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Photos of the Burnside Writers Collective at FFW

26 Apr

front, right: Jordan Green, Editor in Chief.

middle row, left to right:  Kim Gottschild, managing editor; Diane Nienhuis contributer (and personal website)

back row, left to right: Stephanie Nikolopoulos, visual arts editor; Larry Shallenberger, contributor (and personal website)

left to right: Larry Shallenberger, contributor; Kim Gottschild, managing editor; me.

 

Left to right: Me, Diane Nienhuis contributer;  and Larry Shallenberger, contributer

 

I had such a fun time hanging out with the Burnside Writers Collective at the Festival of Faith & Writing!  Some of them I hadn’t seen in years, some I saw at the last Festival, some I saw when they last came through New York, and some I met only for the first time at the Festival even though I’d been working with them for years. Allof them are amazingly talented writers with huge hearts and are loads of fun.

While I was “working the booth” (fancy speak for chatting with all the cool writers and editors that stopped by our table at the Festival of Faith & Writing), I talked with a lot of people who were intrigued by the concept of a collective.  Burnside Writers Collective is not just a website.  We’re not just individual writers posting articles.  We’re a collective.  A team.  Our work is collaborative, both in the sense that there are a lot of people dedicated to behind-the-scenes work to make it possible for the website to exist and exist well, and in the sense that all of our individual work and varied opinions adds up to something bigger than just ourselves.  We’re also a community.  Writers, editors, and readers share with each other, get to know each other, meet each other.

Writing is such a solitary endeavor.  It suits many of us because we’re introverted.  Almost everyone I spoke to claimed to be an introvert, meaning we get our energy from alone time rather than in the public.  It does not mean that everyone is shy, though.  A festival full of introverts is still boisterous, is still loud, is still frenetic.  Maybe it’s because we’ve finally lifted our faces from our books, and our eyes are no longer glazed over from the glare of a computer screen.  We’ve emerged to find kindred spirits in other writers–and it feels good!  Since so many of us spend our days and nights writing, alone, we are oftentimes looking for community.  That’s what makes Burnside Writers Collective so attractive.  The people who write for and read Burnside tend to come back again and again, to stick around and join the conversation, to share their dissenting opinions, their encouragement, their feelings.  That said, we’re always looking for new writers!  As the visual arts editor, I’m looking for people who can write about arts trends, review new exhibits at galleries, interview artists, and share their art.  Email me at snikolop {@} alumna.scrippscollege.edu if you’re interested.

I miss the Burnsiders already….  Looking forward to seeing you all at the next Festival of Faith & Writing!

 

Here’s Larry’s “Brain Dump” on FFW.

 

Note: This article was edited to include names of people and Larry’s Brain Dump post.

Church Hopping at the Festival of Faith & Writing: Calvin College Chapel

17 Apr

I’m getting excited for the Festival of Faith & Writing!!  I’m so looking forward to catching up with all my friends from the Burnside Writers Collective, some of whom I haven’t seen in years and others whom I’ve never met before.  We’ll have a booth so please do stop by and say hello!  I’m the visual arts editor for Burnside, and I’m always looking for new writers and cool artists whose work we can feature on the site.  If you’re interested, let’s chat at the Festival.

If you’re going — or just want to live vicariously through this blog — you might be interested in the Church Hopping column I wrote up after our last trip to the Festival.  Some of the panels and Q&As are held in the Pizza Hut Chapel, as Diane called it.

 

 

Burnside commentary:

Kim Gottschild:  “I liked the chapel’s architecture. What I found particularly interesting was the pergola type structure that lined the inside of the sanctuary like an overhang. Together with the beautiful view of the budding trees, it made me feel like I was sitting in a garden setting, the outside having been brought in. I also loved the light feel of the wooden interior. Overall, the interior atmosphere felt natural, light and airy, and I felt like I could breathe. And Mary Karr’s interview only enhanced that, as listening to her always gives me permission to be human.”

Penny Carothers: “I liked the chapel, too. I liked the inclusive feel, the feeling of being surrounded by others, not just staring at the dais. I also appreciated how the dais was almost in the center of the room. I liked how light it was.”

