Tag Archives: New York

“Beat Generation” Premieres during Lowell Celebrates Kerouac

10 Oct

 

Kerouac’s play “Beat Generation,” written the same year that On the Road was published, will also have its premiere tonight.  The event stage production is taking place during Lowell Celebrates Kerouac, the week-long literary where fans from across the country make their pilgrimage to Kerouac’s hometown in Massachusetts.

As The Guardian reports, until around 2005, Kerouac’s play “The Beat Generation” sat unpublished in a New Jersey warehouse. In 2006 Da Capo Press published the play, with an introduction by A. M. Holmes.  Kerouac, who had a great interest in film, never got to see his own play put on or his novels made into a film.

Merrimack Repertory Theatre (MRT) raised funds through Kickstarter to stage the play in Lowell and is presented with UMass Lowell.  It was made with “the support and collaboration of Kerouac Literary Estate representative John Sampas,” according to MRT.

The play centers around the same group of New York City friends Kerouac often wrote about, as they pass around a bottle of wine.  Perhaps even more so than his novels, which are rich in poetry, the emphasis in “Beat Generation” is on dialogue.  Kerouac had a great ear for the unique syncopation of everyday language and the lingua franca of the working class.  As Kerouac himself said:

One thing is sure: It is now a real play, an original play, a comedy but with overtones of sadness and with some pretty fine spontaneous speeches that are as good as Clifford Odets.

Odets (1906-1963) was a playwright raised in Philly and the Bronx who wrote such plays as Waiting for Lefty and Golden Boy.  Born to Russian- and Romanian-Jewish immigrant parents, Odets used ethnic language and street talk in his plays.  Arthur Miller said of Odets’ work,  ″For the very first time in America, language itself . . . marked a playwright as unique.″  Kerouac himself was the son of immigrant French-Canadian parents and made use of both ethnic language–his own joual dialect as well as Greek and Spanish–and street talk.

For information on the special events surrounding the play as well as tickets, visit MRT.

Greek American Fashion Week: Timothy George

21 Sep

 

 

 

The Greek American Fashion Week Show concluded with the Spring/Summer 2013 collection by Timothy George.  Learning through apprenticeships at highly respected garment factories, George debuted work that was pure luxury.  His designs looked expensive both in materials used and cuts.

George used beautiful French and Italian fabric.  The most stunning fabric was a lightweight teal erupting with raised, soft-looking orange dots.  This surreal and gorgeous fabric was used for a wrap blouse, a t-shirt, and a skirt.  Pairing them with a high-sheen orange skirt or with a more neutral and plain top or bottom showed how versatile this otherworldly cloth could be.  Other fabrics included softer ones, which were masterfully cut to bring a formality to their delicateness or were draped and billowed to promote their femininity.  Other fabrics, on the other hand, were tough and high-sheen.  With a high-end aesthetic, the collection reflected beauty, extravagance, strength, and femininity.

Timothy George is based in Midtown Manhattan.

Greek American Fashion Week: Angelo Lambrou

20 Sep

Of the four designers showing their Spring/Summer 2013 collections at the Greek American Fashion Week Show, only Angelo Lambrou debuted a wedding gown.  The fashion show’s founder and emcee Maria Pardalis, who looked gorgeous in one of Lambrou’s dresses (see pic here), described Lambrou’s Spring/Summer 2013 collection as “African tribal bridal.”  The all-white wedding gown made use of folds and folds of cloth, capturing movement and conjuring drama.

Another dress in his collection kept that billowy white skirt but swapped out the top for a polka-dotted red strapless top.  It’s perfect for bride who wants a wedding dress with unique personality.  It doesn’t have to be worn as a wedding dress, though.  It could also be worn to a fancy summer soiree, say a moonlit cruise.  An alternate version was that same dress but with a black bottom.  This looked even more like evening wear.  What caught my attention was the accessorizing — check out those fantastic statement necklaces!

In addition to the rollicking-waves dresses, there were also sleek evening dresses and smart daytime dresses.  The sleek evening dress was classic, a true wardrobe staple.  The daytime dresses had a retro vibe with stripes, polka dots, and thick piping.  They were flirty in a campy sort of way.  Very adorable.

Angelo Lambrou is based in the East Village here in New York now, but he was born in Southern Africa to Greek-Cypriot parents.  He studied fashion in Johannesburg and London before returning to Botswana to start his own fashion line.  He worked with Miss Botswana in 1999 and designed all the contestants’ dresses for the 2000 Miss Universe competition; he dressed Patti LaBelle for the 2002 Grammy Awards and Maria Bello for the Secret Window premier.

