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Clip: 5 Networking Event Tips for Introverts

7 Mar

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Create & Cultivate created an empowering online platform and offline conference to help women achieve dream-worthy careers, and I’m ecstatic that they’ve recently included my “5 Networking Event Tips for Introverts” on their blog!

Growing up, I was cripplingly shy. It took a lot of work—and a cross-country move—for me to come out of my shell. When I moved back to the East Coast, I began attending networking events in Manhattan. It was intimidating at first, but I learned a few tricks that helped me out. From these events, I’ve made amazing friends and clients that I’ve worked with for years.

I’d love to share my introvert networking tips with you. You can read them here.

What networking advice do you have? I’m always eager to learn more!

Want more business tips from me? You might like this blog post on speed networking or this one on alumni networking.  You can find my other writing clips here.

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Clip: Essay after Visiting the Thomas Cole National Historic Site, Written from a Skyscraper

5 Mar

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In 2017, my friend Mark Chalfant, author of Devereux Emmet: American Master, invited me on a road trip up to Catskill, New York, to visit painter Thomas Cole’s home. It was a crisp autumn day, and with so many of the colorful leaves having dropped from the trees, we were able to get an incredible view of the landscape that the Hudson River School painter became famous for depicting.

Strewn around the Thomas Cole National Historic Site were quotes from Cole’s 1841 “Essay on American Scenery.” Take this gem for instance:

May we at times turn from the ordinary pursuits of life to the pure enjoyment of rural nature; which is in the soul like a fountain of cool waters to the way-worn traveler….

Cole’s way with words, his love for the American landscape, and his reference to travel reminded me of that great intrepid traveler Jack Kerouac, whom Paul Maher Jr. and I had written about in the literary biography Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road.”

Visiting the painter’s home had a profound experience on my weary soul. It invigorated me. It inspired me.

I ended up writing about my experience visiting the painter’s home, and last year I had the great honor of my “Essay after Visiting the Thomas Cole National Historic Site, Written from a Skyscraper” being selected for the Landmark exhibit, presented by the Albany International Airport and the Thomas Cole National Historic Site. The exhibition, which was on view at the Albany International Airport, from September 29, 2018, to February 25, 2019, explored our relationship with nature and our ever-changing American landscape.

Here’s what the official press release had to say:

Landmark, at the Albany International Airport Gallery, features 10contemporary visual artists and seven writers whose works explore our relationship to the natural world, and share common ground with Thomas Cole’s greatest written work, Essay on American Scenery, 1836, which is among the most influential proto-environmentalist essays in America.

On view at the Albany International Airport Gallery September 29, 2018 –February 25, 2019.Opening reception: Friday, October 5, 2018, 5:30-7:30 pm.

Albany, NY (September 17, 2018)–The Albany International Airport Gallery will host the upcoming exhibition Landmark from September 29, 2018 to February 25, 2019. Developed through a partnership between the Airport’s Art & Culture Program and the Thomas Cole National Historic Site in Catskill, NY, Landmark considers the legacy of Thomas Cole’s paintings and advocacy for environmental stewardship as they echo the concerns of artists and writers today. A public reception to celebrate the launch of Landmark will be held on Friday, October 5, 2018 from 5:30 to 7:30 pm in the Albany International Airport Gallery.

Thomas Cole(1801-1848) is recognized as the founder of America’s first major art movement, the Hudson River School of landscape painting, and a proto-environmentalist who advocated for the appreciation and preservation of America’s landscapes. Kathy Greenwood, Director of the Airport’s Art & Culture Program, and Kate Menconeri, Curator at the Thomas Cole Site, invited 10 contemporary visual artists to participate in this exhibition, whose work has compelling connections to Cole’s, and engages the persisting resonance of the same issues and ideas from a 21st-century vantage point.

The 10 visual artists are Ellen Driscoll, Valerie Hammond, William Lamson, Portia Munson, Kenneth Ragsdale, Anne Roecklein, Lisa Sanditz, Kiki Smith, Darren Waterston and Susan Wides. The exhibiting artists have international careers and also maintain deep local ties to the Hudson River Valley, as did Cole. Artworks include works on canvas and paper, video, photography, new site-specific installations and sculpture, as well as woven jacquard tapestry.

“This exhibition is the perfect complement to this landmark year, as the Art & Culture Program celebrates its 20thAnniversary, which coincides with the 200thAnniversary of Thomas Cole’s arrival in America,” said Kathy Greenwood, Program Director and Landmark co-curator. “At its core, this Program seeks to showcase the outstanding cultural institutions and artists that populate this region, and it’s exciting and satisfying when we can accomplish that within a single exhibition.”