Cary Campbell Umhau:  “Well, I hate to be a naysayer but I found it cold. I wanted a cozy corner, not an exposed openness. I’m sure that says something antisocial and awful about me, but I wanted to flee!  I have to say I was swayed a little by Diane saying that it’s sometimes referred to as the Pizza Hut Chapel (Diane, am I misquoting you?).  Is it bizarre that I preferred the ‘Undercroft’ of cinderblock (and the bathrooms were nearby too; handy with all the coffee I was downing), and I loved hearing Lisa Samson down there.”

Diane Nienhuis:  “Cary, you quoted correctly!”

 

You can read the rest of Church Hopping: Calvin College Chapel here.

Clip: Light of the World

13 Apr

I expanded a post that started out here on this blog, and it’s up on Burnside now!  It’s about the first Greek Easter I spent in New York….

 

I think there’s probably a law against carrying an open flame in the subway.  I’m not sure.  But it’s a pretty safe bet.  This turns Easter in New York City into a midnight marathon.

Clip: Separation Sunday

7 Apr

“Father, can I tell your congregation how a resurrection really feels?”

Sin and salvation.

Death and resurrection.

Hoodrats and comeback kids.

Parties and confession booths.

The Hold Steady’s Separation Sunday: indie rock’s Easter music.

Clip: Paintings of the Crucifixion

6 Apr

 

In light of Good Friday, I’m reposting “Paintings of the Crucifixion,” originally published on Burnside last year.

 

A couple years ago there was an exhibit called Spanish Painting from El Greco to Picasso: Time, Truth, and History at The Solomon R. Guggenheim Museum in New York City.  The exhibit paired old masters with modern painters, according to theme: knights, ghosts, ladies, bodegones, landscapes of fire, and so forth.  It was an impressive collection of artwork that spoke to how Truth transcends time.
Frank Lloyd Wright designed the museum in such a way that museum-goers wind their way up through exhibits as opposed to being sectioned off, floor by floor, and consequently there are heightened feelings of momentum and progress as one climbs closer to the top of the museum.  At the pinnacle of the museum during the Spanish Painting exhibit there was a section devoted entirely to paintings of the Crucifixion.
It is probably the most intense and haunting collection of artwork I have ever witnessed.  I have seen many paintings of the Crucifixion over the years, but standing in an entire room of them is overwhelming.  I felt uncomfortable.  I felt sick.  I left trying to push it out of my mind.
You can read the rest and see visuals here.

Happy St. Patrick’s Day!

17 Mar

Everyone’s Irish on Saint Patrick’s Day!  Actually, my mom and I often get mistaken for Irish.  It must be our fair Swedish skin and eyes.  I even once got a letter addressed to Nik O’Lopoulos.  Yep.

Here’s a couple of St. Patrick’s Day-related links for you:::

  • On my last trip to Ireland, I got to visit St. Patrick’s Cathedral in Dublin.  Fun facts: Benjamin Guinness — yes, of beer fame — funded the reconstruction of the cathedral and Jonathan Swift (author of Gulliver’s Travels) was dean here.  Find out more in my Church Hopping article.
  • Then, this summer I took a group Church Hopping to St. Patrick’s Cathedral here in New York City.  You can read about that fun experience here.
  • One of my colleagues at Burnside, wrote this interesting article about the meaning of hair when Sinéad O’Connor tweeted that she hated Ireland.
  • Here’s a review of Irish author Colum McCann’s Dancer, also from a colleague on Burnside.
  • You know how four-leaf clovers are supposed to be lucky?  Well, someone in Japan found a 56-leaf clover.
  • This is a pretty four-leaf clover necklace.
  • Have you ever heard this Irish blessing?  It’s so beautiful, and it always reminds me of the Rebecca St. James song “Abba Father.”
  • Going back to Guinness, the beer company is aiming to set a record for the world’s biggest St. Patrick’s Day party. Sounds fun!

Happy St. Patrick’s Day, everyone!!

