Image

Pursue the Things You Love Doing

27 May

IMG_8083

Advertisements
Image

People Are Capable at Any Time

20 May

IMG_8082

Image

Rage, Rage Against the Dying of the Light

13 May

IMG_8081

Image

Let Yourself Be Gutted

6 May

IMG_8080

I Discovered a Thriving Literary Community as an American Writer in Paris (Guest Post)

1 May

I’m excited to publish this guest post about the Paris literary community by my writer friend Norma Jaeger Hopcraft, the author of The Paris Writers Circle and blogger of In Search of the American Dream. If you’ve been following me for a while now, you know I’ve written about the artist and literary community in Paris on a number of occasions, including my posts on the Surrealist movement and the The Beat Hotel. Norma reports back from her time living as a ex-pat writer in Paris, showing that the Paris literary community is still thriving today. If you’re looking to take a writing sabbatical abroad, she provides a plethora of resources for writers seeking literary community in Paris.

*

41jMITSALeL._SX331_BO1,204,203,200_

When I moved to Paris one July recently, I arrived on a Thursday, took Friday to catch up with myself (I didn’t have to hurry—I had at least one year in Paris ahead of me—yes, be jealous!). On Saturday I launched myself upon the City of Light.

 

I took the Metro to the Eiffel Tower, explored the Parc du Champs-de-Mars at its foot, was offered replica Eiffel Towers in six sizes and colors by wandering, thin African young men. Then I headed for the Place des Vosges. On foot. On a hot day. When I got to the Place, I lay on my back on the grass, like a hundred other people, and gathered my forces around myself. I was 3,000 miles from home and did not have money to fly back and see a familiar face. I was on my own, knowing nobody in the entire city. In the country. In all of Europe.

 

I had found when I arrived on Thursday that my landlady, Martine, whom I first met via Skype, spoke great English. She went out of her way that first day to make me comfortable in my studio apartment in the ground floor of her home. I was famished when I arrived on her doorstep, had no Euros in my pockets. I asked her what I could do to get something to eat – I had no idea where a grocery store was.

 

I’ll never forget – she offered me the steak that she planned to cook for herself and her visiting son a few hours later. I was deeply moved but asked her to take me quickly to the nearest grocery store. I bought some pre-cooked chicken thighs and salad. Martine paid for them because my debit card didn’t work. I paid her back in Euros within the hour.

 

Her two nieces, Christelle and Daphné, lived in Martine’s house, in bedrooms upstairs. They were great 20-somethings who welcomed me and opened their hearts to me in the type of soul-friendship that’s a rare experience in the U.S.

 

Okay, so, in the Place des Vosges, laying on the grass, I had three faces I knew in Paris. I had a place to live. I had enough food. What did I need next?

 

Well, I was in Paris on a creative writing sabbatical. It was a gift to myself, not related to a university or artists’ residency. So I needed a circle of writers, incisive critiquers, who could help me improve my memoir. Finishing it was my goal for the year.

 

On that sunny Saturday in late July, I lay on the grass in Place des Vosges and prepared to meet my first Paris writers circle. The group was called Paris Lit Up, and I met them in a hot café where I trembled to purchase a Perrier. It bought me my seat in the café, but it nearly busted my tiny budget.

 

It was my first experience of English-speaking expat writers meeting in Paris. People in the critique group came from all over – Iowa, Barcelona, Berlin. We critiqued each other’s work, laughed over it, and then I went “home,” wherever that is, exhausted. When I got there, Martine fanned herself and said, “It’s so ‘ot.”

 

Two months went by with Paris Lit Up as my only writers’ circle, and then a Meetup popped up, to be held in the moderator’s Paris apartment. I was curious to see her space, and besides which, it sounded like such a nice gathering. “Meet, eat, and critique our work,” the description said. Eat together. Hmmm. That would form nice bonds, I thought, and I signed up.

 

Author Hazel Manuel led the Meetup, which still meets and is called Paris Scriptorium. People once again were from all over. Haze was from London by way of Wales and living full time in Paris. Ruth was British, married to a Frenchman. Kat was Russian, finishing a Ph.D. in English literature at the Sorbonee. Cris Hammond was an American living on a péniche (a barge) on the Seine. He’d written a book about traveling on it all over France’s 5,000 kilometers of canals and rivers. It’s funny. I loved it.

 

I ditched writing the memoir – so difficult to go back into all that pain – and wrote a novel instead, The Paris Writers Circle. It’s about four writers—four creative egos—who undergo dark days in the City of Light. Haze’s group critiqued it over the course of the year. The warmth of the bonds was fantastic, the talent for critique outstanding, and I’m still in touch with many of the participants today.