“We’re excited at the Thomas Cole Site to have this opportunity to work with the Albany Airport to create such an extensive project,” said Kate Menconeri, curator at the Thomas Cole Site and Landmark co-curator. “Thomas Cole was an advocate for living in harmony with the natural world and thoughtful development. What he saw happening to the landscape in the 19thcentury –new train tracks and industries expanding along the Hudson River –resonates with what artists and writers are responding to now. The project bridges art and ideas past and present but also inevitably is building new connections and conversations about how we might navigate today.”

Thomas Cole expressed his concern and regard for the American landscape through writing as well as painting and addressed the environmental impact of industrialization in his Essay on American Scenery, published in 1836. In the spring of 2018, the Thomas Cole Site launched its first call for writing and invited writers to respond to Cole’s Essay with their own writing and asked them to consider not only how the American landscape has changed but what should be preserved. The occasion sparked conversations between Greenwood and Menconeri that gave rise to the Landmark exhibition.

Among the contemporary visual artwork presented will be a selection of Ellen Driscoll’s large-scale works on paper from her recent Thicket series; Valerie Hammond will develop an iteration of her lyrical Forest installation; an immersive projection of William Lamson’s Infinity Camera will allow visitors a journey along New York waterways that defies a single viewpoint. Portia Munson’s Future Fossils will consist of an encased arrangement of common green plastic objects that both reflect and reject notions about ecology, resource consumption, and the persistence of plastics in the environment. Kenneth Ragsdale has produced a new site-specific installation for Landmark, titled Course of Empire. This work shares its title with Thomas Cole’s iconic 1836 painting series and expresses metaphorical cautionary concerns about the inevitable collision of expansion and consumption. Anne Roecklein’s panoramic vintage travel postcard collages are spliced-together landscapes both real and imagined; Lisa Sanditz’s vibrantly-hued paintings describe places in America that are both revered for their beauty and imperiled by human reach. In Kiki Smith’s 10-foot-high tapestry Harbor—jacquard-woven by Magnolia Editions—birds circle a rocky island amid star-studded sky and sea. A selection of Darren Waterston’s Ecstatic Landscape paintings reveals places habitable more by the spiritual than the corporeal form, and in Susan Wides’ I Kaaterskill series of photographs, relationships are drawn between Thomas Cole’s paintings of the Hudson Valley and those locations as they appear today.

The Essay contest, which was organized by 2017-2018 Cole Fellow Madeline Conley, received many outstanding responses. They were whittled down by a group of distinguished jurors: J. Jeffrey Anzevino, Land Use Advocacy Director, Scenic Hudson; Kathy Greenwood, Director, Art & Culture Program, Albany International Airport; W. Douglas McCombs, Chief Curator, Albany Institute of History and Art; Kate Menconeri, Curator, Thomas Cole National Historic Site; Nancy Siegel, Professor of Art History, Towson University; and Alan Wallach, Ralph H. Wark Professor of Art and Art History and Professor of American Studies Emeritus, Professorial Lecturer in Art History, George Washington University.

The seven writers whose work was selected for the exhibition are as follows: Sandra Dutton, author of six books for young readers, who resides in Catskill and teaches creative writing at Southern New Hampshire University; William Jaeger, a photographer and writer who lives in the Catskills and teaches photography and art criticism at the University at Albany; Jennifer Kabat, who lives in the western Catskills and teaches at The New School and whose essay “Rain Like Cotton” is in Best American Essays 2018; Herbert Nichols, a resident of Hudson, for whom this is his first published writing; Stephanie Nikolopoulos, a writer, editor, and writing instructor based in New York City; Justin Nobel, a magazine writer on science and the environment, who lives in Germantown and whose writing is in Best American Science and Nature Writing 2014 and Best American Travel Writing 2016; and Sara Pruiksma, a resident of Albany County with a visual studio practice, who revisits her early passion of writing to further her creative voice. Their writings, alongside Cole’s original words, are a crucial component of the Landmark exhibition.

THE ALBANY INTERNATIONAL AIRPORT’S ART & CULTURE PROGRAM: Since 1998, the Albany International Airport’s Art & Culture Program has sought to showcase the cultural vitality of New York’s Capital Region through exhibitions and installations throughout the Airport’s terminal. Such presentations enhance the experience of airport travelers and foster the advancement of a thriving creative community. The Art & Culture Program has become a cornerstone for demonstrating the breadth and quality of the arts throughout the Region as well as a resource for learning about local culture. Through exhibitions presented in the Albany International Airport Gallery and the Concourse Galleries, the Exhibition Case Program, free public programs and group tours, the Art & Culture Program has extended the reach of area artists and museums to an audience of more than 3 million people each year. Additionally, DEPARTURE, The Shop of Capital Region Museums –the retail arm of the Program –has become an important community service and a unique shopping venue lauded nationally and prized locally.