Jeremy Begbie: Using Musical Styles to Find a Writing Style

13 Mar

On Saturday I attended a luncheon with Jeremy Begbie, amazing jazz pianist and theologian, and then in the evening heard him speak as part of the Gospel & Culture series.  As a writer, I find inspiration everywhere and feel like I can learn so much from other arts disciplines.

Begbie really got me thinking about:

  • tension and resolution
  • abundance within containment
  • improvisation
  • the unexpected
  • discordance

He said art should serve a good end but warned against sentimentality.

Here’s how Redeemer’s Center for Faith & Work promoted the event:

What difference can the announcement that Jesus is raised from the dead make to the arts and artists today? Begbie will show how the arts have unique powers to unlock the revolutionary nature of this event, and in turn, how the resurrection revolutionizes the arts. The presentation will include extensive performance.
Jeremy BegbieJeremy Begbie is the inaugural holder of the Thomas A. Langford Research Professorship in Theology at Duke Divinity School, North Carolina, and founding Director of Duke Initiatives in Theology and the Arts. He teaches systematic theology, and he specializes in the interface between theology and the arts. His particular research interest is the interplay between music and theology. He is also Senior Member at Wolfson College, Cambridge, and an Affiliated Lecturer in the Faculties of Divinity and Music at the University of Cambridge. Previously he has been Associate Principal at Ridley Hall, Cambridge, and Honorary Professor at the University of St Andrews where he directed the research project, Theology Through the Arts at the Institute for Theology, Imagination and the Arts. He is author of a number of books, including Voicing Creation’s Praise: Towards a Theology of the Arts (T & T Clark); Theology, Music and Time (CUP), and most recently, Resounding Truth: Christian Wisdom in the World of Music (Baker/SPCK) which won the Christianity Today 2008 Book Award in the Theology/Ethics Category. He is a professionally trained and active musician, and has taught widely in the UK, North America and South Africa, specializing in multimedia performance-lectures.

Begbie played snippets of classical music to show how discordance can be beautiful because it is unexpected.  Not only did it make me want to listen to more live classical music, but it inspired me to be more playful stylistically with my writing.  It’s fun to experiment with how unexpected twists and turns that leave the reader turning the page to find out what happens next.

My Festival of Faith & Writing Festival Circle: Holy Grounds — The Role of Place in Your Spiritual and Literary Life

9 Mar

As I mentioned a while back, I’ll be leading a Festival Circle this year at the Festival of Faith & Writing held at Calvin College.  It’s a tremendous honor to have been selected to facilitate a discussion group at this prestigious writing conference, where so many authors I admire will be speaking.

In case you’re unfamiliar with what Festival Circle is, here’s how FFW describes it:

This year, we are once again offering Festival Circles, small groups that will meet at least two times during the Festival to discuss a topic of common interest. Each circle, composed of approximately 12–15 attendees and led by a Festival participant, will meet during Thursday dinner and Saturday lunch. Because the circles are scheduled to meet at the same time, it’s possible for attendees to participate in only one.

They go on to explain its purpose:

We hope that Festival Circles will give you a place to connect with other attendees, and to deepen and extend your experience of the Festival.

I want to share with you the description of the Festival Circle that I’m hosting:

Holy Grounds: The Role of Place in Your Spiritual and Literary Life
By looking at what the Bible has to say about the setting of a story, this circle will encourage participants to carefully consider the role of place in their writing, and challenge them to see how different locations affect a story’s style and content.

Facilitator: Stephanie Nikolopoulos
Bio: Stephanie Nikolopoulos (www.StephanieNikolopoulos.com) has worked in book publishing in Manhattan for ten years, is the visual arts editor for Burnside Writers Collective, and is a co-leader of the Writers Group at the Center for Faith & Work at Redeemer Presbyterian Church in New York; her writing has appeared in magazines, newspapers, and books across the country.

I’m genuinely passionate about the multi-faceted subject of place.  I wrote about place for my undergrad thesis at Scripps College, my Burnside Writers Collective column Church Hopping talks about the architecture of unique and beautiful places, the travelogue I wrote an introduction to obviously has a strong emphasis on place, the nonfiction book Burning Furiously Beautiful I’m co-authoring describes how the landscape and history of place affected one of America’s greatest novels, and the memoir I’m writing deals very much with place. My resume aside, I love traveling.  I moved out to California for college without ever even visiting the state first.  I’m the child of an immigrant so place has always played an important role in my identity, in my understanding of who I am and where I come from.