Greek American Fashion Week: Tatiana Raftis Spring/Summer 2013

17 Sep

The first collection to hit the runway at the Greek American Fashion Week Show was one of New York’s own — the Astoria, Queens, born Tatiana Raftis, whose parents hail from Greece and Cyprus.  Raftis studied evening-wear design at FIT, The Fashion Institute of Technology, here in New York, and her Spring/Summer 2013 collection boasted drop-dead-gorgeous gowns and dresses for formal occasions.  Raftis’ clothing designs are statement pieces that are sure to turn heads.

Raftis’ Spring/Summer 2013 collection is for any woman who wants to exude femininity but still possess a bit of edge.  Her dresses evoke medieval princesses who know how to yield a sword.  They’re pure romance with florals, pastels, and sequins, and yet the jagged cuts and use of black suggest an intense passion to be reckoned with.

My personal favorites were the dusty lavender gown with the dramatic slit, which someone better snatch up for the next Oscars, as well as the sequined pink shorts, which were styled so perfectly with a white shirt and pink bolero so as to make the outfit look hot yet not overdone.

Tatiana Raftis provides custom orders for clients out of her Queens studio.

Greek American Fashion Week Show Recap

14 Sep

Gate-crashing fashionistas had no luck sneaking into the first Greek American Fashion Week Show, which kicked off Mercedes-Benz Fashion Week in New York City. The hot-ticket event was completely sold out well in advance of its September 7, 2012, date, and the security at the Midtown Loft & Terrace was tight.  After all, some of the biggest names in Greek fashion — ENOE ME by Lia Kastanidi, Timothy George, Angelo Lambrou, and Tatiana Raftis — had come together to preview their Spring/Summer 2013 collections, and even the Consul General at Consulate General of the Republic of CyprusMs. Koula Sophianou, was in attendance to celebrate these bright young Greek designers.  The evening was clearly about more than showcasing lush fabrics, innovative cuts, and taste-making, though.  The Greek American Fashion Week Show was a visually engaging testament to the innovative spirit of Greeks throughout the world.

Organized by the Fashion & Design Committee of the Hellenic American Chamber of Commerce (HACC), the Greek American Fashion Week Show was produced by Ioannis Makris.  Founder/HACCYP Maria A. Pardalis (pictured top row right) emceed the event, looking radiant in a dusty-rose-hued dress designed by Angelo Lambrou and wearing her hair in romantic tendrils.  Peter, also an emcee, took a more casual approach to style, embracing grunge’s comeback by rocking jeans and a plaid button-down shirt.

During intermission, attendees were treated to the captivating Sarina Suno, The Violin Diva (pictured top row middle).  Gyrating her hips, pumping her bow in the air like a rock star, and taming an electric violin into musical submission, the classically trained Japanese violinist, who has played in Athens and throughout the world, became the music she was playing.

Throughout the evening, NXNY, Trump Soho’s resident DJ, kept the atmosphere lively with an eclectic mix of new and old beats.

If you think the fashion forward don’t eat, you’ve never been to a Greek fashion show.  Delicious morsels from Loi, Maria Loi’s Upper West Side restaurant, circled the room, with attendees chasing after the servers for more.  (Incidentally FOS, the Forum on Orthodox Spirituality, will be hosting its outreach party for its new series at Loi on September 25 at 7pm; for more information visit the Archdiocesan Cathedral of the Holy Trinity.)  Flavored Stoli Vodka and other spirits and wines flowed freely at a neon-lit bar.

The event’s platinum sponsors were The Artisnal Kitchen, Jet Airways, Korres (whose products I used to get myself fashion-show worthy! Check out my reviews of the Pomegranate line here and the Wild Rose line here.  I’m pictured bottom row left in the image above.), Make, Mana, and Timothy George.  The Silver sponsors were Hendrick’s Gin, Loi, Snapshotz Photography LLC, Stoli, and YA Mastiha.  Other sponsors included The Cyprus U.S. Chamber of Commerce; Elefteria Georgalis, Greco Title Agency; Petros Georgiadis; George Kolotouros, Hermes Classic Printing; Peter Legakis; Katerina Matzouranis Duarte, Esq.; Evangelia Trilios, Esq.; and Mavromihalis, Pardalis & Nohavicka, LLP. There was also a fantastic silent auction.  The silent auction sponsors included Diane von Furstenberg, Godiva, Livanou, Dennis Bass, Kensie, Thalassa Restaurant, Ammos Estiatorio, Avra Estiatorio, Parea Bistro (check out my review here), Vareli Restaurant and Lounge, and Kefi Estiatorio.

The event was covered by Greek news station ANT1.

