Confessions of an Awkward Lowell Celebrates Kerouac Attendee

5 Nov

bus

I hit the road last month to attend Lowell Celebrates Kerouac!

Confession time! In most circumstances I feel like a hanger-on if I’m in the company of whomever is the man or woman of the hour. Maybe it’s related to the Imposter Syndrome Sheryl Sandberg talks about in Lean In. Who am I to talk to someone of great stature? I never want to bother anyone, make it appear that I’m trying to get something out of them, or come out as some zealous fan. So, my typical response is to just keep to myself.

The first year I attended LCK I went alone and barely talked to anyone. I had been studying Kerouac’s literature for more than a decade and was fascinated by everything around me. It felt so surreal to be in Kerouac’s stomping grounds, to see his birth home, the Grotto, the Pawtucket Falls, the mill town he’d loved and written about. Roger Brunelle gave excellent tours, and I was enthralled by every moment of it. I loved every moment of it, and even though I had no one to share it with I didn’t really mind.

This year was completely different. My friend Julie Parker let me crash at her beautiful home outside of Boston, which was brimming with books and paintings and so full of inspiration. She’s a design consultant who does package design, marketing, and brand identity, so when we weren’t at the festival we had endless conversations about publishing and self-promotion.

I got to meet Paul! Oh my gosh, I was so nervous. Paul and I have been collaborating together for almost two years, and I probably spend more time talking on the phone with him than anyone else except maybe my mom when she’s in the States (when she’s in Greece, it’s difficult with the time difference), but we’d never met in person. I guess I was worried by meeting in person, something would change. It ended up being awesome. He gave Julie and me a tour of Lowell, and since he himself grew up there, his insight and stories were really personal.

I also got to catch up with David Amram and Billy Koumantzelis. I first got to know each of them from interviewing them about their friendship with Jack Kerouac, and since then I’ve been careful not to assume they’d remember me or talk to me beyond that. I completely understand that they’d have other, more important, people to talk to. But I didn’t want to go to my default of keeping my distance for fear that would make it seem like I didn’t want to talk to them. Ugh. My head gets so mixed up sometimes! Anyway, I did end up getting to spend time with both of them, and they’re both so gracious and fascinating individuals. For all the negative things that have been said over the years about Jack Kerouac, I have to say that he sure knows how to pick friends. These guys are stand-up gentlemen. Even though I first got to know them because of their friendship with Kerouac, that doesn’t even matter to me anymore. I just like talking to them and hearing their perspectives. When I had first interviewed Billy, I was curious about who he is, and at one point he stopped me and said, “Aren’t you here to ask me about Kerouac?”

Through one of David’s concerts at Cornelia Street Café, I’d met the poet Christopher Barry. He was at LCK too and introduced me to his brother, Stephen Barry, who is also a poet. Chris is a great guy, and it was fun chatting with him and his brother. David also introduced me to Steve Dalachinsky and Yuko Otomo, who are these amazing poets from New York City. Seriously. Probably among the best I’ve ever heard read—and I’ve heard a lot of poets read over the years. I probably would’ve been too shy to ever introduce myself if it weren’t for David. Billy also introduced me to Jim Sampas. You know, the guy behind One Fast Move or I’m Gone and the new film Big Sur. I sat there kind of stunned, saying, “I’m a big fan of your work.” I gave him a postcard for Paul’s and my book, Burning Furiously Beautiful, and Jim said, “I think I’ve heard of this.” Wow. I also got to meet the documentary filmmaker (Grave Matters) Brent Mason. Super nice guy. I met Stephen D. Edington, the organizer of LCK. He’s given sermons at the Unitarian Universalist Church of Nashua, which I’ve read online and found quite interesting.  And, I got to meet Roger Brunelle and his wife, both of whom were so warm. I don’t know why I get so nervous to introduce myself and talk to people sometimes….

Another highlight, though, was meeting people from the Burning Furiously Beautiful Facebook page. I was so touched when they came up and introduced themselves. I am so thankful for the network we have on that page, and it’s been great meeting like-minded people offline.

I guess I write all this to show that even if you sometimes are predisposed toward awkwardness, shyness, and over-thinking things, good things happen when you step out of your comfort zone. A colleague of mine recently posted on Facebook about how his daughter was having trouble with good greetings, that it took her a while to warm up to even people she knew when she’d see them again. I feel a lot like that little girl sometimes. Although this is supposed to be a recap of my time at LCK, I think it’s important that I share my true story. I’ve gotten the impression sometimes that people think if you read Kerouac, you’re trying to be cool. I never really had the impression of Kerouac as the cool guy. I always thought of him as the guy shambling after his friends. I think if you really read and study Kerouac, you understand that he too battled shyness, that although he had a lot of successes he also had a lot of failures, that he was prone to both self-assurance and worry. I think that if we just be ourselves and use our gifts and if we are open to opportunities and push ourselves little by little out of our comfort zone, we will surprise ourselves by what we can do. The key though is that it’s not about being in the spotlight or about others in the spotlight; it’s about the blessings of creating art, doing what we love, and fellowshipping with others.