 

Then another Meetup popped up: The Paris Writers Group. It’s still meeting in a café and still running. After I left Paris, a member of Haze’s group, Graham Elliott, started a new Meetup, Paris Creative Writers. It meets in L’Amazonial Café, on Rue Sainte-Opportune, in the First Arrondissement, on Tuesday afternoons. If you Google “meetups paris writers in English” you’ll find all three groups.

 

I left Paris before I could attend Graham’s Meetup, but I never unsubscribed from his or any of the groups’ email lists. Every time a new meeting comes up, I wish like crazy that I were in Paris and could go.

 

So any writer who goes to Paris has three great critique groups in English (the fourth I’ve mentioned, Paris Lit Up, seems to be on hiatus) that they could attend, immerse in, and find the literary community that will help them improve their writing. They’ll also form bonds of friendship that will last even after they leave and there are thousands of miles between them and their friends’ familiar faces in Paris.

 

So make me jealous! Tell me you’re going to Paris and that you’ll attend any one of these groups! Leave a comment for me here or on my blog. And check out The Paris Writers Circle. One reviewer says, “If you love Paris, you’ll be swept away!” Another says, “Paris comes alive!” and “Outstanding for story appeal, character appeal, and character development.” Enjoy! And get to Paris!

Hope to See You at a Workshop

29 Apr

 

Stephanie Nikolopoulos Reading

 

I’m so excited to share with you that I’ll be teaching at a few writing conferences and festivals in the next few months. One of the things I believe strongly in as a writer is giving back to the community by encouraging other writers and sharing the tips and tricks I’ve learned from my years as a writer and editor. I also love meeting you all in person and hearing about your literary journeys. I hope to see you at some of the events below. Drop me a line too if you’re going to any other great literary events that I should know about!

 

Upcoming Appearances

May 5, 2019. 2:00pm. Stephanie will teach Writing a Killer Book Proposal at ASJA’s 48th Annual Writers Conference at New York Marriott Downtown (85 West Street, NYC). Details and registration here.
June 13, 2019. 3:30pm. Stephanie will lead Build Demand for Your Book Proposal at Publishing in Color: A Publishing Conference for Under-Represented Spiritual Writers at Drew University Theological School (Madison, NJ). Registration here.
September 6-8, 2019. Stephanie will lead the writing workshop Wild Women on the Road at the Hobart Festival of Women Writers (Hobart, NY). Registration here.

 

Keep an eye on my Appearances page for more information on writing workshops, conferences, and readings.

 

I have a few more slots open, and if you’re looking for an author or publishing professional to speak at your conference, library, or school, feel free to reach out to me at snikolop {@} alumna.scrippscollege.edu.

Recap: RA Araya’s Music Jam at the Nuyorican Poets Cafe

12 Mar

IMG_8593

Stephanie Nikolopoulos reading at the Nuyorican Poets Cafe, accompanied by flash-back-puppy and Elinor Speirs. Photo by David Lee.

 

On February 16, 2019, RA Araya’s Music Jam rocked the Nuyorican Poets Cafe (236 E 3rd Street, NYC).

The initial advertised lineup included Good Leaf, acoustic “Piedmont style” guitar picking vocals original compositions; Chris Barrera, guitar vocals original compositions; Cherylina, harmonium vocals yoga chanting; Professor Nancy Mercado, poetry; Alvaro Kitsa-to Andrade reads John Trudell’s poetry; Jeff Wright, poetry guitar vocals; FOAMOLA!! Sparrow, Violet Snow, Sylvia Mae Gorelick, Lawrence Fishberg, Gabriel Quigley; Michael Robinson, vocals guitar; Willie Martinez, drums and timbales, vocals; Gabriel Castellar, lead guitar; Angelo Segarra and his salsa merengue cumbia band, congas timbales piano sax bongos vocals; Antoine Alvear, piano; Joi Sanchez, poetry vocals; Paul Skiff, poetry drumming; Lorena Mnemosyne Cabrera, belly-dance; Alexie F., comedy; Ronnie Norpel, novelist actress comediane, Tract 187: Culture-Clatch hostess; Sasha Smith, poetry; Ahda Hann, performance art; Stephanie Nikolopoulos, poetry; Rachel Printy, poetry; Sebastian Gil, trumpet; Lydia Cortés, poetry; James Peach, free-style hip-hop; RÁ Araya, poetry vocals congas tabla harmonica….; Lighting Design by Julia McCabe; Photography, documenting this event by Katie Grammes.