I’ll be profiling each of the four designers in the Greek American Fashion Week Show — ENOE ME by Lia Kastanidi, Timothy George, Angelo Lambrou, and Tatiana Raftis — next week!  You’ll get to see exclusive photographs from their Spring/Summer 2013 collections, along with commentary on their styles.  I’ll also give you the inside scoop on who these designers are and where you can find their designs.  You won’t want to miss it!  Each designer is truly unique, creating beautifully made statement clothing.

 

Save the Date! I’m reading at Sidewalk Cafe on August 12

1 Aug

Image via the event’s Facebook invitation

Poet RA Araya invited me to read from Burning Furiously Beautiful: The True Story of Jack Kerouac’s On the Road, the book I’m coauthoring with esteemed biographer Paul Maher Jr.  It’s going to be an AWESOME event!  I’m so honored to have been invited to read as part of R’s birthday jam.

Get a load of this line up:::

RA’s Music Poetry Jam Celebration… FREE ADMISSION Sunday August 12th 5PM-9PM

Featuring:
Cabaret singer Marissa Mulder and pianist composer Mr Bill Sefiro

… Foamola to perform

Opera gospel singer Virdell Williams

Tango singer Steve

Poets Patricia Spears Jones, Sparrow, Puma Perl, Kate Levin, Sarah Sarai, birthday-oh-boy RA “R!” Araya and the German poetry of Hillary Keel

Stephanie Nikolopoulos will read, as the f-b-p band plays, from her upcoming co-authored biography about Jack Kerouac: Burning Furiously Beautiful

RA’s Flashbackpuppy band featuring bassist singer Jon Martinez and guitarist singer composer Peter Becket

With poet Mia Hansford via telephone

MORE PERFORMERS TO BE ADDED AND YET CONFIRMED

Plus invited performers from the audience

Free Admission, one drink minimum

http://www.sidewalkny.com/

It’s my b-day celebration… With artists friends at a nice hip restaurant bar with a stage in the back room, free admission with a one drink or coffee minimum… ’tis to be a sweet four hour event, come and go and come back for more on a Sunday that’s surely be filled with fine seasoned performers… Open-mic with band backing yer poetry or and music… Don’t bring a present, bring a poem 🙂 -R!

Seriously, seriously excited about reading while Flashbackpuppy plays and hearing all the other amazing poets and performers.  This also will be my debut reading from Burning Furiously Beautiful.

Recap to the Kickoff Party for Mediabistro’s Literary Festival (with links to pics!)

25 Jul

Headed over to mediabistro.com‘s kickoff party for its first-ever Literary Festival last week and had such a wonderful time catching up with friends in the industry and meeting new people! It was great chatting with Carmen Scheidel, who is so knowledgeable about the industry and great at connecting people with mutual interests. (She also happens to rock a great hairstyle!)  She co-hosted the event along with Gretchen Van Esselstyn, whom unfortunately I didn’t get a chance to talk to this time around but who happens to be the person who turned me on to Goodreads.  I don’t want to embarrass anyone who may be shy about having their names mentioned in a blog, but let’s just say I met designers, memoirists, world travelers, writing instructors, and freelance writers, all of whom had a love for the literary arts.

The party was held over at the Bubble Lounge in Tribeca (228 West Broadway), which had such an intimate atmosphere to it.  It was all exposed brick walls, candle light, and art that transports you to another time.

Ayaz Sayeed captured it all on camera. You can see photos of me here and here.

Hipsters Hate Driving

3 Jul

I knew I was getting old the day I saw a car commercial where the driver was clearly younger than I am.

So here’s an interesting bit of news: Generation Y doesn’t like to drive. According to Reuter’s “America’s Generation Y not driven to drive,” the Millennials think driving is more of a hassle than it’s worth.  A California think tank analyst, Tony Dudzik says instead of a driver’s license, a cell phone is the new rite of passage for young adults.

The article points to a few different reasons why Generation Y may be less interested in driving:

  • Smart phones make it easier to know public transportation schedules
  • More Gen-Yers are riding bikes
  • People are more concerned about saving the planet
  • Car-sharing services are making it easier not to have to own a car

From a cultural perspective, this makes total sense.  Gen Y is the hipster culture.  The kids in Williamsburg who listen to low-fi indie music on their hi-tech iphone, knit water-bottle cozies that they sell on etsy, ride their bicycles to work, buy their clothes from Buffalo Exchange, spend their weekends at the food coop, brew their own craft beer, and vlog on YouTube. If they drive, they drive hybrids. Because they’re all about the i-this and the i-that, they seek out community more intentionally. Who needs a car, if your friend or parents (they also happen to be the Peter Pan Generation, living at home after college) have one?

