Tag Archives: social media

Dressing John Stamos for Awards Season

31 Jan

Grandfathered

It’s awards season in Hollywood, and Greek-American actor John Stamos just won Favorite Actor in a New Series for Grandfathered at the 42nd People’s Choice Awards! At the January 6, 2016, event, he hammed it up for the crowd, stopping to take selfies with adorable young fans. He looked quite suave in a black velvet suit accented with a red pocket square.

He seems to be a fan of the red pocket square.

He wore the red pocket square again recently, still with an all black suit, though this time it wasn’t velvet and there was a tie involved. (William Shatner was also involved.)

He wore it better with a tux a few weeks prior to the People’s Choice Awards when he attended The 67th Emmys Governors Ball. He told People:

“All dolled up and sporting Frank Sinatra’s pocket square. Given to me by his manager, the great Tony O.”

Okay, if I had a pocket square that once belonged to Frank Sinatra, I might wear it out as often as possible too!

But the pocket square might be getting a bit too ubiquitous. I mean, it’s kind of like how fellow Greek-American Jeffrey Eugenides became so known for his vest that someone started a Twitter account for Eugenides’ vest. Is someone going to start @StamosPocketSquare?

Even The Washington Post commented on it, though that time he wasn’t wearing Sinatra’s red pocket square but a different one.

I think it’s time for John Stamos to find a new accessory! If you follow him on Instagram, you know the man looks good in a pair of glasses. I’d like to see Stamos rock a pair of glasses at his next awards show. I’d recommend these Greek Handmade Frames:

eyeglasses_1-1

 

It would be great to see more Greek-American stars using their influence to help Greek and Greek-American companies, particularly during the Greek economic crisis.

John Stamos strikes me as a man who can pull off a piece of jewelry. I say, ditch the red pocket square and wear a piece of striking jewelry. After seeing Konstantino’s exquisite jewelry at the welcome reception for the GABBY Awards, I would pick a piece from his Byzantium collection for Stamos to wear:

bizantium_1

And you know how his Full House (and now Fuller House!) character Uncle Jesse was obsessed with his hair? I would obviously have Christo, the Greek-American hairstylist behind Curlisto, do Stamos’ hair. Curlisto did hair for the runways for the Greek American Fashion Week, and he has an entire line of men’s haircare products:

Curlisto

On to the fashion! For clothing, John Varvatos is a Greek-American clothing designer who creates stylish looks. For an awards show, Stamos could wear a grey John Varvatos Cotton Shirt.

Cotton-Shirt

Over the shirt, I would add some sophistication with this black Cotton Vest with Piping Detail:

Cotton-Vest-with-Piping-Detail

And over that, I’d layer Varvatos’ black Cotton Jacquard Jacket:

jacket

For pants, a simple black pair of pants like Varvatos’ Wool Blend Pant would do nicely:

pants

 

When Tommy John approached me about dressing a Greek star for the red carpet this awards season, I thought to myself:

Really? But can’t I just leave him … undressed?

I mean, he did just recently share a picture of himself on Instagram in his undies!

Stamos2

And then there was that time in 2014 when the Oikos spokesman showed off his underwear with the Greek yogurt logo on it.

Stamos

Why not just leave him in Tommy John’s underwear Second Skin Square Cut:

Red Carpet 2 TJ

And Tommy John’s Second Skin Crew Neck Undershirt:

Red Carpet 4

Have mercy!

This May Improve Your Mood about Your Social Media Presence

12 Aug

WereAllKerouacy02 copy

This is me reading at Ronnie Norpel‘s fantastic reading series Tract 187 Culture Clatch at The West End —/ photo by author Nana Ekua Brew-Hammond

Over the years, I’ve blogged about everything from twitter to pinterest, in the effort to help fellow writers think about their social media presence. Why? Because every conference and expo I’ve attended has drilled the need for social media into my head. Swirling around my brain, I hear platform, platform, platform.

But platform is about so much more than social media.

