Photo by Etienne Carjat (1871)
Rimbaud’s kinda cute, eh?
Before Jack Kerouac coined the term “Beat Generation” during a conversation on the Lost Generation with fellow writer John Clellon Holmes, before he went on the road and lived a bohemian life, he attended (and dropped out of) Columbia University. It was through his Columbia connections—which Paul and I explain in more detail in Burning Furiously Beautiful (it’s actually super interesting to discover how they all met and became friends)—that Kerouac met Lucien Carr and Allen Ginsberg. Back then, the phrase they were throwing around was a “New Vision.”
Carr had borrowed the phrase from Arthur Rimbaud, and the young friends in Morningside Heights used it to mean:
1) Naked self-expression is the seed of creativity. 2) The artist’s consciousness is expanded by derangement of the senses. 3) Art eludes conventional morality.[17]
As a teenager, Rimbaud was part of the Decadent movement in late-nineteenth-century France. The term “Decadents” refers to the clever poets who preferred to show off their literary skill rather than emote as naturally as the Romantics. The earlier Romantics—such as William Blake, Percy Bysshe Shelley, and John Keats—used more colloquial language than the highly stylized language of the Decadents.
In a letter to a friend, Rimbaud wrote:
I’m now making myself as scummy as I can. Why? I want to be a poet, and I’m working at turning myself into a seer. You won’t understand any of this, and I’m almost incapable of explaining it to you. The idea is to reach the unknown by the derangement of all the senses. It involves enormous suffering, but one must be strong and be a born poet. It’s really not my fault.
Sounds like something Kerouac might write, doesn’t it? Not because the author of On the Road sought to make himself scummy by any means, but because he shook off pretensions and suffered for his art, appreciating the authenticity of experience.
I couldn’t find a translation of any of Rimbaud’s poetry that was in the public domain, so here is Rimbaud’s “My Bohemian Life (Fantasy)” in the original French:
Ma Bohème (Fantaisie)
Je m’en allais, les poings dans mes poches crevées ;
Mon paletot aussi devenait idéal ;
J’allais sous le ciel, Muse ! et j’étais ton féal ;
Oh ! là là ! que d’amours splendides j’ai rêvées !
Mon unique culotte avait un large trou.
– Petit-Poucet rêveur, j’égrenais dans ma course
Des rimes. Mon auberge était à la Grande Ourse.
– Mes étoiles au ciel avaient un doux frou-frou
Et je les écoutais, assis au bord des routes,
Ces bons soirs de septembre où je sentais des gouttes
De rosée à mon front, comme un vin de vigueur ;
Où, rimant au milieu des ombres fantastiques,
Comme des lyres, je tirais les élastiques
De mes souliers blessés, un pied près de mon coeur !
You can read a 1962 English translation by Oliver Bernard here.
Tags: Allen Ginsberg, Arthur Rimbaud, authenticity, Beat Generation, bohemian, Burning Furiously Beautiful, Columbia University, Decadents, experience, France, French, Jack Kerouac, John Clellon Holmes, John Keats, Lost Generation, Lucien Carr, New Vision, Oliver Bernard, Percy Bysshe Shelley, Romantic poets, translation, William Blake
Stephanie Nikolopoulos 