THE THOMAS COLE NATIONAL HISTORIC SITE is an international destination presenting the original home and studios of Thomas Cole, the founder of the Hudson River School of painting, the nation’s first major art movement. Located on 6 acres in the Hudson Valley, the site includes the 1815 Main House; Cole’s 1839 Old Studio; the recently reconstructed New Studio building; and panoramic views of the Catskill Mountains. It is a National Historic Landmark and an affiliated area of the National Park System. The Thomas Cole Site’s activities include guided tours, special exhibitions of both 19th-century and contemporary art, printed publications, extensive online programs, activities for school groups, free community events, lectures, and innovative public programs such as the Hudson River School Art Trail—a map and website that enable visitors to visit the places that Cole painted. The goal of all programs at the Thomas Cole Site is to enable visitors to find meaning and inspiration in Thomas Cole’s life and work. The themes that Cole explored in his art and writings—such as landscape preservation and our conception of nature as a restorative power—are both historic and timely, providing the opportunity to connect to audiences with insights that are highly relevant to their own lives.

I am so thankful for The Albany International Airport and The Thomas Cole National Historic Site, as well as my friend Mark Chalfant and his friend who did the driving, for making this experience possible.

Also, thanks to all the media outlets that covered the exhibition, including:

(By the way, you can find out where else I’ve appeared in the media here.)

You can read my “Essay after Visiting the Thomas Cole National Historic Site, Written from a Skyscraper” here.

Discover my other publications here.

 

Calendar Girl

8 Dec

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Here’s a sentence I never thought I’d write: I’m a calendar girl.

That’s right. I am one of the featured authors in the 2019 Hobart Festival of Women Writers calendar.

The inaugural calendar features the work of the poets and writers who participated in the very first Hobart Festival of Women Writers back in 2013. The festival was co-founded by Cheryl Clarke, Barbara Balliet, and Breena Clarke. The calendar was edited by Esther Cohen and Breena Clarke and designed by Laura Tolkow.

I’ll be reading along with other writers who have participated in the Hobart Festival of Women Writers this Monday, December 10, 2018, at 6pm, at the National Writers Union offices (256 West 38thStreet, 12th floor).

The calendar will be on sale at the reading, but if you’re not able to make it that night you can get yours here. It’s a great way to support women writers!

:::

To find out about my other publications and where to get my new Lapland calendar, visit my Publications page.

Live More Fully

13 Nov

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My 2018 motivational calendar Live More Fully recently won Lulu’s Holiday Gift Guide Calendar Contest!

I was so excited to be chosen because I truly loved working on this project, and I want its message to reach the world. This year has come with many challenges but through it all I’ve encountered extraordinary blessings. I’ve spent a lot of time journaling, laying in the sun, dancing, traveling, eating amazing foods, and living more fully. I have felt freer than I’ve felt in a long time. I have laughed more. I have dreamed more. I have experienced life more fully.

I want that for you. I want you to let the ocean water splash up cold against your skin. I want you to take more time for play and creativity. I want you to take in more sunsets. Breathe more deeply. I want you to find the beauty among the ashes. I want you to radiate light.

If you want guided motivation each month of the year so that the next year is one you embrace to the fullest, inspiring you to make your dreams come true before your very eyes, you can get my calendar here.

Experience Hellas Every Day of 2016

14 Dec

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I took this photograph in May of this year while standing on the beach across from my parents’ house in Greece. The name of the beach is Lagouvardos, which is part of the Peloponnese. I’d stolen one last look at the beach before I traveled back up to Athens to catch a plane.

Like the tides, I have a come-and-go relationship with Greece. It seems like I no sooner arrive, and it’s time for me to leave again. Perhaps like so many children of immigrants, I struggle with the concept of home. I call New York my home. I love the skyscrapers and window-shops, the fast-paced energy. It’s difficult in the beginning for me to settle into the quieter lifestyle of Greece, and yet soon it feels as if I’ve been there all along. Indeed, I’ve known my family’s house in Greece many years longer than the apartment I now live in in New York. More than that, it’s family that makes a home. It’s heartbreaking every time I have to leave.

I created Hellas: A 2016 Calendar to capture the natural beauty of Lagouvardos and Filiatra. The photographs show the blue, blue waters my father grew up swimming in; wildflowers that signify Greek resilience; our blue-and-white flag flying victoriously; and mountains rising toward heaven.

Experience the beauty of Greece every day of the year with Hellas, a 2016 calendar. The natural landscape of the Mediterranean comes to life in rich, colorful photography of Greek beaches, wildflowers, and lush palm trees. As you record your daily appointments in the calendar, the stresses of life will recede like the tide of the ocean in these stunning photographs.

Purchase your own copy of Hellas here.