According to Rob Eagar’s article “Stop Grading an Author’s Social Media Presence” on Digital Book World, publishers are “misguided” in how they look at an author’s social media presence. He suggests what authors and publishers should focus on is:

  1. Email list and performance
  2. Monthly website visitors
  3. Speaking schedule or webinar participants
  4. Previous sales history

I’d highly, highly suggest reading the full article. What he says makes a lot of sense.

Does this mean we abandon social media?

By no means! It means social media is simply one tool in our toolbox. Okay, toolbox metaphors aren’t quite my lingo—nor my “brand”—but the point is that publishers, agents, librarians, and readers value the fact that an author uses social media, so we should maintain our online presence, but we should also look to diversify. Give a reading. Engage with people who leave comments. Send out a newsletter. Host a webinar. Maintain your backlist. Participate in a panel.

That’s what I’m doing at least. Or at least trying to do.

You can find the facebook page Paul Maher Jr. and I run for Burning Furiously Beautiful here.
My Twitter handle is @stephanieniko.
I pin about Jack Kerouac and the Beat Generation and lit life and 1950s fashion and nighttime road trips and the Greek beauty and deer on Pinterest.
I write articles for other publications.
I am reading at Word Bookstore in Jersey City.
I am teaching a writing class at the Festival of Women Writers.
I am participating on a panel at BinderCon.
I am co-organizing the faith and writing conference called The Redeemed Writer: The Call and the Practice.

There’s so much more to writing than, well, writing. I enjoy it, though. It’s stretching me as a writer, as an entrepreneur, and as a person.

Pinterest Fail Version of Loaded Cauliflower “Mash” Bake

26 May

CheesyCauliflower

Pinterest fail? I spotted this Loaded Cauliflower “Mash” Bake on Pinterest, and it looked so yummy! It’s kind of a “skinny” version of loaded mashed potatoes. Not necessarily “great” for bikini season but better than potatoes would be! As a vegetarian, I had to swap out a few ingredients. Instead of bacon, I used some sort of green pepper type thing that my mind is currently blanking on the name of. It tasted okay but wasn’t quite as photogenic. Oh well, a starving artist has to eat!

So You Want to Be In Publishing

2 Jul

Intern

One of my former interns made this for me on her last day of the internship at the publishing house. Isn’t it so cute? I was really touched. I don’t know that I taught her everything about a career in book publishing, but hopefully I gave her a good foundation.

I thought I’d share a few tips on careers in book publishing and being a businessperson in a creative field:

What’s your favorite piece of advice?

Writing Wednesday: Keep In Touch with Your Alumni Network

9 Apr

bookclub1

One of the best decisions I ever made was attending Scripps College. I accepted their offer of enrollment sight unseen. I had never even been in California before arriving a few days before orientation!

I made so many great friends — and I’m STILL making new friends because of Scripps.

A few years after graduating, I began attending the New York chapter of the Scripps alumnae book club. At the time, I didn’t know a single person who attended the book club. None of them were from my graduating year. In fact, it was only after I’d been attending for over a year that someone I’d actually known when I was attending Scripps as an undergrad began attending book club and we reconnected. What’s great about the alumnae book club is that I’ve met so many new smart women, some around my age, some much older, and some much younger.

These women from my book club have been so supportive of me. As I posted a while back, they selected the book I coauthored with Paul Maher Jr., Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road,” for their January 2014 read and invited me to speak about the book.

The college even posted a photo on the Scripps College facebook page of a group of alumnae from the book club holding Burning Furiously Beautiful!

Even before the book club reading, the Scripps College Alumnae Association posted about the book’s publication on facebook.

I haven’t been supported just online, though. In the Winter 2014 issue, Scripps Magazine featured me (see page 40) in their regular column “ManuScripps” about Scripps authors.

It’s not just Scripps, though. The New School, where I received my MFA, has also supported me. Every week during the academic year, the Creative Writing program emails a newsletter of students’ and alumni’s publications. It’s sent through email to those who attend or have attended the graduate program so I don’t have links to share with you (though the New School Writing is on Twitter!), but they have generously announced my publications.