* * *

Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

The Quotable Greek: One Word Frees Us of … Pain

4 Nov

441px-Sophocles_pushkinCast of the bust of Sophocles from the Farnese Collection via Wikipedia

 

“One word frees us of all the weight and pain of life:

that word is love.”

– Sophocles


I’m Giving a Free Reading Tonight at KGB Bar

2 Nov

Lomogram_2013-09-04_09-15-27-PM

I’m reading at KGB Bar tonight! I’m super excited. I’ve been to a few readings here before, and it’s got a killer atmosphere. Not only that, but check out the impressive lineup:

With Professors:

Wang Ping

Miguel Algarin

Nancy Mercado

Carlos Manuel Rivera

Julie Patton

Everton Sylvester

At 6:30pm Professor Cornelius Eady reads and perform with his Rough Magic band’s guitarist Charlie Rauh and Concetta Abbate on the violin

And poets reading with or without acoustic musicians:
Carl Hancock Rux
Jeff Wright
Brian Omni Dillon
Ronnie Norpel
Susan Yung
Kate Levin
Sarah Sarai
Stephanie Nikolopoulos
R! on verse acoustic guitar & harmonicas

Und singing in German und mit monologue:
Leigh Martha Klinger

I’m listed as a poet, and I do in fact write poetry, but I was planning on reading an excerpt from Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road.” Specifically, I plan on reading about Kerouac’s Greek connection, his Lowell friend Sebastian Sampas.

The event starts at 6 and is free and open to the general public.

KGB Bar is on 85 East 4th Street (near 2nd Avenue)
New York, New York 10003

* * *

Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

Big Sur Comes Out Today

1 Nov

BIG_SUR_400

Kalo mina! The film adaptation of Jack Kerouac’s Big Sur comes out today. Will you be watching it?

It stars Jean-Marc Barr as a Jack Kerouac who’s overcome by the notoriety that descends on him after the publication of On the Road. Barr told Salon:

“I’ve been living Kerouac all my life. So there was nothing to play.”

Though that statement seems over-reaching, from the trailers the half-French Catholic does seem to get to a closer emulation of Kerouac than other recent actors.

Of course, he’s also playing Kerouac at a much different point in his life than he’s been portrayed in the other recent films. In “What Hollywood Gets Wrong About Jack Kerouac and the Beat Generation” for The Atlantic, Jordan Larson wrote:

But the current Beat revival arguably goes too far with its re-imagination of the Beat writers’ livelihoods as simple adolescent goofing around—its most prominent writers were, after all, well into their grown-up years when they wrote many of their most notable writings.

Kerouac is definitely an adult in Big Sur. A rather depressed one at that. And it brings up the point I discussed earlier this week when mentioning Karen Yuan’s argument in the article “Notebook: Hollywood shouldn’t glamorize the Beat Generation’s self-destruction” for The Michigan Daily, and that is, whether portraying them as adolescents or as adults, Hollywood and the Beat Generation is being criticized.

What’s interesting about Big Sur, though, is that the executive producer is Jack Kerouac’s nephew Jim Sampas. He was also the producer of One Fast Move or I’m Gone: Kerouac’s Big Sur. Sampas also produced Dr. Sax and the Great World Snake and Joy Kicks Darkness, among other projects.

In 2009, Sampas told IFC:

“‘Big Sur’ is Jack’s most personal and confessional novel. I am blown away by his courage in writing about his own spiral downward with such honesty and depth. My goal is that this film we’ve created influences a younger generation to embrace this work. And if people who see this film are inspired by Jack no holds barred honesty, wouldn’t that be incredible?”

I had the pleasure of meeting Jim Sampas, a fellow Greek American, at this year’s Lowell Celebrates Kerouac, when Billy Koumantzelis (check out his CD on his time with Kerouac) introduced me to him. It will definitely be interesting to view this film in light of the others.

I’ve read mixed reviews, and I’d love to hear what others think of the film. Please post comments if you see it!

* * *

Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

Warby Parker Glasses for Halloween

31 Oct

alvie_small-900x620via Warby Parker

Happy Halloween! Though I tortured my sleepover guests with classic horror films when i was a preteen, I’ve never been real big into the scary stuff of Halloween. I do, however, think it’s a super fun opportunity to play dress and reinvent one’s identity for a day.

