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1 Jul

Anyone have anything fun going on for July 4 weekend?  Don’t forget to invite me to your BBQs!

As we head into the long weekend, I thought I’d leave you with some links to explore:::

Having walked in on way too many people in bathrooms on planes, I would add Chuck Palahniuk’s “Choke” to the HuffPo’s list of 15 Worst Books to Read on a Plane.

Heading to Greece for your wedding?  Snippet & Ink’s Castaway inspiration board offers some bohemian chic ideas.

Speaking of travel… If I could travel back in time, I’d attend the literary party described in Lapham’s Quarterly.

Would you pay to attend a literary party or even just a reading?  The New York Times has an interesting article on the cost of events at indie bookstores.

Instead of bobbing for apples, try bobbing for olives at your next Greek party.

I’d love to hear from some crafty readers what they’d do with the pages torn out to make the lamp featured on Boing Boing.

It may be more lucrative to self-publish than to sign with a traditional publisher, according to this numbers-oriented article from Publishing Perspectives.

 

Writing Wednesday: BWC Church Hopping Column Goes Live in NYC This Summer

29 Jun

While I tend to write a lot about my life as a Greek American here, for the past few years I’ve been writing about art and architecture and faith over at Burnside Writers Collective.  Three years ago, I began writing a column called Church Hopping, in which I visit — most of the time physically but occasionally virtually — churches throughout the world, and write about their incredible history and art.  The Church Hopping column is one of the writing projects I’m the most proud of, and of which the Burnside community has been incredibly supportive of.

That’s why I’m so happy to announce that I’m partnering with Burnside Writers Collective, City Grace Church, and Redeemer Presbyterian Church to create live Church Hopping events this summer!  That means that you can join in on the fun.  Read more about it here and register here.  Space is limited and it’s filling up fast so even though the first event is a month away, I suggest registering asap if you plan on attending.

Recap of My Reading at the InterArts Summer Showcase

28 Jun

 

Friday’s InterArts Summer Showcase was a blast!  So much creativity filled the room.  I left feeling so inspired and wanting to be more experimental and collaborative.

There were ten of us presenting.  Four of us were representing the literary arts — personal essay, poetry, argument — while others were photographers, digital artists, singers, hip-hop artists, painters.  As evidenced from the picture above, one artist made a 3D film.  I was impressed by the quality of the projects and the thought process that had gone behind them.  I bought the poet’s chapbook, and if I were richer I’d love to own some of the art.

We each got eight minutes to present.  I’ll admit it: I was nervous.  I’m not a performer, and even though I write about myself a lot I don’t actually enjoy the spotlight.  But, I knew I had a story worth sharing.  I’m not typically a humor writer, but my story had a few funny moments in it, and I began to relax and enjoy myself as I heard the audience laughing.  When I got to the clincher at the end, I even heard someone audible gasp!

…And then my friends showed up.  I was the first presenter of the evening and even though we didn’t start on time, most of my friends missed my reading entirely.  I felt so bad!  Two of them had gotten stuck in rush hour traffic for two hours, another had cycled an hour and a half from another state, someone else had dragged along a friend who was visiting from out of town, and someone whom I had just met at NYFA‘s literary mingle had gotten stuck at work.  Some of my other friends were there, though, and my always-supportive and encouraging sister was there.  Afterward a group of us went out to a pub, so I got to at least catch up with most of them.  Some of them I hadn’t seen in 7+ months!  I’m so thankful for such great friends!  I know attending an arts event isn’t everyone’s ideal Friday night, and it meant a lot to me that my friends were supportive enough to travel–some of them from other boroughs, some from other states–to support my writing.  Awesome friends!

MFAism: Hosting Summer Writing Workshop

22 Jun

Even though the MFA writing program is officially on summer break — whoo-hoo! — some of us from the creative-nonfiction writing workshop decided we were having so much fun (or something like that) that wanted to keep on meeting.  Last Tuesday we had our first informal workshop.  It was so nice to catch up with everyone and to chat about our writing.