Does it sound like I’m bragging? Well, I am. I went to a GREAT undergraduate college and a GREAT MFA. I feel so supported by the community I had while I was attending and also by the new community I’ve made back here on the East Coast.

But I’m not any more special than you. YOUR college would love to hear from you. Colleges love to brag about the success of their former students because it makes them look great too.

They’re also always looking for stories to fill the pages of their newsletters. Don’t expect them to keep tabs on you and know about your every publication, though. Many people who work on these publications are interns, work-study students, or volunteers who don’t have time to track you down and see what you’ve been up to. You have to tell them! They want to brag about you, but they have to know how first.

What to send to your alumni network:

Do the hard work for them by sending your alumni publication full details of your latest story any time you get something new published. That means: your full name (perhaps maiden name if you got married), your graduating year, the title of the piece, what type of piece it was, who published it, when it was published, and a link to the story (if applicable).

It’s not just about you

Be sure to give back, though. Class participation counts when it comes to fundraising campaigns, so even if you can’t give a lot, just by giving you’re contributing to the college’s efforts. If you’re a starving artist, there are other ways to give back too, such as submitting free articles for the alumni magazine, meeting with prospective students in your town, fostering a sense of community amongst alumni by congratulating individuals on their achievements, participating in regional alumni events, informing your alma mater about internships and job openings at your place of business, and mentoring recent grads. Cheesy as it may sound, it’s actually a real ego boost to be able to help others. Real success is being good enough at what you do to help others become better at what they want to do.

You may also like:::

Two Love Stories Inspired by Jack Kerouac

14 Feb

“Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk- real straight talk about souls, for life is holy and every moment is precious.” ~Jack Kerouac, On the Road

Happy Valentine’s Day! I just want to take a moment on this sappy holiday to say how thankful I am for each and every one of you who reads my blog, leaves comments, and forwards it to friends. The life of a writer can be quite solitary at times, as we hole ourselves up in a room with our notebook or computer, and I’m so thankful for the community I’ve made through writing, researching, giving readings, and social media. Maybe I’m a big old nerd for spending so much time in front of a computer, but through blogging, I met my coauthor and made friends along the way so that has to count for something!  Thank you for taking time out of your busy schedules to read and support my writing!!

If you’re looking for a Valentine’s Day read this weekend, here are two great love stories inspired by On the Road.

 

Beatitude by Larry Closs

 

Mañana Means Heaven by Tim Z. Hernandez

Will you be my Valentine?

Salon Wonders: Is “On the Road” a Classic?

3 Feb

salonOh, hey, that’s an ad for my book on Salon!

What makes a book a classic,” wonders Laura Miller in Salon.

Wouldn’t you know it, Jack Kerouac’s On the Road gets a mention, amongst works by Seamus Heaney, Kurt Vonnegut, David Foster Wallace, Daphne du Maurier, P.G. Wodehouse, Toni Morrison, J. R. R. Tolkien, and Alexandre Dumas. Miller writes:

And what about “On the Road” which to the same reader might seem like an incontestable classic at age 17 and sadly or sentimentally jejune at 45?

Her question in regard to Kerouac’s most famous novel raises some questions of its own:

  • Does our definition of “classic” change with our age?
  • Is On the Road definitively insignificant after age 45?
  • Does content matter more than literary style even for the classics?

But let’s go back to the discussion at hand for a moment to build some context. In her article, Miller points to an interesting discussion on Goodreads:

A fascinating Goodreads discussion on this topic shows participants tossing out all the most common defining characteristics of a classic book. It has stood the test of time. It is filled with eternal verities. It captures the essence and flavor of its own age and had a significant effect on that age. It has something important to say. It achieves some form of aesthetic near-perfection. It is “challenging” or innovative in some respect. Scholars and other experts endorse it and study it. It has been included in prestigious series, like the Modern Library, Penguin Classics or the Library of America, and appears on lists of great books. And last but not least, some people define a classic by highly personal criteria.