Then again, I’m a bit of a chameleon when it comes to my style and personality even on an average day. You know how in The Breakfast Club there was the jock, the princess, the brain, the basket case, and the criminal? Or how when you ride the L train you can always tell who’s going to get off at Union Square versus who’s going to Bedford Avenue? I’ve never really identified with one social group or another. One day I might dress preppy in pearls and a button-down shirt with a sweater over it and the next day I might wear lots of dark eye shadow and all black. Likewise, some days I wear glasses and some days I wear contacts. It would be fun to own multiple pairs of glasses to switch out depending on my mood.

Glasses are such a defining accessory/medical need. Certain glasses styles have become synonymous with certain celebrities. Think John Lennon’s little circles. Buddy Holly’s thick frames.

Warby Parker says, “There are plenty of characters to be channeled with the right pair of glasses.” They’re featuring costume ideas like Tootsie, and Dr. Strangelove, Alvie Singer (Annie Hall) on their blog, complete with the prescription glasses they sell. Oh sure it’s a gimmick to get you to buy their merch, but — and I’m not at all affiliated with them and not getting anything for saying this — it’s a rather clever idea. Because sometimes it’s fun to channel someone else for a day!

Also, I really like Warby Parker’s business model: for every pair you buy, they donate to someone in need.

Oh, and get this: their name is a Jack Kerouac reference! Here’s the story:

We’ve always been inspired by the master wordsmith and pop culture icon, Mr. Jack Kerouac. Two of his earliest characters, recently uncovered in his personal journals, bore the names Zagg Parker and Warby Pepper. We took the best from each and made it our name.

So what I want to know then is why they don’t have a blog post for dressing like Allen Ginsberg?! You can’t help but think of his glasses when you visualize him. Plus, with all the Hollywood attention on the Beats lately — characters based on Ginsberg or Kerouac’s alias for him appear in On the Road and Kill Your Darlings — you’d think he’d be a fun person to dress up as for Halloween.

Or maybe I’m the only nerd who thinks dressing like authors and literary characters is a perfectly normal Halloween costume?

And, for a story about the time Allen Ginsberg lost his glasses, check out Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road.” It’s available as an ebook and paperback.

 

Extraordinary Women of the Fifties: The Beat Women

30 Oct

“Moreover, I was puzzled to read in her introduction how ‘our idea’ of the Fifties is one of a decade reviled for being full of dull and docile women. This does a disservice to so much writing on the “other” Fifties, from Elizabeth Wilson on lesbianism and Angela McRobbie on girls’ subcultures to Deborah Philips and Alison Light on women and fiction,” writes Sheila Rowbotham in “Her Brilliant Career: Ten Extraordinary Women Of The Fifties, by Rachel Cooke, review” for The Telegraph.

Missing from both lists were the women associated with the Beat Generation. Here were women who defied the stereotype of being “dull and docile.” They were renting apartments on their own at a time when women generally lived with their parents until they got married. They were pursuing higher education. They were creating their own innovative, beautiful works.

Much of modern discourse surrounding the Beat Generation has to do with its masculinity and misogyny. Those are important discussions to have. However, I think it does a great disservice to the many talented female writers who were associated with this literary grouping. These weren’t just muses in black stockings. They were and continue to be powerful writers.

* * *

Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

Is Hollywood Glamorizing the Beats or Just Retelling Their Stories?

29 Oct

“The flat Hollywood characterization allows viewers to live vicariously through Ginsberg, Kerouac and the gang, but it almost mythicizes them. Hollywood digs right into the drama — catering to what people want to see — and ignores the very human parts of them. But it may be a hard balance to keep. Even when depicting that soul-searching, it’s easy to fall to sentiment. The Beat Generation’s search for belief ends up being something we believe in. We’re all drawn to the image of explorers after all: modern pilgrims, earnestly due west like Lewis and Clark in Mustangs, toward the unknown destination,” writes Karen Yuan in her closing paragraph to “Notebook: Hollywood shouldn’t glamorize the Beat Generation’s self-destruction” in The Michigan Daily.

With descriptions like “wide, fruited plains,” “all vintage Cadillacs and cigarette escapism,” and “slick cool and soft anarchy,” Yuan’s turns of phrases are beautiful in this article. I commend her attention to language in this journalistic essay about writers. It’s a breath of fresh air from so many dry works of criticism. Furthermore, she brings up a valid point on the complexity of Hollywood trying to encapsulate the human experience. Whether one is a so-called Beat, a journalist, or a movie-goer our lives cannot be easily summed up in one film or three films … or even several volumes of literature, as it may be. Yuan herself makes that very point when she says “But it may be a hard balance to keep.”