Some weren’t able to make it, but there were a few surprise guests, including Bowery Poetry Club founder Bob Holman, and the open mic readers.

IMG_8577

Poet Jeffrey Cyphers Wright

IMG_8591

Poet Bob Holman

IMG_8598

writer Rae Printy

IMG_8620

poet Ahda Hann

IMG_8632

Paul Skiff read his ode to Loisaida (the Lower East Side of Manhattan, as Puerto Ricans renamed neighborhood after our friend poet and educator Bimbo Rivas wrote his poem “Loisaida” in the 1970’s. Avenue C in Manhattan was renamed Loisaida Street after Bimbo Rivas passing. It was a very deep emotional moment to all of us that know and knew all the Nuyorican and bohemian poets Paul Skiff mentioned, deep history.” ~RA Araya

IMG_8633

Ronnie Norpel, author of Baseball Karma and the Constitution Blues

IMG_8644

It was a sold-out show, full of energy!

It was such an honor to read my poetry with these legends! RA has been a huge supporter of my writing over the years, and I’m so thankful for all the opportunities he’s given me. As I always say, he is my Allen Ginsberg.

A heartfelt thanks for  Elinor Speirs for playing classical jazz violin while I read my poetry. She will be the musical guest for this upcoming jazz-poetry event I’m producing.

Special thanks to artist David Lee for capturing photographs of me reading at the Nuyorican and to writer Rae Printy for video some of you might’ve seen on social media.

Also thanks to all the friends who supported the event, including author Norma Jaeger Hopcraft.

IMG_8594

Photo by David Lee.

 

 

Find about my other upcoming events, in the Appearances section.

If you’re interested in booking me for a reading, book club, or writing workshop, you can contact me at snikolop {@} alumna.scrippscollege.edu.

Clip: 5 Networking Event Tips for Introverts

7 Mar

FullSizeRender(2)

Create & Cultivate created an empowering online platform and offline conference to help women achieve dream-worthy careers, and I’m ecstatic that they’ve recently included my “5 Networking Event Tips for Introverts” on their blog!

Growing up, I was cripplingly shy. It took a lot of work—and a cross-country move—for me to come out of my shell. When I moved back to the East Coast, I began attending networking events in Manhattan. It was intimidating at first, but I learned a few tricks that helped me out. From these events, I’ve made amazing friends and clients that I’ve worked with for years.

I’d love to share my introvert networking tips with you. You can read them here.

What networking advice do you have? I’m always eager to learn more!

Want more business tips from me? You might like this blog post on speed networking or this one on alumni networking.  You can find my other writing clips here.

Clip: Essay after Visiting the Thomas Cole National Historic Site, Written from a Skyscraper

5 Mar

41718963_2171406356451113_160624545479960816_n

In 2017, my friend Mark Chalfant, author of Devereux Emmet: American Master, invited me on a road trip up to Catskill, New York, to visit painter Thomas Cole’s home. It was a crisp autumn day, and with so many of the colorful leaves having dropped from the trees, we were able to get an incredible view of the landscape that the Hudson River School painter became famous for depicting.

Strewn around the Thomas Cole National Historic Site were quotes from Cole’s 1841 “Essay on American Scenery.” Take this gem for instance:

May we at times turn from the ordinary pursuits of life to the pure enjoyment of rural nature; which is in the soul like a fountain of cool waters to the way-worn traveler….

Cole’s way with words, his love for the American landscape, and his reference to travel reminded me of that great intrepid traveler Jack Kerouac, whom Paul Maher Jr. and I had written about in the literary biography Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road.”

Visiting the painter’s home had a profound experience on my weary soul. It invigorated me. It inspired me.

I ended up writing about my experience visiting the painter’s home, and last year I had the great honor of my “Essay after Visiting the Thomas Cole National Historic Site, Written from a Skyscraper” being selected for the Landmark exhibit, presented by the Albany International Airport and the Thomas Cole National Historic Site. The exhibition, which was on view at the Albany International Airport, from September 29, 2018, to February 25, 2019, explored our relationship with nature and our ever-changing American landscape.

Here’s what the official press release had to say:

Landmark, at the Albany International Airport Gallery, features 10contemporary visual artists and seven writers whose works explore our relationship to the natural world, and share common ground with Thomas Cole’s greatest written work, Essay on American Scenery, 1836, which is among the most influential proto-environmentalist essays in America.

On view at the Albany International Airport Gallery September 29, 2018 –February 25, 2019.Opening reception: Friday, October 5, 2018, 5:30-7:30 pm.