She also references an essay by an Italian journalist, translated by Patrick Creagh in 1986:

Perhaps the most eloquent consideration of this question is Italo Calvino’s essay, “Why Read the Classics?,” in which he defines a classic as “a book that has never finished saying what it has to say,” among a list of other qualities.

So does On the Road fit these contrived attributes of a classic?

  • Has On the Road stood the test of time?
  • Does On the Road hold eternal truths?
  • Does On the Road capture its era, the 1940s and ‘50s?
  • Did On the Road have a significant effect on the 1950s?
  • Does On the Road have something important to say?
  • Does On the Road achieve some form of aesthetic near-perfection? Side question: Is aesthetic near-perfection something we can define or is it subjective??
  • Is On the Road challenging? Side question: Does challenging mean from a reading-level standpoint? From a philosophical standpoint?
  • Is On the Road innovative?
  • Has On the Road been included in a prestigious literary series?
  • Has On the Road appeared on a list of great books?
  • Does On the Road fit your own personal criteria of classic?
  • Has On the Road ever finished saying what it’s had to say?

Okay, many of these can be objectively answered as “yes.” One can point to numerous sources that show that Kerouac’s road novel rocked the era in which it was published and continues to be discussed by scholars and pop culture alike today. A few seem debatable, but I would argue that anyone knowledgeable of literary history and criticism would agree—from a literary standpoint—that On the Road is innovative (read Burning Furiously Beautiful for in depth analysis of Kerouac’s literary style) and therefore challenging in both style and content. It also speaks to eternal verities (notably the search for it, for meaning) and therefore has something important to say and continues saying it afresh to new readers. The two questions that remain because they are the most subjective are:

  • Does On the Road achieve some form of aesthetic near-perfection?
  • Does On the Road fit your own personal criteria of classic?

I’d love to hear your thoughts on wrestling with these questions. Is On the Road a classic?

One thing that struck me—hard!—when I was reading Miller’s thought-provoking article is that I immediately agreed that David Foster Wallace’s work is a classic, but was put off by J. R. R. Tolkien being included. While this shows my own personal bias, if pressed I would concede that Lord of the Rings is “a classic” but not “a Classic.” It is, after all, fantasy—genre fiction. And in my mind, as in many other people’s mind, there is a distinction, a dividing line in literature. For some reason, I can concur that magical realism can fall under the category of classic but have a more difficult time with fantasy. Yet, if I hold Lord of the Rings up to the same questions as On the Road, I’m hard-pressed to deny it’s a classic. So what is a classic? What standards should we agree to when defining a work as classic? Are there classics and Classics?

And why do Lord of the Rings nerds get a free pass for liking Tolkien well into their adult years while society derides Kerouac as a novel just for teenagers??

10 Books That Have Stuck with Me

17 Dec
gypsy
The other night I fell asleep thinking about the books that have stuck with me over the years. My friend had tagged me in a Facebook post about the ten books that have stuck with her—not necessarily the best books or her favorite books, but the ones that come to mind first. She then tagged me and nine other friends to do the same. I figured it would make for a fun blog post because some of the books may come as a surprise.
Without further ado…:
  1. Bread and Honey by Frank Asch
  2. Squiggly Wiggly’s Surprise by Arnold Shapiro
  3. Charlotte’s Web by E. B. White
  4. Gypsy Summer by Wilma Yeo
  5. Anne of Green Gables by L. M. Montgomery
  6. Sins of the Father by Eileen Franklin
  7. The Dangling Man by Saul Bellow
  8. On the Road by Jack Kerouac
  9. The Pillow Book by Sei Shonagon
  10. Blue Like Jazz by Donald Miller
I could probably write a blog post for each of these titles on why they stuck with me! I could also add so many more books to the list.
There are a few things I’ll point out about the books that actually made the list, though. The first half of the list are children’s books, or perhaps YA. The first two, in fact, are children’s storybooks, but even today their message remains with me. Adult books have a lot more “grey” in them when it comes to morality and message, as we come to understand the complexities and nuances of life, but I think there’s something to be said for the simple and beautiful messages of children’s picture books.
The other thing I’ll point out is that the second half of the list was all read more than ten years ago. Actually, number 6 on the list I read in middle school, and the only book post-undergrad on the list is number 10. It’s obviously not that I haven’t read since then or that I haven’t read good books since then. In fact, I took fantastic literature classes while working toward my MFA and was exposed to books that shaped the way I think about literature and writing. It’s just that when I think of books that have really stuck with me over the years, I was thinking of books that have stood the test of time.
I tag you! What 10 books have stuck with you? Leave them in the comments below.