I personally fall somewhere between Gen X and Gen Y, making me part of Generation Flux.  Generation X refers to people born between the early 1960s and 1980s, while Generation Y refers those born between the late 1970s and the 2000s.  I know when I was growing up, there were a lot of cultural arts programs in the school about saving the rainforest and saving the whales, we studied acid rain and the ozone layer, and we joined KAP: Kids Against Pollution.  In drivers ed, they pretty much terrified you with statistics, photos, and videos that suggested it was likely you were going to die if you got behind the wheel. The shows that were popular when I was a teen were Mad About You, Seinfeld, Friends, Will & Grace, and Sex and the City, all of which were set in New York City.  Other popular shows like Ally McBeal, Frasier, and ER were also set in cities. Our stars didn’t drive.  They took cabs and rode the subway. Is it any surprise that we moved into the city and followed suit?

So will a generation who grew up watching Paris Hilton, Lindsey Lohan, and Snooki getting arrested for driving under the influence and/or crashing their cars, a generation coming of age during the Great Recession, a generation who doesn’t care about driving, embrace the 1950s road trip adventure of On the Road when the movie comes out and the novel by Jack Kerouac it is based on?  Well, here’s another interesting twist: Jack Kerouac didn’t like driving either. If you read his novel, you’ll see that most of the time, the character based on him in the novel is on the bus or in the passenger seat.

How do you feel like the era you grew up in influenced you?

Now you can “like” Burning Furiously Beautiful on Facebook!

Tasty Tuesday: Pictures from Brunch at Ovelia in Astoria

26 Jun

I went to brunch at Ovelia in Astoria with my sister and cousins when they visited.  Ovelia is one of my favorite Greek restaurants in New York.  I love their modern take on traditional Greek foods!  And it’s got a great funky vibe going on with the decor.

Your Invite to the Record-Setting Human Towers Being Built Tonight at 230 FIFTH

20 Jun

 

Filmmaker Ram Devineni is proving to the world the beautiful complexity of human language.  In On the Road with Bob Holman, he traveled the world, documenting the plight of languages headed toward extinction.  In The Human Towers he picked up his suitcase again, this time to film the art-sport-poem that is castells, human towers.  Castells have been recognized as Masterpieces of the Oral and Intangible Heritage of Humanity.

Tonight, 150 people from the Catalan’s finest castell group will attempt to build the first-ever eight-story human tower on a rooftop at 150 FIFTH  (@27th Street, NYC), and YOU can witness the incredible spectacle for free.  It starts at 8pm.

The Wall Street Journal has already created some buzz.

Here’s the press release:

One of the world’s most unusual and spectacular team endeavors – the Spanish region of Catalonia’s three hundred year old tradition of building multi-storey human towers called castells – will make its New York City debut on June 20 at 230 FIFTH, when the 150 member Castellers de Vilafranca will attempt a new world record by building the first eight-level castell ever assembled on a rooftop. The performance, which will also include the building of several other towers in different configurations on 230 FIFTH’s palm punctuated roof deck, will inaugurate a series of free public castell buildings throughout New York City from June 20 to 24 in honor of the rebuilding of the World Trade Center complex. Each tower will be an exercise in intense concentration, strength and balance as the bare footed participants form successively smaller tiers – resembling a human wedding cake – by climbing up the bodies of each layer to mount the shoulders of the previous tier until the tower is topped by a single 9 years old child. An almost balletic, decidedly athletic and heart-stopping feat orchestrated to the inspiring melodies of a quartet playing Catalonian music.

The series of performances will be the first by any castell team in New York City; the Castellers de Vilafranca, considered Spain’s best, have been planning for years to build in the Big Apple as a means of introducing to the United States the activity which UNESCO has recognized as being amongst the Masterpieces of the Oral and Intangible Heritage of Humanity. Their trip coincides with an official visit by President of the Catalan Government, Artur Mas.

The Castellers de Vilfranca will perform in Central Park and Battery Park for the Make Music NY Festival on June 21st. They will also build a human tower at the United Nations on June 22nd and are scheduling other venues throughout the city including Times Square and Brooklyn Bridge. In addition, the team will participate in the presentation of the global documentary about their passion as practiced in Catalonia, Chile and India on June 22nd at Goldcrest Studios Theater, West Village. The Human Tower is directed by Ram Devineni and Cano Rojas and distributed by Goldcrest.

The record breaking roof building of a human tower by the Castellars Vilfranca at 230 FIFTH will take place at 8:15 p.m. again at 9:30 on June 20, with several different towers created by the team between 8:20 and 10. Like all of the team’s performances in New York City, the event will be free and open. 230 FIFTH is located at 230 Fifth Avenue at the corner of 27th Street, (212) 724-4300, www.230-fifth.com. The rooftop event is supported by Barcelona’s Estrella Damm Beer.

See you there!