image via Cup of Jo
The cover of Jack Kerouac’s On the Road got a girly makeover last month as part of author Maureen Johnson’s challenge Coverflip, which asked people to imagine how the covers of famous books would look if they had been written by people of the opposite gender.
The experiment stems from the growing conversation surrounding how books are gendered. For more on this subject, I’d recommend reading Deboarah Copaken Kogan’s article “My So-Called ‘Post-Feminist’ Life in Arts and Letters” for The Nation, about the title and cover for her memoir Shutterbabe about her years as a war photographer. (See the disconnect? babe. war.)
The feminized cover of On the Road seen above—a fake, done in jest to prove Johnson’s point that covers are gendered—interestingly enough bears a resemblance to the real marketing materials for the recent film adaptation of Kerouac’s novel. Whether it was the film poster or the trailer, Kristen Stewart—who played LuAnne—was front and center. The US edition of the movie tie-in novel went with a collage effect but check out this Italian cover:
What are we to make of the fact the movie-tie in editions look more like the fake Coverflip experiment than more recent printings of On the Road? Are the marketing teams behind these new editions trying to appeal to young women? Are they assuaging misogynistic critiques by giving a female character more attention—or are they actually embracing misogyny by using an image of a woman as a marketing tool?
For more on this subject, you might like: