Please don’t buy me a book for Christmas. Instead buy my book, Burning Furiously Beautiful, in large quantities and give it out as gifts.
Burnside published my Gift Guide for Writers. Enjoy!
Please don’t buy me a book for Christmas. Instead buy my book, Burning Furiously Beautiful, in large quantities and give it out as gifts.
Burnside published my Gift Guide for Writers. Enjoy!
Well, I suppose it’s that time again. Time to start thinking about what to give everyone for Christmas. That’s what every commercial and store window is not at all subtly hinting at anyway.
Burnside published my gift guide for art lovers. The guide shows how you can support independent artists through your purchases.
Here are a few additional ideas:
If money were no object, what piece of art would you like to own? I’d love to own work by Ray Caesar, Robert Frank, Franz Kline, and Adam Wallacavage.
We stopped real quick to see the Lone Cyprus Tree as we took a road trip along the famous 17-Mile Drive on the California Coast. It’s such a beautiful symbol, a tree enjoying the salty ocean air.
Here’s a little bit about the Lone Cyprus Tree from Wikipedia:
Chief among the scenic attractions is the Lone Cypress Tree (36.568738°N 121.965321°W), a salt-pruned Monterey cypress (macrocarpa) tree which is the official symbol of Pebble Beach and a frequent fixture of television broadcasts from this area. In 1990 the Monterey Journal reported that Pebble Beach’s lawyer, Kerry C. Smith, said “The image of the tree has been trademarked by us,” and that it intended to control any display of the cypress for commercial purposes. The company had warned photographers that “they cannot even use existing pictures of the tree for commercial purposes.”[3] Other legal commentators have questioned the Pebble Beach Company’s ability to invoke intellectual property laws to restrict others’ use of such images.[4]
We also passed the Ghost Tree, which is a cyprus that’s turned completely white, but I missed it as we drove by too quickly.
Part of my road trip down the California coast included a stop to Pebble Beach. As it turned out, Pebble Beach is not actually a beach. It’s a prestigious place to golf. I kept seeing everyone take photographs with this clock so I took one too. I have no idea why. I know nothing about golf and this clock means nothing to me.
The Greek American Fashion Week Show concluded with the Spring/Summer 2013 collection by Timothy George. Learning through apprenticeships at highly respected garment factories, George debuted work that was pure luxury. His designs looked expensive both in materials used and cuts.
George used beautiful French and Italian fabric. The most stunning fabric was a lightweight teal erupting with raised, soft-looking orange dots. This surreal and gorgeous fabric was used for a wrap blouse, a t-shirt, and a skirt. Pairing them with a high-sheen orange skirt or with a more neutral and plain top or bottom showed how versatile this otherworldly cloth could be. Other fabrics included softer ones, which were masterfully cut to bring a formality to their delicateness or were draped and billowed to promote their femininity. Other fabrics, on the other hand, were tough and high-sheen. With a high-end aesthetic, the collection reflected beauty, extravagance, strength, and femininity.
Timothy George is based in Midtown Manhattan.
Of the four designers showing their Spring/Summer 2013 collections at the Greek American Fashion Week Show, only Angelo Lambrou debuted a wedding gown. The fashion show’s founder and emcee Maria Pardalis, who looked gorgeous in one of Lambrou’s dresses (see pic here), described Lambrou’s Spring/Summer 2013 collection as “African tribal bridal.” The all-white wedding gown made use of folds and folds of cloth, capturing movement and conjuring drama.
Another dress in his collection kept that billowy white skirt but swapped out the top for a polka-dotted red strapless top. It’s perfect for bride who wants a wedding dress with unique personality. It doesn’t have to be worn as a wedding dress, though. It could also be worn to a fancy summer soiree, say a moonlit cruise. An alternate version was that same dress but with a black bottom. This looked even more like evening wear. What caught my attention was the accessorizing — check out those fantastic statement necklaces!
In addition to the rollicking-waves dresses, there were also sleek evening dresses and smart daytime dresses. The sleek evening dress was classic, a true wardrobe staple. The daytime dresses had a retro vibe with stripes, polka dots, and thick piping. They were flirty in a campy sort of way. Very adorable.
Angelo Lambrou is based in the East Village here in New York now, but he was born in Southern Africa to Greek-Cypriot parents. He studied fashion in Johannesburg and London before returning to Botswana to start his own fashion line. He worked with Miss Botswana in 1999 and designed all the contestants’ dresses for the 2000 Miss Universe competition; he dressed Patti LaBelle for the 2002 Grammy Awards and Maria Bello for the Secret Window premier.
I’m one of those people who obsesses over fashion magazines from abroad, always requesting that anyone returning from Greece brings me the latest hot issue from the newsstand. If you happened to catch the May 2012 issue of Greek Vogue you would’ve seen the feature on ENOE ME‘s Lia Kastanidi in it. From the urban city of Patra, in the Peloponnese region of Greece, Kastanidi has been garnering a media attention lately — and with good reason!
Kastanidi showcased her 2013 Spring/Summer collection for ENOE ME at the Greek American Fashion Week Show. Making use of vibrant colors, flowing fabrics, and relaxed cuts, the solid-colored pieces in ENOE ME’s Spring/Summer 2013 collection had an urban desert vibe to them. They looked comfortable yet luxurious, bohemian yet sophisticated. Very downtown cool.
The ensembles in the collection evoke a casual nomadic flair. This may have to do with Kastanidi branding her company after her native land of Uenye in the Black Sea of Asia Minor.
Kastanidi studied at the London College of Fashion and New York’s FIT (The Fashion Institute of Technology), before returning to Greece in 2007.
The first collection to hit the runway at the Greek American Fashion Week Show was one of New York’s own — the Astoria, Queens, born Tatiana Raftis, whose parents hail from Greece and Cyprus. Raftis studied evening-wear design at FIT, The Fashion Institute of Technology, here in New York, and her Spring/Summer 2013 collection boasted drop-dead-gorgeous gowns and dresses for formal occasions. Raftis’ clothing designs are statement pieces that are sure to turn heads.
Raftis’ Spring/Summer 2013 collection is for any woman who wants to exude femininity but still possess a bit of edge. Her dresses evoke medieval princesses who know how to yield a sword. They’re pure romance with florals, pastels, and sequins, and yet the jagged cuts and use of black suggest an intense passion to be reckoned with.
My personal favorites were the dusty lavender gown with the dramatic slit, which someone better snatch up for the next Oscars, as well as the sequined pink shorts, which were styled so perfectly with a white shirt and pink bolero so as to make the outfit look hot yet not overdone.
Tatiana Raftis provides custom orders for clients out of her Queens studio.