Sophfronia Scott on Writing About a Generation

26 Aug

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I had the opportunity to interview Sophfronia Scott for the Festival of Women Writers. She is the queen of outlining, and her discipline makes me realize how structure can actually free up creativity. Sophfronia’s first big publication was writing about Generation X for Time Magazine. Since I am interested in the notion of categorizing people and literature by generations — the Beat Generation! — I was excited to ask her about her role in speaking for a generation.

Here is a snippet from our Q&A:

Nikolopoulos: While at Time Magazine, you and David Gross collaborated on the story “Twentysomething,” about Generation X. From the Lost Generation to the Beat Generation, and from Generation X to Generation Y, society tries to label groups of people based on when they were born and their shared historical and cultural experiences. As a writer, in what ways do you see yourself speaking for your generation?

Scott: The point of the Time Magazine story was that our generation, having observed and taken in the issues of the previous generation, seemed to be proceeding with our lives in a very thoughtful, observant manner. As a writer I tend to pursue my projects in similar fashion. Yes, I want to tell a good story or write an engaging essay but I’m also conscious of the fact that the story or essay has a deeper meaning. The story or essay interests me for a reason—I know I’m trying to say something important even if I don’t know right away what it is. The novel I recently completed explores sexuality, love, identity, and faith and when you read it you may find it challenging to what you believe about these things. In the big picture my writing, I hope, on some level will always leave you questioning who you are, what you believe, what your life is, in a style that will move you in positive ways.

If you missed it, I also did a Q&A with fellow Festival instructor Esther Cohen.

And, Breena Clarke interview me for a Q&A.

Breena Clarke Interviews Me for the Festival of Women Writers Blog

22 Jul

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Novelist Breena Clarke — whose book River, Cross My Heart was an Oprah book club pick! — recently interviewed me for the Hobart Festival of Women Writers blog.

She asks:

Clarke: I’m of the generation that kind of took our counter-culture marching orders from the Beats. You’re a couple of thousand years younger than me. How did you fall under the spell of Jack Kerouac and the Beats?  

You can read my answer that question and her others here.

I’m super excited to be participating in the Festival of Women Writers again this year!

I’ll be reading from Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” with Festival participants at WORD bookstore in Jersey City (123 Newark Ave.) on August 18 at 7:30pm.

Then September 11-13, I’ll be returning to the Catskills to teach a writing class at the Hobart Festival of Women Writers.

Clip: Resource Published My Article on Flashes of Hope

28 Aug

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The summer 2014 issue of Resource features an article I wrote that I’m extremely proud of. I interviewed the founder of Flashes of Hope, a nonprofit that takes photographs of children with cancer, to talk about how the portraits empower these children. The professional portraits also serve as lasting mementos for the families of the 25% of the children photographed who don’t survive. The nonprofit shows just how powerful art can be.

Cancer is a personal subject for me. This summer I did a few readings from a chapter I wrote called “Grief Gone Wild” about the summer I lost both of my grandmothers to cancer a month apart from each other. I was glad to likewise get to put my creative nonfiction to positive use to write this article on Flashes of Hope and show that moments of strength, beauty and even joy can be found even in the midst of trying times.

Kerouac Searched for the Authentic America

17 Jul

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Jack Kerouac has sometimes been accused of being anti-American or of destroying American values, and yet On the Road depicts a young man reveling in America. On the Road is, in many ways, a love letter to the true America. His honest search has inspired countless readers to pack their bags and hit the road, to discover America for themselves instead of relying on what the history books and network news report and the images coming out of Hollywood and glossy magazines.

Burning Furiously Beautiful details Kerouac’s research into American history and what he saw as he traveled throughout this amazing country.

“Devouring history books and Westerns alike, Kerouac lit out after the authentic America, an America that wasn’t mass produced or steeped in fear of atom bombs and Communism but blazed intrepidly, recklessly onward into the horizon, asking:

‘Wither goest thou, America, in thy shiny car in the night?'”

~ Burning Furiously Beautiful

Want to know which books Kerouac read and what sort of authentic people he met while on the road? Buy the book from Lulu or Amazon.

Media: Literary Kicks Mentioned My Aristophanes Post

21 Mar

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I’m not sure how I possibly missed this, but the blog I’ve been reading for the longest time ever mentioned my Aristophanes post back in December.

Literary Kicks is one of the very first websites I ever discovered on the Internet. Founded by Levi Asher in 1994, it used to cover mainly the Beat Generation but has since expanded to contemplate other forms of literature, philosophy, and art. I always feel like I’m exposed to new works of literature and ideas I wouldn’t have otherwise considered thanks to Literary Kicks. The comments section is full of regulars, some of whom have been around for well over a decade, who write thoughtfully and considerately.

What an honor to get a shout-out on the Literary Kicks Facebook page!