As I’ve alluded, everyone in my classes always recommends I read David Sedaris when they find out I write about growing up Greek American.  I do get a kick out of David Sedaris, but it’s his sister Amy Sedaris who captured my heart with her book I Like You: Hospitality Under the Influence. There’s just something about us Greek women — we love hosting and feeding people.  I barely had anyone over during the semester so I was super-excited to volunteer hosting the writing workshop in my apartment.

Since my classmates have been giving me feedback all semester on the Greek American memoir I’m writing — and since I’m the Queen of Theme Parties — I of course prepared Greek meze for them.  I served feta cheese (imported from Greece!  I’m stimulating the Greek economy!), sliced tomatoes with sea salt, pita, red pepper & eggplant dip, dried apricots, and almonds.  The other writers graciously brought delicious homemade (!) scones and sumptuous red wine.  I pretty much gorged!

We had a great conversation about nonfiction vs. fiction writing and talked about the role of blogging in our writing.  Then we spent some time critiquing each other’s works.  I got helpful feedback on a short reflection I’d written about my experience at the 2011 Gabby Awards.  I really enjoyed reading their new pieces too.  Everyone has such interesting stories to tell!

Now I’ve got to get to work on the next chapter to submit!

In the meantime, if anyone has any tips on how to run a writing workshop, please post in the comments section.

Recap of Reading at The Houndstooth Pub

21 Jun

 

 

 

 

 

Last Monday, June 13, I had the privilege of reading at the Houndstooth Pub.  My friend Jane, a fiction writer, was inspired by the Moth to create the storytelling event.

Here’s a bit about the Moth:

The Moth is an acclaimed not-for-profit organization dedicated to the art and craft of storytelling. It is a celebration of both the raconteur, who breathes fire into true tales of ordinary life, and the storytelling novice, who has lived through something extraordinary and yearns to share it. At the center of each performance is, of course, the story – and The Moth’s directors work with each storyteller to find, shape and present it.

Since its launch in 1997, The Moth has presented thousands of stories, told live and without notes, to standing-room-only crowds worldwide.

Moth shows are renowned for the great range of human experience they showcase. Each show starts with a theme, and the storytellers explore it, often in unexpected ways. Since each story is true and every voice authentic, the shows dance between documentary and theater, creating a unique, intimate, and often enlightening experience for the audience.

Moth stories dissolve socio-economic barriers, expose vulnerabilities, and quietly suggest ways to overcome challenges and see with new eyes.

Jane asked each of us to tell a story of an act of love.  This sounds easy, but it’s not.  A story about love itself maybe isn’t that hard.  We all have stories about the feeling of love, but stories of actually acting out love?  Not as easy to come by.  In the end, I shared a portion of an essay I wrote about people in my life who have taught me by example how to love others.

What’s your story of an act of love?

 

PS: I’m giving a super-super short reading this Friday at the Redeemer Summer Showcase.

Poet Dean Kostos Celebrates Birthday at Cornelia Street Cafe

24 May

Once a month for about twenty years, the Greek-American Writers Association has been meeting at the Cornelia Street Cafe.  This month’s reading–held last Saturday, May 21–happened to fall on host Dean Kostos’ birthday so we were in for a special treat.  Normally, Dean doesn’t read his own poetry but to mark the occasion he read in addition to guests Vasiliki Katsarou, Sharon Olinka, and Angelo Verga.

New Jersey poet Vasiliki Katsarou was nominated for the 2010 Pushcart Prize.  She curates the Panoply Books Reading Series, a monthly poetry event in Lambertville, NJ.  She co-edited, along with Ellen Foos and Ruth O’Toole, Eating Her Wedding Dress: A Collection of Clothing Poems (Ragged Sky Press).  She studied comparative literature at Harvard.  She received her MFA in filmmaking at Boston University and studied philosophy and film at the Sorbonne so it’s no surprise that on Saturday night she said, “For me, film is a rich source of material for poetry.”  She went on to read a selection of poems about film.