Place isn’t always about a physical place, though.  Place can be a mood, a mental space, a spiritual space.  Place can be about a journey, whether that means hopping a train, opening a book and getting lost in the imagination of an author, being moved to tears, learning something about yourself, understanding the world better, or opening yourself up to a new relationship.  A journey from point A to point B isn’t always a single straight line.  This is true for a traveler (even Jack Kerouac had an infamous setback when he first set off on the road), for a writer (hello, thesis draft number 452), or for a person of faith (Paul went around killing Christians before he went on the road to Damascus and saw the light; as a boy David may have killed Goliath but as an adult he committed adultery … and had the woman’s husband killed; Peter adamantly denied even knowing Christ and then became a martyr).  As the old Paula Abdul song goes, two steps forward, two steps back….

With all that in mind, know that I am on a journey too.  I simply want to walk alongside other writers and talk about the meaning of place in all areas of our lives.  If you would like to join my Festival Circle or any of the others, you can find out how to do so here.

Happy Tsiknopempti!

16 Feb

Happy Tsiknopempti!  You’ve heard of Fat Tuesday, the French holiday associated with Mardi Gras.  Well, today is Fat Thursday, ten days before the beginning of Great Lent.

Tsiknopempti means Barbecue Thursday, Charred Meat Thursday, or Burnt Thursday.  It’s the evening Greek Orthodox believers consume massive amounts of meat because they start fasting from meat even a week before Great Lent, the forty days leading up to Pascha (Easter), begins.

I’ve been fasting from meat for six years.  I guess that means BBQ tofu and grilled veggies for me.

It’s my sister’s favorite holiday.  She’s such a carnivore!  I’d never even heard of the holiday til my family moved to Greece.  Then my sister told me all about a day where the sweet smell of charred meat wafts through the dusty roads of ancient villages.

What’s your favorite food to barbecue?

Here are a few recipe ideas:::

Skewered Grilled Fruit with Minted Yogurt Honey Sauce

Grilled Fruit Skewers with Spicy Maple Cumin Glaze

Coffee-Rubbed Cheeseburgers with Texas Barbecue Sauce

Lamb Chops with Lemon

 

You might also like these articles:::

Hello, Carnival; Good-bye Meat

Tasty Tuesday: Dinner at Souvlaki GR

Clip: Paintings of the Crucifixion

BWC Headed to FFW FTW (That’s an Inside Joke)

23 Jan

Burnside Writers Collective is headed back to the Festival of Faith and Writing!

Our lovely associate editor Kim Gottschild posted all about it on Burnside, highlighting why you should go:

  • Attend a writing workshop led by our very own Arts Editor, Stephanie Nikolopoulos!
  • Hear our very own Susan Isaacs, author of Angry Conversations with God, speak!
  • Meet our Deputy Editor, John Pattison, who will be there hosting a breakout session on book reviewing with ERB Editor-in-Chief, Chris Smith!
  • Hear plenary speaker, author Jonathan Safran Foer and watch BWC Editor-in-Chief Jordan Green become his best friend!  JK.
  • Meet other fantastic Burnsiders like Social Justice Editor Penny Carothers, Diane Nienhuis, Associate Editor Sara Sterley, Betsy Zabel, and me!
  • Pick up some swag, like a bookmark or something!

So sweet of her to mention me by name. Check back on this blog soon for more information on my workshop.

I truly love working with Burnside and getting to meet all the people I work with but don’t usually get to see.  I have the privilege of working with some of the most talented and funny and sincere people.  I had such a blast with them last time.

It’s also really fun meeting readers.  Hope you’ll consider joining us!  Drop me a line in the comments if you plan on being there and make sure to stop by our table to say hi!

As if meeting the Burnside staff isn’t enough, Ruben Martinez, Gary Schmidt, Marilynne Robinson, Kathryn Erskine, Shane Claiborne, and many more award-winning, high-profile authors will be there.