Tag Archives: action

Review: Ferlinghetti: A Rebirth of Wonder

14 Mar

ferlinghetti_splash

I caught the documentary Ferlinghetti: A Rebirth of Wonder (2009) at Anthology Film Archives this past weekend. Lawrence Ferlinghetti is one of my favorite poets, for his use of language and whimsy. I’ve long appreciate his commitment to freedom of speech, and this documentary made me more aware of how he used his position as a poet and bookseller for activist purposes. Quirky fact: he uses the windows of his office at City Lights as a “blog,” writing his political thoughts for all who pass by to see.

Ferlinghetti: A Rebirth of Wonder is star-studded, including informative interviews and clips with everyone from Amiri Baraka, David Amram, Jack Hirschman, Michael McClure, Anne Waldman, and George Whitman to Giada Diano, Bill Morgan, Dave Eggers, and Lorenzo Ferlinghetti. It impresses upon the viewer just how important Ferlinghetti is by indicating his support of Bob Dylan, his place in American poetry, awards given to him, and the naming of a street after him.

The biographical background information is fascinating, particularly when we hear about Ferlinghetti’s rearing in France, how his mother’s ineptitude at caring for him led to his being raised by the daughter of the founder of Sarah Lawrence College, and his service in World War II (spoiler alert: he saw Nagasaki right after the bomb dropped). There’s even a scene in which Ferlinghetti searches for his roots in Italy, where he was arrested for trespassing when he tried to get a sneak peek at where his father grew up! This of course is all balanced with his founding of City Lights, the Howl trial, and the Human Be-In.

All of it is wonderful, but its broad scope and pacing left the film falling flat in terms of its aesthetics. As a biographer, I understand how director/producer Christopher Felver must have struggled with the editing process. How could he cut anything out when it’s all so important? No one wants to see significant and appealing research fall on the cutting room floor. As a viewer, though, I would have preferred a more limited scope or narrative approach. It would have been a stronger film if Felver, who worked on the documentary for ten years, ruthlessly edited his work to give it a story arc. This film is best suited for those interested in learning more about the free speech movement, poetry in America, the Beat Generation (though Ferlinghetti adamantly declares in one scene “Don’t call me a Beat! I never was a Beat!”), San Francisco, and the 1950s and ‘60s. I’d recommend Ferlinghetti: A Rebirth of Wonder for high-school English classes as well as for writers in general, as it motivates one to consider poetry as subversive action.

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Writing Wednesday: Thrown in the Deep End

20 Apr

One of the big MFAisms is: “Start with the action.”

As a journalist, I understand the importance of strong titles and hooks.  You need to entice the reader, draw him in.  I don’t believe, though, that the hook and action are synonymous.

As a reader, I feel flung into the deep end of a cold swimming pool when a story starts with the action.  I splash around trying to figure out where I am and where I can find some solid ground.  Once on dry land again, I feel like I was needlessly jerked around.  I would’ve loved to swim around, but I prefer to stick my feet in first, test the waters.

I felt relieved then when I read Jane Friedman’s article “The Biggest Bad Advice About Story Openings” on her Writer’s Digest blog There Are No Rule.  Friedman states that an opening with lots of action and little characterization, “Delivers a stereotypical crisis moment that’s full of action or pain, but without a center.”

Isn’t that so true?  Doesn’t it seem like all action stories are the same?  The reason action matters in any type of story is because we are intrigued by the characters.

What are your feelings about starting a story with the action?  What does a great hook look like?