Albany, NY (September 17, 2018)–The Albany International Airport Gallery will host the upcoming exhibition Landmark from September 29, 2018 to February 25, 2019. Developed through a partnership between the Airport’s Art & Culture Program and the Thomas Cole National Historic Site in Catskill, NY, Landmark considers the legacy of Thomas Cole’s paintings and advocacy for environmental stewardship as they echo the concerns of artists and writers today. A public reception to celebrate the launch of Landmark will be held on Friday, October 5, 2018 from 5:30 to 7:30 pm in the Albany International Airport Gallery.

Thomas Cole(1801-1848) is recognized as the founder of America’s first major art movement, the Hudson River School of landscape painting, and a proto-environmentalist who advocated for the appreciation and preservation of America’s landscapes. Kathy Greenwood, Director of the Airport’s Art & Culture Program, and Kate Menconeri, Curator at the Thomas Cole Site, invited 10 contemporary visual artists to participate in this exhibition, whose work has compelling connections to Cole’s, and engages the persisting resonance of the same issues and ideas from a 21st-century vantage point.

The 10 visual artists are Ellen Driscoll, Valerie Hammond, William Lamson, Portia Munson, Kenneth Ragsdale, Anne Roecklein, Lisa Sanditz, Kiki Smith, Darren Waterston and Susan Wides. The exhibiting artists have international careers and also maintain deep local ties to the Hudson River Valley, as did Cole. Artworks include works on canvas and paper, video, photography, new site-specific installations and sculpture, as well as woven jacquard tapestry.

“This exhibition is the perfect complement to this landmark year, as the Art & Culture Program celebrates its 20thAnniversary, which coincides with the 200thAnniversary of Thomas Cole’s arrival in America,” said Kathy Greenwood, Program Director and Landmark co-curator. “At its core, this Program seeks to showcase the outstanding cultural institutions and artists that populate this region, and it’s exciting and satisfying when we can accomplish that within a single exhibition.”

“We’re excited at the Thomas Cole Site to have this opportunity to work with the Albany Airport to create such an extensive project,” said Kate Menconeri, curator at the Thomas Cole Site and Landmark co-curator. “Thomas Cole was an advocate for living in harmony with the natural world and thoughtful development. What he saw happening to the landscape in the 19thcentury –new train tracks and industries expanding along the Hudson River –resonates with what artists and writers are responding to now. The project bridges art and ideas past and present but also inevitably is building new connections and conversations about how we might navigate today.”

Thomas Cole expressed his concern and regard for the American landscape through writing as well as painting and addressed the environmental impact of industrialization in his Essay on American Scenery, published in 1836. In the spring of 2018, the Thomas Cole Site launched its first call for writing and invited writers to respond to Cole’s Essay with their own writing and asked them to consider not only how the American landscape has changed but what should be preserved. The occasion sparked conversations between Greenwood and Menconeri that gave rise to the Landmark exhibition.

Among the contemporary visual artwork presented will be a selection of Ellen Driscoll’s large-scale works on paper from her recent Thicket series; Valerie Hammond will develop an iteration of her lyrical Forest installation; an immersive projection of William Lamson’s Infinity Camera will allow visitors a journey along New York waterways that defies a single viewpoint. Portia Munson’s Future Fossils will consist of an encased arrangement of common green plastic objects that both reflect and reject notions about ecology, resource consumption, and the persistence of plastics in the environment. Kenneth Ragsdale has produced a new site-specific installation for Landmark, titled Course of Empire. This work shares its title with Thomas Cole’s iconic 1836 painting series and expresses metaphorical cautionary concerns about the inevitable collision of expansion and consumption. Anne Roecklein’s panoramic vintage travel postcard collages are spliced-together landscapes both real and imagined; Lisa Sanditz’s vibrantly-hued paintings describe places in America that are both revered for their beauty and imperiled by human reach. In Kiki Smith’s 10-foot-high tapestry Harbor—jacquard-woven by Magnolia Editions—birds circle a rocky island amid star-studded sky and sea. A selection of Darren Waterston’s Ecstatic Landscape paintings reveals places habitable more by the spiritual than the corporeal form, and in Susan Wides’ I Kaaterskill series of photographs, relationships are drawn between Thomas Cole’s paintings of the Hudson Valley and those locations as they appear today.

