Tag Archives: Brooklyn Rail

Friday Links: …Punctuation!

27 Sep

In honor of it being National Punctuation Day earlier this week (the 24th, to be exact), here are some punctuation-related links:::

Mary Norris’ delightful piece on National Punctuation Day in The New Yorker

Literary agent Sterling Lord talks about how deeply Jack Kerouac thought about punctuation in his recent memoir Lord of Publishing

“Remove literary, grammatical and syntactical inhibition,” said Kerouac in his “30 Beliefs and Techniques for Prose and Life

Alexis C. Madrigal gets to the bottom of William S. Burroughs and Jack Kerouac duking it out over the Oxford comma in The Atlantic

I suggest The Atlantic is creating their own fauxlore in their beatnik punctuation story

Thoughts on punctuation in haiku, with references to Ezra Pound, Amy Lowell, Jack Kerouac, R. H. Blyth, Sora, Yaha, Richard Wright, James Hackett, Choshu, Hashin, L. A. Davison, David Coomler, and e. e. cummings

e. e. cumming’s liked to play with punctuation in poems like r-p-o-p-h-e-s-s-a-g-r

Roi Tartakovsky considers this topic in E. E. Cumming’s Parentheses: Punctuation as Poetic Device

“There are some punctuations that are interesting and there are some punctuations that are not,” says Gertrude Stein in Poetry and Grammar

Poet Bob Holman explains how to read a crossed out word out loud in The Brooklyn Rail

David Foster Wallace used endnotes to capture fractured reality

Check out “the greatest literary project of all time“: The punctuation-named lit journal The Ampersand Review

Punctuation impacts how readers perceive a work, I argue in this Writing Wednesday post

Which punctuation tattoo would you get?

Grammar Girl is the best go-to guide for “quick and dirty tips” on punctuation

Want exclamations in bed?! Check out the punctuation pillows from PB Teen

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The Light and Life of Greek American Neon Artist Stephen Antonakos (1926–2013)

19 Aug

I learned via Gregory Pappas, founder of the Greek America Foundation, that artist Stephen Antonakos passed away this weekend. I had the great privilege of attending an exhibition of Antonakos’ neon sculptures at the Lori Bookstein Fine Art gallery here in New York City when the abstract artist was honored for the Gabby Awards Lifetime Achievement Award. You can read about that here. Antonakos attended the event, and I remember him being a quiet, humble artist. Yet his work speaks volumes.

Captivated by the neon lights of New York City, the Greek immigrant—Antonakos moved to the US when he was four years old—the artist began incorporating neon into his art in 1960. In an interview with Zoe Kosmidou, he explained the symbolism—or lack thereof—in his neon work:

My forms do not represent, symbolize, or refer to anything outside of themselves. Such specific correspondences would limit the work’s meaning, whereas pure abstraction, liberated from any external references, is capable of saying so much more. My neons relate formally to architecture and space, but they do not represent anything outside themselves.

Even so, raised in the Greek Orthodox Church, the artist’s work did have spiritual subtext. He created crosses and “chapels.”

Earlier, in the mid 1950s, Antonakos was creating collages. In a 2007 interview with Phong Bui for The Brooklyn Rail, Antonakos said:

And since oil painting was too slow for me to keep up with all of the ideas that were racing through my mind, I felt the physical and spontaneous process of putting various objects together was more suitable to what I needed to get done in those years.

His desire to work fast, engage in a spontaneous process, and collage disparate found objects together resonates with the postmodern aesthetic. We hear the same vision in the works of the abstract expressionist painters and the Beat Generation writers. Antonakos revealed that although he admired the work of the abstract expressionists, he felt he could “get more out of” the Italian artists Alberto Burri and Lucio Fontana.

Antonakos went on to have more than 100 solo shows around the work.

For artists of any discipline, one of the great takeaways from Antonakos’ life is that one can have a day job and still be an artist as long as one perseveres. Antonakos worked as a pharmaceutical illustrator during the day and then would work in his studio until 2 in the morning.

Here are a couple of links to celebrate the life and work of this inspired artist:

On the Road with Bob Holman Airing Again This May

14 May

(photo via Bob Holman)

Just wanted to let you know that On the Road with Bob Holman is airing again!

The documentary series will be airing on LinkTV, found on local cable channels, online, and on DirectTV channel 375 and Dish Network channel 9410.

Monday, May 14th at 09:30 am
Saturday, May 19th at 10:00 pm
Monday, May 21st at 10:30 am
Tuesday, May 22nd at 07:00 pm

Here’s the teaser:::

What happens when a downtown New York poet of the hip hop and slam persuasion discovers that the roots of spoken word go back thousands of years and span the globe? If he’s Bob Holman, he goes On the Road to track them down! He trades stories, fun, recipes, insights, jokes, songs, and poems. Along the way, he gets passionately immersed in the Endangered Language crisis — over half the world’s 6500 languages will disappear before the end of this century. Holman guides us to the bottom-line question of survival of these systems of consciousness with respect, joy, and dedication to diversity. He throws himself into the life – shares the meals, participates in the ceremonies, dances and parties. His enthusiasm infects the series’ fast-paced style – Hip, but not hipper than thou. Serious fun! Ok everybody, get ready — let’s take the road not taken, with Bob Holman.

It is produced by Rattapallax in association with the Bowery Arts and Science.

I wrote the curriculum for it.  You can also read my interview with Bob Holman at BOMB and my article “You Can’t Put a Language in a Zoo” at Brooklyn Rail.

Clip: You Can’t Put a Language in a Zoo

30 Jan

One of the first languages spoken in Brooklyn is already extinct. Yours could be next.

Conservation efforts in Brooklyn are saving the land humans explore and the landmarks we create, while our very system of consciousness is in jeopardy.

Read the rest of my article “You Can’t Put a Language in a Zoo” in The Brooklyn Rail.