I had the opportunity to interview Sophfronia Scott for the Festival of Women Writers. She is the queen of outlining, and her discipline makes me realize how structure can actually free up creativity. Sophfronia’s first big publication was writing about Generation X for Time Magazine. Since I am interested in the notion of categorizing people and literature by generations — the Beat Generation! — I was excited to ask her about her role in speaking for a generation.
Here is a snippet from our Q&A:
Nikolopoulos: While at Time Magazine, you and David Gross collaborated on the story “Twentysomething,” about Generation X. From the Lost Generation to the Beat Generation, and from Generation X to Generation Y, society tries to label groups of people based on when they were born and their shared historical and cultural experiences. As a writer, in what ways do you see yourself speaking for your generation?
Scott: The point of the Time Magazine story was that our generation, having observed and taken in the issues of the previous generation, seemed to be proceeding with our lives in a very thoughtful, observant manner. As a writer I tend to pursue my projects in similar fashion. Yes, I want to tell a good story or write an engaging essay but I’m also conscious of the fact that the story or essay has a deeper meaning. The story or essay interests me for a reason—I know I’m trying to say something important even if I don’t know right away what it is. The novel I recently completed explores sexuality, love, identity, and faith and when you read it you may find it challenging to what you believe about these things. In the big picture my writing, I hope, on some level will always leave you questioning who you are, what you believe, what your life is, in a style that will move you in positive ways.
If you missed it, I also did a Q&A with fellow Festival instructor Esther Cohen.
And, Breena Clarke interview me for a Q&A.
Novelist Breena Clarke — whose book River, Cross My Heart was an Oprah book club pick! — recently interviewed me for the Hobart Festival of Women Writers blog.
Clarke: I’m of the generation that kind of took our counter-culture marching orders from the Beats. You’re a couple of thousand years younger than me. How did you fall under the spell of Jack Kerouac and the Beats?
You can read my answer that question and her others here.
I’m super excited to be participating in the Festival of Women Writers again this year!
I’ll be reading from Burning Furiously Beautiful: The True Story of Jack Kerouac’s “On the Road” with Festival participants at WORD bookstore in Jersey City (123 Newark Ave.) on August 18 at 7:30pm.
Then September 11-13, I’ll be returning to the Catskills to teach a writing class at the Hobart Festival of Women Writers.
“Every day is an experience. Every day is an adventure.”
“Pay attention to anybody and everybody, and you’ll be amazed at what you can learn.”
Walt Whitman himself!
If you visit the Walt Whitman Birthplace State Historic Site and Interpretive Center, you’ll notice that there are a LOT of photographs of the Good Gray Poet. I don’t mean three or four distinguished portraits artfully framed and hung. I mean an entire wall is covered with various portraits of the great American poet.
The tour guides at the museum will tell you that Whitman understood the power of portraiture as a branding tool and harnessed it for all it was worth when it came to marketing his literary output. In fact, he believed his self image was even greater than his name. When he published his poetry collection Leaves of Grass in 1855 he included Samuel Hollyer’s engraving of him in work clothes and a hat [pictured above] — and didn’t even bother including his own name on his book!
With all those selfies, you might say Walt Whitman was the original Kim Kardashian!