on piano, numerous flutes and whistles, percussion, and dozens of folkloric instruments from 25 countries, as well as an inventive, funny improvisational lyricist.  He has collaborated with Leonard Bernstein, Dizzy Gillespie, Jack Kerouac, Leopold Stokowski, Langston Hughes, Dustin Hoffman, Willie Nelson, Thelonious Monk, Odetta, Elia Kazan, Eugene Ormandy, Arthur Miller, Bob Dylan, Alan Ginsberg, Charles Mingus, Lionel Hampton, Paddy Chayevsky,  Johnny Depp, Archibald MacLeish, Pete Seeger, Tito Puente and Joseph Papp.
A documentary feature film, David Amram: The First 80 Years, is currently being shown at major music and film festivals throughout the United States and internationally. Directed by Lawrence Kraman, the film includes the New York premier of his Symphonic Variations on a Song by Woody Guthrie and highlights of his comic opera 12th Night.  Amram is also featured in Andrew Zuckerman’s book and new feature film documentary Wisdom: The Greatest Gift One Generation Can Give To Another, as one of the world’s 50 Elder Thinkers and Doers;  and his instructional video, Origins of Symphonic Instruments, released by Educational Video, is shown in over 6,000 schools throughout the United States and Canada.
On Sept 7th, 2012, the 4th Annual New York Chamber Music Festival presents an entire evening of Amram’s chamber music compositions at Symphony Space in Manhattan; and on September 21st and 22nd, Amram conducts the Colorado Symphony in Denver for a program which will include a live recording of his Symphonic Variations on a Song by Woody Guthrie.
For further information of Amram’s activities, access his webpage.
If you haven’t visited the appearances section in a while, you may have missed this news:
September 3, 2012.  8:30pm.  Cornelia Street Cafe (29 Cornelia St.).  New York, NY.  Stephanie will be reading from Burning Furiously Beautiful: The True Story of Jack Kerouac’s On the Road as David Amram plays, just like the first jazz-poetry readings Amram and Kerouac did in 1957. Amram & Co. includes David Amram, Kevin Twigg, John de Witt, and Adam Amram.  $10 cover, plus $10 minimum.
See you there!