Sharon Olinka is a New York City poet and literary critic.  Her first book of poems was A Face Not My Own (West End Press) and her most recent book is The Good City (Marsh Hawk Press).  Her poetry has also appeared in Colorado Review, Long Shot, and Luna, among other publications.  Sharon read on Saturday about “angry punishing writers of ever hue” and “those writers with voices like whips.”

Bronx poet Angelo Verga won a Bronx Council on the Arts BRIO award.  He curates poetry and performance at Cornelia Street Cafe.  He penned several collections of poems: cross The Street From Lincoln Hospital (New School), The Six O’clock News (Wind Publications), and A Hurricane Is (Jane Street Press).  His poetry has also appeared in The Village Voice, Mudfish, The Massachusetts Literary Review, among other journals.  He graduated from Iona College.  Like Charles Bukowski, Verga worked for the US Postal Service.  Since May 21 was supposed to be Judgment Day, according to one sect, Verga joked on Saturday, “I wanted to read an end of the world poem” before launching into a section from A Hurricane Is.

Dean Kostos is Pushcart Prize nominee and a recipient of a Yaddo fellowship.  He wrote Last Supper of the Senses (Spuyten Duyvil), The Sentence That Ends with a Comma (Painted Leaf Press), and Celestial Rust (Red Dust Books). He is also the editor of the seminal anthology Pomegranate Seeds: An Anthology of Greek-American Poetry and co-edited the anthology Mama’s Boy: Gay Men Write About Their Mothers. His work has also appeared in Barrow Street, The Dos Passos Review, Rattapallax, Red Rock Review, Southwest Review, Vanitas, and on Oprah Winfrey’s Web site Oxygen.com.  Normally stoic, Dean gave a heartrending reading that testified to the power of poetry.

The next Greek-American Writers Association event will take place on Saturday, June 18, at 6pm, at Cornelia Street Cafe (29 Cornelia Street; NYC).  Hosted by Dean Kostos; featured poets include Kosta Anagnopoulos, Catherine Fletcher, Elizabeth Haukaas, & George Wallace.  Admission is $7.

Mediabistro.com Book Club Party: May ’11 Edition

23 May

On Tuesday I attended the mediabistro.com book club party, which was held in the swanky underbar at the W Hotel in Union Square.  The event was hosted by Jason Boog, who presented four diverse readers for the evening: Jamie Cat Callan, Jonathan Franklin, Steve Friedman, and Shana Mahaffey.

Jamie Cat Callan showed up with hot pink casts on her arm and leg.  Even post-accident she looked tre chic.  She read from her latest book Bonjour, Happiness!  In this easy-to-digest and engaging work of nonfiction, Jamie writes about being inspired by her French grandmother to travel to France.  There she seeks out the secret to joie de vivre.

Jonathan Franklin gives a firsthand account of the rescue of the Chilean miners in his new book 33 Men.  The journalist, who was at the mine site during the ordeal, interviewed all but three of the miners and one hundred of the rescuers to tell the real story behind what we heard on the news.  He shared some stories of the personal lives of some of the miners, and it individualized the men who were trapped and rescued.

Steve Friedman read from the chapter “The Ant, the Grasshopper, and Nicole Kidman,” in his new book Driving Lessons: A Father, A Son, and the Healing Power of Golf.  I hate sports and golf especially, and I’m neither a father nor a son, but I have to admit I was rather captivated by the section Steve read.  I picked up a copy and am looking forward to reading it.

Shana Mahaffey was the representative fiction writer and read from Sounds like Crazy.  It’s about a voiceover artist who–wait for it–hears voices in her head.  She has dissociative identity disorder and lots of cats.  It’s a lighthearted read about a woman whose personality becomes fractured.

I also got to meet petite model and author Isobella Jade at the event, who was super-friendly and we talked all about teen lit and making mud pies.