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Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

Gift Guide: 5 Unique Gifts for the Mad Ones

29 Nov

Happy Black Friday?! The writers associated with the Beat Generation generally avoided vapid commercialism, but if you have a friend, family member, or colleague who is into Beat literature — or if you’re looking to spoil yourself — you may want to bless them with a gift that values their literary interest this holiday season. But what do you get for the Beat reader who has a bookshelf full of dog-eared novels and biographies?

If your friends are “the mad ones, the ones who are mad to live, mad to talk, mad to be saved” — you know, people who religiously read Jack Kerouac — they’ll appreciate these unique literary-inspired gifts.

Then, again, as Kerouac said: “Offer them what they secretly want and they of course immediately become panic-stricken.”

1. A cappuccino cup from Caffe Reggio.

CappuccinoCupMediumImage via Caffe Reggio

Caffe Reggio one of the coffeehouses the Beats hung out at in Greenwich Village.

2. Teavana Global Treasures Tea Gift Set.

teaImage via JC Gourmet Gifts

“‘Now you understand the Oriental passion for tea,'” said Japhy. “‘Remember that book I told you about; the first sip is joy, the second is gladness, the third is serenity, the fourth is madness, the fifth is ecstasy.'” ~Jack Kerouac

3. Chronicle Books Bedside Dream Journal.

Bedside_Dream_JournalImage via Chronicle

“All human beings are also dream beings.” ~Jack Kerouac

4. On the Road key ring from Penguin.

pc_keyring_ontheroadImage via Penguin

Get your kicks on Route 66 with this On the Road key ring from Penguin.

5. Cinnamon Apple Pie Candle from SweetShoppeCandles.

pieImage via Etsy

“I ate apple pie and ice cream—it was getting better as I got deeper into Iowa, the pie bigger, the ice cream richer.” ~Jack Kerouac

You can get more ideas on my Gifts for the Mad Ones Pinterest page and from my blog post last year Gift Guide for the Beat Reader.

And you know what these all pair well with? You guessed it! A copy of Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road.” which is available in paperback through Lulu and Amazon and in ebook through Lulu.

 

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Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!

Confessions of an Awkward Lowell Celebrates Kerouac Attendee

5 Nov

bus

I hit the road last month to attend Lowell Celebrates Kerouac!

Confession time! In most circumstances I feel like a hanger-on if I’m in the company of whomever is the man or woman of the hour. Maybe it’s related to the Imposter Syndrome Sheryl Sandberg talks about in Lean In. Who am I to talk to someone of great stature? I never want to bother anyone, make it appear that I’m trying to get something out of them, or come out as some zealous fan. So, my typical response is to just keep to myself.

The first year I attended LCK I went alone and barely talked to anyone. I had been studying Kerouac’s literature for more than a decade and was fascinated by everything around me. It felt so surreal to be in Kerouac’s stomping grounds, to see his birth home, the Grotto, the Pawtucket Falls, the mill town he’d loved and written about. Roger Brunelle gave excellent tours, and I was enthralled by every moment of it. I loved every moment of it, and even though I had no one to share it with I didn’t really mind.

This year was completely different. My friend Julie Parker let me crash at her beautiful home outside of Boston, which was brimming with books and paintings and so full of inspiration. She’s a design consultant who does package design, marketing, and brand identity, so when we weren’t at the festival we had endless conversations about publishing and self-promotion.