The Essay contest, which was organized by 2017-2018 Cole Fellow Madeline Conley, received many outstanding responses. They were whittled down by a group of distinguished jurors: J. Jeffrey Anzevino, Land Use Advocacy Director, Scenic Hudson; Kathy Greenwood, Director, Art & Culture Program, Albany International Airport; W. Douglas McCombs, Chief Curator, Albany Institute of History and Art; Kate Menconeri, Curator, Thomas Cole National Historic Site; Nancy Siegel, Professor of Art History, Towson University; and Alan Wallach, Ralph H. Wark Professor of Art and Art History and Professor of American Studies Emeritus, Professorial Lecturer in Art History, George Washington University.

The seven writers whose work was selected for the exhibition are as follows: Sandra Dutton, author of six books for young readers, who resides in Catskill and teaches creative writing at Southern New Hampshire University; William Jaeger, a photographer and writer who lives in the Catskills and teaches photography and art criticism at the University at Albany; Jennifer Kabat, who lives in the western Catskills and teaches at The New School and whose essay “Rain Like Cotton” is in Best American Essays 2018; Herbert Nichols, a resident of Hudson, for whom this is his first published writing; Stephanie Nikolopoulos, a writer, editor, and writing instructor based in New York City; Justin Nobel, a magazine writer on science and the environment, who lives in Germantown and whose writing is in Best American Science and Nature Writing 2014 and Best American Travel Writing 2016; and Sara Pruiksma, a resident of Albany County with a visual studio practice, who revisits her early passion of writing to further her creative voice. Their writings, alongside Cole’s original words, are a crucial component of the Landmark exhibition.

THE ALBANY INTERNATIONAL AIRPORT’S ART & CULTURE PROGRAM: Since 1998, the Albany International Airport’s Art & Culture Program has sought to showcase the cultural vitality of New York’s Capital Region through exhibitions and installations throughout the Airport’s terminal. Such presentations enhance the experience of airport travelers and foster the advancement of a thriving creative community. The Art & Culture Program has become a cornerstone for demonstrating the breadth and quality of the arts throughout the Region as well as a resource for learning about local culture. Through exhibitions presented in the Albany International Airport Gallery and the Concourse Galleries, the Exhibition Case Program, free public programs and group tours, the Art & Culture Program has extended the reach of area artists and museums to an audience of more than 3 million people each year. Additionally, DEPARTURE, The Shop of Capital Region Museums –the retail arm of the Program –has become an important community service and a unique shopping venue lauded nationally and prized locally.

THE THOMAS COLE NATIONAL HISTORIC SITE is an international destination presenting the original home and studios of Thomas Cole, the founder of the Hudson River School of painting, the nation’s first major art movement. Located on 6 acres in the Hudson Valley, the site includes the 1815 Main House; Cole’s 1839 Old Studio; the recently reconstructed New Studio building; and panoramic views of the Catskill Mountains. It is a National Historic Landmark and an affiliated area of the National Park System. The Thomas Cole Site’s activities include guided tours, special exhibitions of both 19th-century and contemporary art, printed publications, extensive online programs, activities for school groups, free community events, lectures, and innovative public programs such as the Hudson River School Art Trail—a map and website that enable visitors to visit the places that Cole painted. The goal of all programs at the Thomas Cole Site is to enable visitors to find meaning and inspiration in Thomas Cole’s life and work. The themes that Cole explored in his art and writings—such as landscape preservation and our conception of nature as a restorative power—are both historic and timely, providing the opportunity to connect to audiences with insights that are highly relevant to their own lives.

I am so thankful for The Albany International Airport and The Thomas Cole National Historic Site, as well as my friend Mark Chalfant and his friend who did the driving, for making this experience possible.

Also, thanks to all the media outlets that covered the exhibition, including:

(By the way, you can find out where else I’ve appeared in the media here.)

You can read my “Essay after Visiting the Thomas Cole National Historic Site, Written from a Skyscraper” here.

Discover my other publications here.

 

Calendar Girl

8 Dec

Back of CALENDAR with list

Here’s a sentence I never thought I’d write: I’m a calendar girl.

That’s right. I am one of the featured authors in the 2019 Hobart Festival of Women Writers calendar.

The inaugural calendar features the work of the poets and writers who participated in the very first Hobart Festival of Women Writers back in 2013. The festival was co-founded by Cheryl Clarke, Barbara Balliet, and Breena Clarke. The calendar was edited by Esther Cohen and Breena Clarke and designed by Laura Tolkow.

I’ll be reading along with other writers who have participated in the Hobart Festival of Women Writers this Monday, December 10, 2018, at 6pm, at the National Writers Union offices (256 West 38thStreet, 12th floor).

The calendar will be on sale at the reading, but if you’re not able to make it that night you can get yours here. It’s a great way to support women writers!

:::

To find out about my other publications and where to get my new Lapland calendar, visit my Publications page.