What a fun night!

How to Murder a Woman’s Sense of Worth

20 May

The other night I watched the 1965 film How to Murder Your Wife.  First of all, the dancing was outrageous!  I wish I could travel back in time and attend parties in the 1960s.  Okay, but second of all, the clincher of the movie is that a comic-strip writer is on trial for supposedly killing his wife and sets out to prove that she—and all wives—deserve to be murdered.  The all-male jury acquits him on those grounds!  A quick Internet search and I discovered it wasn’t until 1975 that the Supreme Court ruled that women could not be excluded from the jury pool.  (Marissa N. Batt wrote an enlightening article on this in 2004 for Ms.)

1975!  That’s not that long ago.

Close to five decades after How to Murder Your Wife, the comedy Bridesmaids has just come out.  I was talking to a guy I respect the other day about wanting to see it, and he verbally rolled his eyes about it being a chick flick.  I disagreed saying it’s supposed to be like The Hangover but with women as the leads.  I’m not so sure my argument won him over.

As much backlash as there has been over feminism and as much as people think women have obtained equal rights, it seems that that’s just not the case.  Women and girls will watch movies with men as the central character, but if a movie has a female lead it’s denounced a chick flick, unsuitable for guys.

According to a new study released this month, 31% of children’s books have a female central character.

Only 31%.

Are the VIDA findings so surprising then?

Writing Wednesday: Richard Stratton

18 May

On Saturday night, I went to a professional’s group gathering in which author-filmmaker Richard Stratton spoke and presented a short film.  My friends were hosting the event in their lovely Financial District apartment, where we could watch the sun set over the Statue of Liberty.  After a cocktail hour of mingling over wine and beer, cheese and pretzels, we settled into chairs to hear more about Stratton’s life story and projects.

Richard Stratton smuggled drugs before getting caught and imprisoned for eight years.  He was friends with Norman Mailer and while in prison wrote the novel Smack Goddess.  The PEN American Prison Writing contest awarded him first prize for a work of fiction in 1989.  He has since gone on to write for Esquire, GQ, Rolling Stone, and Spin. 

When he was released from prison, he brought his knowledge and experience into his career as a writer and filmmaker, raising American consciousness on what that life is really like.  He was a consultant on the Emmy Award-winning HBO prison documentary Thug Life in D.C. and on the dramatic prison series Oz and producer for the indie film Slam, a favorite at Cannes and Sundance.  Steve Fishman wrote a great article on Stratton for New York Magazine, which goes into more depth on his fascinating life story.

One tidbit revealed during the chat on Saturday night is that Stratton—who is originally from Provincetown, MA, and now resides in New York—is related to the Lowells who came over on the Mayflower.  Lowell, MA, is named after the Lowells.  Lowell is where Jack Kerouac (On the Road) is from, so if you’ve been following my blog for a while you’ll probably guess that my ears perked up at the mention of Lowell.  I’ve actually been working on a piece set in Lowell, and now I’m considering doing some more research into the Lowell family.

Stratton is currently working on a film about an autistic child who loses his firefighter father on 9/11, and screened a short of it for us.

The evening inspired me to think more broadly about writing—both in terms of how writing and film are connected and in its purpose for raising awareness for the general public.

Writing Wednesday: Hung Up on the First Line

18 May

I often get hung up on the first line.  I feel like if I get the first sentence right, the rest of the work will have a better chance of coming out right too.  Maybe that’s because I generally don’t write with an outline.  Rather, I allow the first line to determine the direction of the piece.

That’s probably not the best way to write.  It’s probably better to know what you’re going to say and then say it.  But sometimes it takes writing about something for me to really wrap my head around it.

Unfortunately, that puts a lot of pressure on writing a good first line.  I guess that’s why the whole revision process is so important.

What about you?  Do you know ahead of time exactly how your story is going to conclude?  How does your first line determine the rest of your piece?