I got to meet Paul! Oh my gosh, I was so nervous. Paul and I have been collaborating together for almost two years, and I probably spend more time talking on the phone with him than anyone else except maybe my mom when she’s in the States (when she’s in Greece, it’s difficult with the time difference), but we’d never met in person. I guess I was worried by meeting in person, something would change. It ended up being awesome. He gave Julie and me a tour of Lowell, and since he himself grew up there, his insight and stories were really personal.

I also got to catch up with David Amram and Billy Koumantzelis. I first got to know each of them from interviewing them about their friendship with Jack Kerouac, and since then I’ve been careful not to assume they’d remember me or talk to me beyond that. I completely understand that they’d have other, more important, people to talk to. But I didn’t want to go to my default of keeping my distance for fear that would make it seem like I didn’t want to talk to them. Ugh. My head gets so mixed up sometimes! Anyway, I did end up getting to spend time with both of them, and they’re both so gracious and fascinating individuals. For all the negative things that have been said over the years about Jack Kerouac, I have to say that he sure knows how to pick friends. These guys are stand-up gentlemen. Even though I first got to know them because of their friendship with Kerouac, that doesn’t even matter to me anymore. I just like talking to them and hearing their perspectives. When I had first interviewed Billy, I was curious about who he is, and at one point he stopped me and said, “Aren’t you here to ask me about Kerouac?”

Through one of David’s concerts at Cornelia Street Café, I’d met the poet Christopher Barry. He was at LCK too and introduced me to his brother, Stephen Barry, who is also a poet. Chris is a great guy, and it was fun chatting with him and his brother. David also introduced me to Steve Dalachinsky and Yuko Otomo, who are these amazing poets from New York City. Seriously. Probably among the best I’ve ever heard read—and I’ve heard a lot of poets read over the years. I probably would’ve been too shy to ever introduce myself if it weren’t for David. Billy also introduced me to Jim Sampas. You know, the guy behind One Fast Move or I’m Gone and the new film Big Sur. I sat there kind of stunned, saying, “I’m a big fan of your work.” I gave him a postcard for Paul’s and my book, Burning Furiously Beautiful, and Jim said, “I think I’ve heard of this.” Wow. I also got to meet the documentary filmmaker (Grave Matters) Brent Mason. Super nice guy. I met Stephen D. Edington, the organizer of LCK. He’s given sermons at the Unitarian Universalist Church of Nashua, which I’ve read online and found quite interesting.  And, I got to meet Roger Brunelle and his wife, both of whom were so warm. I don’t know why I get so nervous to introduce myself and talk to people sometimes….

Another highlight, though, was meeting people from the Burning Furiously Beautiful Facebook page. I was so touched when they came up and introduced themselves. I am so thankful for the network we have on that page, and it’s been great meeting like-minded people offline.

I guess I write all this to show that even if you sometimes are predisposed toward awkwardness, shyness, and over-thinking things, good things happen when you step out of your comfort zone. A colleague of mine recently posted on Facebook about how his daughter was having trouble with good greetings, that it took her a while to warm up to even people she knew when she’d see them again. I feel a lot like that little girl sometimes. Although this is supposed to be a recap of my time at LCK, I think it’s important that I share my true story. I’ve gotten the impression sometimes that people think if you read Kerouac, you’re trying to be cool. I never really had the impression of Kerouac as the cool guy. I always thought of him as the guy shambling after his friends. I think if you really read and study Kerouac, you understand that he too battled shyness, that although he had a lot of successes he also had a lot of failures, that he was prone to both self-assurance and worry. I think that if we just be ourselves and use our gifts and if we are open to opportunities and push ourselves little by little out of our comfort zone, we will surprise ourselves by what we can do. The key though is that it’s not about being in the spotlight or about others in the spotlight; it’s about the blessings of creating art, doing what we love, and fellowshipping with others.

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Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” is now available as an ebook and paperback!