Tag Archives: Columbia University

Jack Kerouac Dropped Out of College. So What?

27 Jan

Is genius born or created?  By now everyone has read, or at least heard, about how Steve Jobs dropped out of Reed College and went on to become the cofounder of Apple and one of the most important entrepreneurs of our time.  Perhaps less known is the fact that Jobs continued to audit classes at Reed.  He actually credited a calligraphy course he took as having a major impact on the Mac.  When I was taking a shuttle from the San Francisco airport to my hotel out in Walnut Creek, I had a midnight conversation with a businessman who had read the biography on Jobs and told me about how the computer genius’ interest in art was fundamental to his vision for building a successful brand.

Back in September, Flavorwire posted an article called “10 Famous Authors Who Dropped Out of School.”  This is what they wrote about Jack Kerouac:

In high school, Beat hero Jack Kerouac was no poet — he was a jock, star of the football team. His athletic skills won him a scholarship to Columbia University, but he and the coach didn’t get along. The two argued constantly and Kerouac was benched for most of his freshman year. Then, he cracked his tibia and, his already tenuous football career over, dropped out of school.

I love Flavorwire, and I understand that the writer was trying to keep the text short and irreverent, but I think it’s worth dissecting the often repeated line that Kerouac dropped out of Columbia University.  Implicit in remarks about his football scholarship and dropping out is the suggestion that Kerouac was neither intelligent nor studious—the same way that many critics like to point to how quickly he supposedly wrote his novels.  If he were a computer genius, like Steve Jobs, perhaps his craft would not be questioned, but because the arts are subjective, Kerouac’s dropping out of college is often reported more as a jab than as evidence toward his natural gifts.

To say that Kerouac was a jock and not a poet in high school undermines his academic achievements.  In reality, Kerouac, who didn’t even feel completely comfortable speaking English when he went off to school (he spoke his parents’ French Canadian dialect), did so well in school that he skipped a grade.  He spent a lot of time at the public library in his hometown of Lowell, Massachusetts, voraciously reading the classics.  When he was not on the football field, Kerouac was part of a roundtable discussion group on philosophy and literature.  His father was a printer, and so even at a young age, Kerouac produced his own writing.  Like Jobs, Kerouac did not come from money, and the scholarship he earned helped him attend the university, where he studied English under the tuition of great professors.

Kerouac left Columbia, then he returned to resume his studies, and then dropped out for good.  However, like Steve Jobs, Kerouac continued his studies even after he dropped out of college.  He enrolled at The New School, where he studied literature.

 

After Kerouac moved to Ozone Park, Queens, and holed himself up writing, his friends jokingly referred to him as “The Wizard of Ozone Park.”  Do you know “The Wizard of Menlo Park” (New Jersey) was?  Thomas Edison, who after only three months of formal schooling, dropped out.

 

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This post has been updated. I wrote “college” when I meant to write “school,” when referring to Kerouac’s ease with English.

 

 

The Light Holds Harvey Shapiro

8 Jan

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I have just learned that Harvey Shapiro passed away yesterday.

Shapiro, whose first language was the endangered language of Yiddish, is the person who suggested Martin Luther King, Jr., compose a letter while he was in jail. The result was “Letters From Birmingham Jail,” which Shapiro wasn’t able to get published at The Times Magazine, where he was editor, but which was published by The Christian Century, among others.

Shapiro was a poet in his own right, crafting poems both witty and profound and oftentimes reflecting on life in New York City. Born in 1924 and obtaining his master’s degree in American literature from Columbia University in 1948, he was a contemporary of the Beats. He served in World War II and edited the volume Poets of World War II.

I had the good fortunate of hearing him speak at McNally Jackson Books two years ago. One of the big takeaways I had was that one must persevere in writing. Here was someone who even in his eighties was still engaged in the literary community and encouraging writers.

James Franco Reveals How He Was Introduced to the Beats

11 Dec

I was just thinking the other day that it had been a long time since I’d heard about James Franco. I’m serious! It seemed like a year or two ago James Franco was omnipresent. There’s James Franco sleeping in class at Columbia! There’s James Franco explaining it wasn’t technically class! There’s James Franco playing with a cat! There’s James Franco’s book! There’s James Franco teaching at NYU! There’s–well, you get the idea.

And then nothing.

I don’t know why, but I suddenly missed hearing about James Franco. Maybe it had something to do with the fact that we were both getting our MFAs. Or maybe it had to do with the fact that I thought his portrayal of Allen Ginsberg in Howl was authentic.

Well, wouldn’t you know it: today I stumbled upon The Los Angeles Review of Books‘ recent interview with James Franco. In the article, Franco discusses poetry, writing, and filmmaking. He talks about William Carlos Williams, Hart Crane, Allen Ginsberg, Frank Bidart, and his writer mother. He also says that even though he portrayed Allen Ginsberg in Howl it was another author who inspired his foray into Beat literature:

Kerouac came first. On the Road was my introduction to the Beats, but “Howl” was my introduction to poetry. I studied Williams in school, but I didn’t really study him as a craftsman until later, when I went to the writing program at Warren Wilson College in North Carolina.

He also reveals that he’s studying Beat literature with Amy Hungerford, who has written about Ginsberg’s supernatural language, in his PhD program at Yale.

Jack Kerouac, Music Journalist

9 May

When Jack Kerouac went off to Columbia University, he told people he was going to be a journalist.  His father, Leo Kerouac, was a printer in Lowell, who owned a print shop called Spotlight Print.  Leo handled printing for some of the big businesses in New England, and also did a bit of writing of his own.  This inspired Ti Jean, as little Jack was called.  He used to lay on the floor, creating his own little newspapers and comics.

In school in New York, first at Horace Mann prep school and then at Columbia, Kerouac contributed to the school newspapers.  The writing he did for the papers would best be described as music journalism.  He soaked in all the great 1940s bebop of Harlem and wrote jazz reviews.

There was no Pitchfork at the time.  Rolling Stone magazine wasn’t founded until 1967.  Even many of today’s popular jazz magazines weren’t in existence yet.  Music journalism didn’t have the esteem that it does today.

Jack Kerouac may not have gone on to become a famous music critic or any sort of journalist in the traditional sense of the word, but his jazz reviews were not in vain.  Writing music reviews, he honed his craft.  He learned to listen well, and he learned how to recreate the excitement of a live gig on the page.  This all went into his future novels.  In On the Road, Kerouac wrote about experiencing jazz firsthand.  Today, his books, even if they contain fictional elements, are testaments to the music of the 1940s and ‘50s.  Although he may have obscured the names of his friends, the names of musicians and famous jazz clubs remain intact.

Furthermore, bebop style influenced the way Kerouac wrote.  He learned about the notion of spontaneity and incorporated it into his own work.  His writing style echoes the rawness and the genius of live, spontaneous jazz.

In Burning Furiously Beautiful, Paul Maher Jr. and I write about some of the great jazz clubs of the 1940s and ‘50s that Kerouac visited while he criss-crossed the country.  The book tells the true story behind On the Road.  It is a portrait of Jack Kerouac, but it’s also a portrait of the United States.  In mentioning these jazz clubs that Kerouac visited, we examine a bit of America’s cultural history.