Consequently, she seems to have out-argued her own thesis, “However, what [Hollywood] doesn’t realize is that the Beats are nothing to be glamorized,” by acknowledging the intricacy of life and that portraying “clouds of brooding angst” doesn’t create balance or reality anymore than depicting “carefree, YOLO-esque youth” does. Though she rightly suggests the Beats’ perpetual movement is related to their “existential search,” it is unclear what she thinks a more accurate adaptation of On the Road or Big Sur would be or how the murder of David Kammerer should have been told.

I would argue that the film adaptation of On the Road did a fine job of showing both sides. It perhaps doesn’t do the existential search justice but there are intimations of it, particularly in the scenes when Sal Paradise hallucinates among the Catholic saints, with the insertion of Proust, and when Dean Moriarty confesses that he doesn’t know why he does the things he does. The go! go! go! mentality comes to a screeching halt in the closing scene, indicating that maybe all those wild times weren’t all they were cracked up to be. Meanwhile, Yuan says Kill Your Darlings contains “tantalizing hints of murder,” when in fact the film does not hint but tells of the events leading up to a murder that landed three of the Beats in jail, with one of them doing time in a reformatory. It does not paint any one character as the villain, but again shows that the people involved and the events that unfolded were complex. Existentialism is a recurring theme of the film as seen through the New Vision. I haven’t seen Big Sur yet, but I’ve read the reviews of the film, and it seems to me that it’s far from glamorizing Kerouac’s life. More so, I’ve read the novel twice and know that it’s actually the antithesis of glamorizing the Beat Generation machine.

So here’s the question … or rather, I should say questions: Is documenting a life, an event, or a novel automatically glamorizing it? Where is the line between telling the truth and glorifying—when storytelling? Do stories have to be redemptive? If they are not redemptive, must they be cautionary tales? If they do not fall into these categories, are we better off ignoring them?

The pastor of the church I grew up in used to say, “Ignorance is not bliss.” Being downright oblivious or purposely ignoring issues doesn’t make them go away. The truth of the matter is the “intrigue and montages of reckless drug use” were a part of the life of Allen Ginsberg, Jack Kerouac, William S. Burroughs, and so forth. And I would gather that the parties and drugs and casual affairs were a lot of fun as they were happening. That’s why people do those things. To categorically demonize these things does a disservice to the truth. The truth of course is much more complex. Consequences aren’t always immediate or even a given. We can look now in hindsight at On the Road and know that Jack Kerouac died at only forty-seven years old, after abusing alcohol. However, we can cast our collective eye on Burroughs and see a man who did a lot of hard drugs who didn’t pass away until he was eighty-three years old.

Yuan says, “They wanted to rebel against this new middle-class United States and find something new to believe in….” Today’s suburban teens and Ivy League undergrads may very well still be searching for something to believe in. I think the Beats’ stories go on, not because they glamorize illicitness, but because they speak to that very basic human need to feel like more than just a cog in the machine but like we’re actually living, that our lives have meaning. I think this is part of what Yuan is advocating for, and I think it’s actually there in the films and in the literature. It’s just not whitewashed, pristine, perfect. But then again, neither is life.

 

* * *

Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

The Day We Said “No” during World War II

28 Oct

If there had not been the virtue and courage of the Greeks, we do not know which the outcome of World War II would have been Winston Churchill

Today is Oxi Day. The day Greeks said “No” during World War II.

You can read my post on the history of this day here.

 

* * *

Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

Happy 155th Birthday, Theodore Roosevelt!

27 Oct

HuntingTheGrisly

Ten years ago — wow, time flies! — I had the pleasure of penning an introduction to Rough Rider Theodore Roosevelt’s adventure memoir Hunting the Grisly and Other Sketches. As part of my research, I toured his birthplace, a gorgeous brownstone right here in New York City. I loved hearing the inspirational story of how he was a sickly child whose love for reading and nature led to him becoming an advocate for conservation. Just like Jack Kerouac later would, Roosevelt read Leo Tolstoy and dime-store westerns, traveled America, dreamed of ranching (Roosevelt actually did ranch; Kerouac was a lot of talk), became associated with hyper-masculinity, and created a legend out of himself through his writing.

Today marks the 155th anniversary of Theodore Roosevelt’s birth.

* * *

Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

We’re in Empty Mirror!

14 Oct

Empty Mirror published an excerpt from Burning Furiously Beautiful!

The excerpt is from the sections “The Sea Is My Brother” and “Schizoid” from the beginning of the biography. It begins with Jack Kerouac’s Lowell friend, a Greek American named Sebastian Sampas, going off to Camp Lee and then tells of Kerouac’s time in boot camp. During this time period, the young author was working on the book The Sea Is My Brother.

 

Want to read another excerpt?

Here’s one on the tragic life story of Kerouac’s father.

* * *

Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!